Blackface, white noise: Jewish immigrants in the Hollywood melting pot
The founding Hollywood movie, Birth of a Nation, celebrated the Ku Klux Klan. The first talking picture, The Jazz Singer, was a blackface film. Gone With the Wind remains the all-time box-office success. From their beginnings, Michael Rogin claims, motion pictures created a national culture by takin...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley [u.a.]
Univ. of California Press
1996
|
| Schriftenreihe: | A centennial book
|
| Schlagworte: | |
| Zusammenfassung: | The founding Hollywood movie, Birth of a Nation, celebrated the Ku Klux Klan. The first talking picture, The Jazz Singer, was a blackface film. Gone With the Wind remains the all-time box-office success. From their beginnings, Michael Rogin claims, motion pictures created a national culture by taking possession of African Americans. Blackface, White Noise investigates Hollywood's roots in the most popular original form of American mass culture, blackface minstrelsy. Through its use in films from Uncle Tom's Cabin and Birth of a Nation to Forrest Gump, motion picture blackface becomes an aperture opening onto major issues of American national identity: the meanings of whiteness, the role race has played in turning settlers and immigrants into Americans, and the tangled connections that have bound Jews to African Americans in popular culture and liberal politics Immigrant Jews inherited the blackface role in vaudeville, Tin Pan Alley, and Hollywood; Blackface, White Noise treats burnt cork as their rite of passage to white America. Arguing against those who subsume racial under ethnic identities, Rogin demonstrates that blackface presided over an ethnically inclusive and racially exclusionary melting pot. Juxtaposing movies like The Jazz Singer with such early civil rights films as Pinky and Gentleman's Agreement, he shows how the blackface tradition infected even those motion pictures that wished to repudiate it |
| Beschreibung: | XVI, 339 S. Ill. |
| ISBN: | 0520204077 |
Internformat
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| 490 | 0 | |a A centennial book | |
| 520 | 3 | |a The founding Hollywood movie, Birth of a Nation, celebrated the Ku Klux Klan. The first talking picture, The Jazz Singer, was a blackface film. Gone With the Wind remains the all-time box-office success. From their beginnings, Michael Rogin claims, motion pictures created a national culture by taking possession of African Americans. Blackface, White Noise investigates Hollywood's roots in the most popular original form of American mass culture, blackface minstrelsy. Through its use in films from Uncle Tom's Cabin and Birth of a Nation to Forrest Gump, motion picture blackface becomes an aperture opening onto major issues of American national identity: the meanings of whiteness, the role race has played in turning settlers and immigrants into Americans, and the tangled connections that have bound Jews to African Americans in popular culture and liberal politics | |
| 520 | |a Immigrant Jews inherited the blackface role in vaudeville, Tin Pan Alley, and Hollywood; Blackface, White Noise treats burnt cork as their rite of passage to white America. Arguing against those who subsume racial under ethnic identities, Rogin demonstrates that blackface presided over an ethnically inclusive and racially exclusionary melting pot. Juxtaposing movies like The Jazz Singer with such early civil rights films as Pinky and Gentleman's Agreement, he shows how the blackface tradition infected even those motion pictures that wished to repudiate it | ||
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Datensatz im Suchindex
| _version_ | 1804125426126159872 |
|---|---|
| any_adam_object | |
| author | Rogin, Michael Paul 1937- |
| author_GND | (DE-588)121635384 |
| author_facet | Rogin, Michael Paul 1937- |
| author_role | aut |
| author_sort | Rogin, Michael Paul 1937- |
| author_variant | m p r mp mpr |
| building | Verbundindex |
| bvnumber | BV010936644 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.N4 |
| callnumber-search | PN1995.9.N4 |
| callnumber-sort | PN 41995.9 N4 |
| callnumber-subject | PN - General Literature |
| classification_rvk | MR 7100 |
| ctrlnum | (OCoLC)33282040 (DE-599)BVBBV010936644 |
| dewey-full | 791.43/6520396073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6520396073 |
| dewey-search | 791.43/6520396073 |
| dewey-sort | 3791.43 106520396073 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Soziologie |
| format | Book |
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| id | DE-604.BV010936644 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T18:01:22Z |
| institution | BVB |
| isbn | 0520204077 |
| language | English |
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| physical | XVI, 339 S. Ill. |
| publishDate | 1996 |
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| series2 | A centennial book |
| spelling | Rogin, Michael Paul 1937- Verfasser (DE-588)121635384 aut Blackface, white noise Jewish immigrants in the Hollywood melting pot Michael Rogin Berkeley [u.a.] Univ. of California Press 1996 XVI, 339 S. Ill. txt rdacontent n rdamedia nc rdacarrier A centennial book The founding Hollywood movie, Birth of a Nation, celebrated the Ku Klux Klan. The first talking picture, The Jazz Singer, was a blackface film. Gone With the Wind remains the all-time box-office success. From their beginnings, Michael Rogin claims, motion pictures created a national culture by taking possession of African Americans. Blackface, White Noise investigates Hollywood's roots in the most popular original form of American mass culture, blackface minstrelsy. Through its use in films from Uncle Tom's Cabin and Birth of a Nation to Forrest Gump, motion picture blackface becomes an aperture opening onto major issues of American national identity: the meanings of whiteness, the role race has played in turning settlers and immigrants into Americans, and the tangled connections that have bound Jews to African Americans in popular culture and liberal politics Immigrant Jews inherited the blackface role in vaudeville, Tin Pan Alley, and Hollywood; Blackface, White Noise treats burnt cork as their rite of passage to white America. Arguing against those who subsume racial under ethnic identities, Rogin demonstrates that blackface presided over an ethnically inclusive and racially exclusionary melting pot. Juxtaposing movies like The Jazz Singer with such early civil rights films as Pinky and Gentleman's Agreement, he shows how the blackface tradition infected even those motion pictures that wished to repudiate it Artistes juifs - États-Unis ram Artistes noirs - États-Unis ram Films gtt Joden gtt Juifs - Acculturation - Etats-Unis ram Juifs dans l'industrie cinématographique ram Negers gtt Noirs américains - Au cinéma ram Film Juden Schwarze African Americans in motion pictures Blackface entertainers United States Jewish entertainers United States Jews in the motion picture industry United States Jews Cultural assimilation United States Film (DE-588)4017102-4 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Juden (DE-588)4028808-0 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Schwarze (DE-588)4116433-7 s DE-604 Juden (DE-588)4028808-0 s |
| spellingShingle | Rogin, Michael Paul 1937- Blackface, white noise Jewish immigrants in the Hollywood melting pot Artistes juifs - États-Unis ram Artistes noirs - États-Unis ram Films gtt Joden gtt Juifs - Acculturation - Etats-Unis ram Juifs dans l'industrie cinématographique ram Negers gtt Noirs américains - Au cinéma ram Film Juden Schwarze African Americans in motion pictures Blackface entertainers United States Jewish entertainers United States Jews in the motion picture industry United States Jews Cultural assimilation United States Film (DE-588)4017102-4 gnd Schwarze (DE-588)4116433-7 gnd Juden (DE-588)4028808-0 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4116433-7 (DE-588)4028808-0 (DE-588)4078704-7 |
| title | Blackface, white noise Jewish immigrants in the Hollywood melting pot |
| title_auth | Blackface, white noise Jewish immigrants in the Hollywood melting pot |
| title_exact_search | Blackface, white noise Jewish immigrants in the Hollywood melting pot |
| title_full | Blackface, white noise Jewish immigrants in the Hollywood melting pot Michael Rogin |
| title_fullStr | Blackface, white noise Jewish immigrants in the Hollywood melting pot Michael Rogin |
| title_full_unstemmed | Blackface, white noise Jewish immigrants in the Hollywood melting pot Michael Rogin |
| title_short | Blackface, white noise |
| title_sort | blackface white noise jewish immigrants in the hollywood melting pot |
| title_sub | Jewish immigrants in the Hollywood melting pot |
| topic | Artistes juifs - États-Unis ram Artistes noirs - États-Unis ram Films gtt Joden gtt Juifs - Acculturation - Etats-Unis ram Juifs dans l'industrie cinématographique ram Negers gtt Noirs américains - Au cinéma ram Film Juden Schwarze African Americans in motion pictures Blackface entertainers United States Jewish entertainers United States Jews in the motion picture industry United States Jews Cultural assimilation United States Film (DE-588)4017102-4 gnd Schwarze (DE-588)4116433-7 gnd Juden (DE-588)4028808-0 gnd |
| topic_facet | Artistes juifs - États-Unis Artistes noirs - États-Unis Films Joden Juifs - Acculturation - Etats-Unis Juifs dans l'industrie cinématographique Negers Noirs américains - Au cinéma Film Juden Schwarze African Americans in motion pictures Blackface entertainers United States Jewish entertainers United States Jews in the motion picture industry United States Jews Cultural assimilation United States USA |
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