Tragedy's end: closure and innovation in Euripidean drama
Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Francis Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of the pl...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
Oxford Univ. Press
1996
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Francis Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of the play, while innovations in plot and ending opened tragedy up to a medley of comic, parodic, and narrative impulses. Part One explores the dramatic and metadramatic uses of novel closing gestures, such as aetiology, closing prophecy, exit lines of the chorus, and deus ex machina. Part Two shows how experimentation in plot and ending reinforce one another in Hippolytus, Trojan Women, and Heracles. Part Three argues that in three late plays, Helen, Orestes, and Phoenician Women, Euripides devises radically new and untragic ways of representing and understanding human experience Tragedy's End is the first comprehensive study of closure in classical tragedy, and will be of interest to students and scholars of classical literature, drama, and comparative literature |
| Beschreibung: | VIII, 252 S. |
| ISBN: | 019508344X |
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| 520 | 3 | |a Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Francis Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of the play, while innovations in plot and ending opened tragedy up to a medley of comic, parodic, and narrative impulses. Part One explores the dramatic and metadramatic uses of novel closing gestures, such as aetiology, closing prophecy, exit lines of the chorus, and deus ex machina. Part Two shows how experimentation in plot and ending reinforce one another in Hippolytus, Trojan Women, and Heracles. Part Three argues that in three late plays, Helen, Orestes, and Phoenician Women, Euripides devises radically new and untragic ways of representing and understanding human experience | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Tragedy s End
Closure and Innovation
in Euripidean Drama
FRANCIS M DUNN
New York Oxford
Oxford University Press
Contents
1 Introduction 3
I Closing Gestures
2 Curtain: The End of Performance 13
3 Machine: Authorizing an End 26
4 Vestige: Traces of the Past 45
5 Postscript: Outside the Frame 64
II The End Refigured
6 Repetition: Hippolytus 87
7 Reversal: Trojan Women 101
8 Erasure: Heracles 115
III The Ends of Tragedy
9 Helen and Romance 133
10 Orestes and Tragicomedy 158
11 Phoenician Women and Narrative 180
Notes 203
Works Cited 233
Index of Euripidean Passages 245
General Index 249
|
| any_adam_object | 1 |
| author | Dunn, Francis M. |
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| building | Verbundindex |
| bvnumber | BV010995239 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PA3978 |
| callnumber-raw | PA3978 |
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| callnumber-subject | PA - Latin and Greek |
| classification_rvk | FH 24045 |
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| dewey-full | 882/.01 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 882 - Classical Greek dramatic poetry & drama |
| dewey-raw | 882/.01 |
| dewey-search | 882/.01 |
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| discipline | Philologie / Byzantinistik / Neulatein |
| format | Book |
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| isbn | 019508344X |
| language | English |
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| physical | VIII, 252 S. |
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| spelling | Dunn, Francis M. Verfasser aut Tragedy's end closure and innovation in Euripidean drama Francis M. Dunn New York, NY [u.a.] Oxford Univ. Press 1996 VIII, 252 S. txt rdacontent n rdamedia nc rdacarrier Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Francis Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of the play, while innovations in plot and ending opened tragedy up to a medley of comic, parodic, and narrative impulses. Part One explores the dramatic and metadramatic uses of novel closing gestures, such as aetiology, closing prophecy, exit lines of the chorus, and deus ex machina. Part Two shows how experimentation in plot and ending reinforce one another in Hippolytus, Trojan Women, and Heracles. Part Three argues that in three late plays, Helen, Orestes, and Phoenician Women, Euripides devises radically new and untragic ways of representing and understanding human experience Tragedy's End is the first comprehensive study of closure in classical tragedy, and will be of interest to students and scholars of classical literature, drama, and comparative literature Euripides - Criticism and interpretation Euripides <480 A.C.- 406 A.C> larpcal Euripides Technique Euripides ca. 485/480 v. Chr.-406 v.Chr. (DE-588)118531395 gnd rswk-swf Einde (letterkunde) gtt Literatura grega (crítica e interpretação) larpcal Tragedies gtt Closure (Rhetoric) Mythology, Greek, in literature Originality (Aesthetics) Rhetoric, Ancient Tragedy Dramenschluss (DE-588)4293561-1 gnd rswk-swf Euripides trag. TLG 0006 (DE-2581)TH000001156 gbd Griechische Tragödie (DE-2581)TH000005600 gbd Euripides ca. 485/480 v. Chr.-406 v.Chr. (DE-588)118531395 p Dramenschluss (DE-588)4293561-1 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007359922&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Dunn, Francis M. Tragedy's end closure and innovation in Euripidean drama Euripides - Criticism and interpretation Euripides <480 A.C.- 406 A.C> larpcal Euripides Technique Euripides ca. 485/480 v. Chr.-406 v.Chr. (DE-588)118531395 gnd Einde (letterkunde) gtt Literatura grega (crítica e interpretação) larpcal Tragedies gtt Closure (Rhetoric) Mythology, Greek, in literature Originality (Aesthetics) Rhetoric, Ancient Tragedy Dramenschluss (DE-588)4293561-1 gnd |
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| title | Tragedy's end closure and innovation in Euripidean drama |
| title_auth | Tragedy's end closure and innovation in Euripidean drama |
| title_exact_search | Tragedy's end closure and innovation in Euripidean drama |
| title_full | Tragedy's end closure and innovation in Euripidean drama Francis M. Dunn |
| title_fullStr | Tragedy's end closure and innovation in Euripidean drama Francis M. Dunn |
| title_full_unstemmed | Tragedy's end closure and innovation in Euripidean drama Francis M. Dunn |
| title_short | Tragedy's end |
| title_sort | tragedy s end closure and innovation in euripidean drama |
| title_sub | closure and innovation in Euripidean drama |
| topic | Euripides - Criticism and interpretation Euripides <480 A.C.- 406 A.C> larpcal Euripides Technique Euripides ca. 485/480 v. Chr.-406 v.Chr. (DE-588)118531395 gnd Einde (letterkunde) gtt Literatura grega (crítica e interpretação) larpcal Tragedies gtt Closure (Rhetoric) Mythology, Greek, in literature Originality (Aesthetics) Rhetoric, Ancient Tragedy Dramenschluss (DE-588)4293561-1 gnd |
| topic_facet | Euripides - Criticism and interpretation Euripides <480 A.C.- 406 A.C> Euripides Technique Euripides ca. 485/480 v. Chr.-406 v.Chr. Einde (letterkunde) Literatura grega (crítica e interpretação) Tragedies Closure (Rhetoric) Mythology, Greek, in literature Originality (Aesthetics) Rhetoric, Ancient Tragedy Dramenschluss |
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