Chopin:
In this new study of Chopin's life and works, Jim Samson alternates chapters of biographical narrative with original and penetrating commentary on a unique musical legacy. Previous biographers have tended to concentrate on Chopin's life in France and to pay less attention to his formative...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
1996
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | The master musicians
|
| Schlagworte: | |
| Zusammenfassung: | In this new study of Chopin's life and works, Jim Samson alternates chapters of biographical narrative with original and penetrating commentary on a unique musical legacy. Previous biographers have tended to concentrate on Chopin's life in France and to pay less attention to his formative years in Poland. Jim Samson redresses the balance by investigating the influence on Chopin of family, teachers, and the eventful political and cultural climate of Warsaw in his youth. He also takes an objective approach to Chopin's relations with George Sand, the worldly novelist who adopted a masculine name and persona. In reassessing Chopin's life, Samson has returned to primary and early secondary sources, including contemporary newspapers, correspondence, and memoirs and articles - some in manuscript - by Chopin's friends from the Warsaw years In addition to surveying the repertory piece by piece, Samson devotes substantial discussion to issues spanning the whole of Chopin's work. These include the influences of Bach, Italian opera, and folk music on Chopin's development as a composer; his skillful and imaginative approach to the piano and the influence of the "pianistic" style; the nature of individual style in music; and Chopin's and his contemporaries' perception of genres such as the impromptu, scherzo, and ballade. Chopin's compositional process is also illuminated by examining autograph sketches and fair copies. A final chapter covers Chopin's influence and reception from his death to the present |
| Beschreibung: | XII, 322 S. Notenbeisp. |
| ISBN: | 0198164955 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV010983600 | ||
| 003 | DE-604 | ||
| 005 | 19961118 | ||
| 007 | t | ||
| 008 | 961001s1996 gl|| |||| 00||| eng d | ||
| 020 | |a 0198164955 |9 0-19-816495-5 | ||
| 035 | |a (OCoLC)33967741 | ||
| 035 | |a (DE-599)BVBBV010983600 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-703 |a DE-384 | ||
| 050 | 0 | |a ML410.C54 | |
| 082 | 0 | |a 786.2/092 |2 20 | |
| 084 | |a LP 63570 |0 (DE-625)107348: |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Samson, Jim |d 1946- |e Verfasser |0 (DE-588)112918115 |4 aut | |
| 245 | 1 | 0 | |a Chopin |c Jim Samson |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Oxford [u.a.] |b Oxford Univ. Press |c 1996 | |
| 300 | |a XII, 322 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a The master musicians | |
| 520 | 3 | |a In this new study of Chopin's life and works, Jim Samson alternates chapters of biographical narrative with original and penetrating commentary on a unique musical legacy. Previous biographers have tended to concentrate on Chopin's life in France and to pay less attention to his formative years in Poland. Jim Samson redresses the balance by investigating the influence on Chopin of family, teachers, and the eventful political and cultural climate of Warsaw in his youth. He also takes an objective approach to Chopin's relations with George Sand, the worldly novelist who adopted a masculine name and persona. In reassessing Chopin's life, Samson has returned to primary and early secondary sources, including contemporary newspapers, correspondence, and memoirs and articles - some in manuscript - by Chopin's friends from the Warsaw years | |
| 520 | |a In addition to surveying the repertory piece by piece, Samson devotes substantial discussion to issues spanning the whole of Chopin's work. These include the influences of Bach, Italian opera, and folk music on Chopin's development as a composer; his skillful and imaginative approach to the piano and the influence of the "pianistic" style; the nature of individual style in music; and Chopin's and his contemporaries' perception of genres such as the impromptu, scherzo, and ballade. Chopin's compositional process is also illuminated by examining autograph sketches and fair copies. A final chapter covers Chopin's influence and reception from his death to the present | ||
| 600 | 1 | 4 | |a Chopin, Frédéric <1810-1849> |
| 600 | 1 | 4 | |a Chopin, Frédéric <1810-1849> |
| 600 | 1 | 7 | |a Chopin, Frédéric |d 1810-1849 |0 (DE-588)118520539 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Compositeurs - Pologne - Biographies | |
| 650 | 4 | |a Composers |v Biography | |
| 655 | 7 | |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
| 689 | 0 | 0 | |a Chopin, Frédéric |d 1810-1849 |0 (DE-588)118520539 |D p |
| 689 | 0 | |5 DE-604 | |
| 940 | 1 | |n oe | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-007350357 | ||
| 942 | 1 | 1 | |e 22/bsb |g 438 |
Datensatz im Suchindex
| _version_ | 1804125471997165568 |
|---|---|
| any_adam_object | |
| author | Samson, Jim 1946- |
| author_GND | (DE-588)112918115 |
| author_facet | Samson, Jim 1946- |
| author_role | aut |
| author_sort | Samson, Jim 1946- |
| author_variant | j s js |
| building | Verbundindex |
| bvnumber | BV010983600 |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.C54 |
| callnumber-search | ML410.C54 |
| callnumber-sort | ML 3410 C54 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 63570 |
| ctrlnum | (OCoLC)33967741 (DE-599)BVBBV010983600 |
| dewey-full | 786.2/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2/092 |
| dewey-search | 786.2/092 |
| dewey-sort | 3786.2 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02921nam a2200469 c 4500</leader><controlfield tag="001">BV010983600</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">19961118 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">961001s1996 gl|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0198164955</subfield><subfield code="9">0-19-816495-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)33967741</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV010983600</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-384</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML410.C54</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">786.2/092</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 63570</subfield><subfield code="0">(DE-625)107348:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Samson, Jim</subfield><subfield code="d">1946-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)112918115</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Chopin</subfield><subfield code="c">Jim Samson</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford [u.a.]</subfield><subfield code="b">Oxford Univ. Press</subfield><subfield code="c">1996</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XII, 322 S.</subfield><subfield code="b">Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">The master musicians</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">In this new study of Chopin's life and works, Jim Samson alternates chapters of biographical narrative with original and penetrating commentary on a unique musical legacy. Previous biographers have tended to concentrate on Chopin's life in France and to pay less attention to his formative years in Poland. Jim Samson redresses the balance by investigating the influence on Chopin of family, teachers, and the eventful political and cultural climate of Warsaw in his youth. He also takes an objective approach to Chopin's relations with George Sand, the worldly novelist who adopted a masculine name and persona. In reassessing Chopin's life, Samson has returned to primary and early secondary sources, including contemporary newspapers, correspondence, and memoirs and articles - some in manuscript - by Chopin's friends from the Warsaw years</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In addition to surveying the repertory piece by piece, Samson devotes substantial discussion to issues spanning the whole of Chopin's work. These include the influences of Bach, Italian opera, and folk music on Chopin's development as a composer; his skillful and imaginative approach to the piano and the influence of the "pianistic" style; the nature of individual style in music; and Chopin's and his contemporaries' perception of genres such as the impromptu, scherzo, and ballade. Chopin's compositional process is also illuminated by examining autograph sketches and fair copies. A final chapter covers Chopin's influence and reception from his death to the present</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Chopin, Frédéric <1810-1849></subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Chopin, Frédéric <1810-1849></subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Chopin, Frédéric</subfield><subfield code="d">1810-1849</subfield><subfield code="0">(DE-588)118520539</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Compositeurs - Pologne - Biographies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Composers</subfield><subfield code="v">Biography</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4006804-3</subfield><subfield code="a">Biografie</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Chopin, Frédéric</subfield><subfield code="d">1810-1849</subfield><subfield code="0">(DE-588)118520539</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-007350357</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="e">22/bsb</subfield><subfield code="g">438</subfield></datafield></record></collection> |
| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| id | DE-604.BV010983600 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:02:06Z |
| institution | BVB |
| isbn | 0198164955 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007350357 |
| oclc_num | 33967741 |
| open_access_boolean | |
| owner | DE-12 DE-703 DE-384 |
| owner_facet | DE-12 DE-703 DE-384 |
| physical | XII, 322 S. Notenbeisp. |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| series2 | The master musicians |
| spelling | Samson, Jim 1946- Verfasser (DE-588)112918115 aut Chopin Jim Samson 1. publ. Oxford [u.a.] Oxford Univ. Press 1996 XII, 322 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier The master musicians In this new study of Chopin's life and works, Jim Samson alternates chapters of biographical narrative with original and penetrating commentary on a unique musical legacy. Previous biographers have tended to concentrate on Chopin's life in France and to pay less attention to his formative years in Poland. Jim Samson redresses the balance by investigating the influence on Chopin of family, teachers, and the eventful political and cultural climate of Warsaw in his youth. He also takes an objective approach to Chopin's relations with George Sand, the worldly novelist who adopted a masculine name and persona. In reassessing Chopin's life, Samson has returned to primary and early secondary sources, including contemporary newspapers, correspondence, and memoirs and articles - some in manuscript - by Chopin's friends from the Warsaw years In addition to surveying the repertory piece by piece, Samson devotes substantial discussion to issues spanning the whole of Chopin's work. These include the influences of Bach, Italian opera, and folk music on Chopin's development as a composer; his skillful and imaginative approach to the piano and the influence of the "pianistic" style; the nature of individual style in music; and Chopin's and his contemporaries' perception of genres such as the impromptu, scherzo, and ballade. Chopin's compositional process is also illuminated by examining autograph sketches and fair copies. A final chapter covers Chopin's influence and reception from his death to the present Chopin, Frédéric <1810-1849> Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd rswk-swf Compositeurs - Pologne - Biographies Composers Biography (DE-588)4006804-3 Biografie gnd-content Chopin, Frédéric 1810-1849 (DE-588)118520539 p DE-604 |
| spellingShingle | Samson, Jim 1946- Chopin Chopin, Frédéric <1810-1849> Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd Compositeurs - Pologne - Biographies Composers Biography |
| subject_GND | (DE-588)118520539 (DE-588)4006804-3 |
| title | Chopin |
| title_auth | Chopin |
| title_exact_search | Chopin |
| title_full | Chopin Jim Samson |
| title_fullStr | Chopin Jim Samson |
| title_full_unstemmed | Chopin Jim Samson |
| title_short | Chopin |
| title_sort | chopin |
| topic | Chopin, Frédéric <1810-1849> Chopin, Frédéric 1810-1849 (DE-588)118520539 gnd Compositeurs - Pologne - Biographies Composers Biography |
| topic_facet | Chopin, Frédéric <1810-1849> Chopin, Frédéric 1810-1849 Compositeurs - Pologne - Biographies Composers Biography Biografie |
| work_keys_str_mv | AT samsonjim chopin |