The figured wheel: new and collected poems, 1966 - 1996
Robert Pinsky's The Figured Wheel: New and Collected Poems, 1966-1996 gathers together all his poetry to date, including twenty-one new poems. The critic Hugh Kenner, writing about Pinsky's first volume, described this poet's project as "nothing less than the recovery for languag...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Farrar, Straus and Giroux
1996
|
| Ausgabe: | 1. ed., 2. print. |
| Schlagworte: | |
| Zusammenfassung: | Robert Pinsky's The Figured Wheel: New and Collected Poems, 1966-1996 gathers together all his poetry to date, including twenty-one new poems. The critic Hugh Kenner, writing about Pinsky's first volume, described this poet's project as "nothing less than the recovery for language of a whole domain of mute and familiar experience." Transformation of the familiar and uttering of what had been mute or implicit within culture continue to be central to Pinsky's art. New poems like "Avenue" and "The City Elegies" envision the city's mysterious epitome of human pain and imagination, forces that recur in "Ginza Samba," an astonishing history of the saxophone, and "Impossible to Tell," a jazz-like work that intertwines elegy with the Japanese custom of linking-poems and the American tradition of ethnic jokes. A final section of translations includes renderings of poems by Czeslaw Milosz, Paul Celan, and others, as well as the last canto of Pinsky's award-winning version of the Inferno. |
| Beschreibung: | X, 303 S. |
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| 520 | 3 | |a Robert Pinsky's The Figured Wheel: New and Collected Poems, 1966-1996 gathers together all his poetry to date, including twenty-one new poems. The critic Hugh Kenner, writing about Pinsky's first volume, described this poet's project as "nothing less than the recovery for language of a whole domain of mute and familiar experience." Transformation of the familiar and uttering of what had been mute or implicit within culture continue to be central to Pinsky's art. New poems like "Avenue" and "The City Elegies" envision the city's mysterious epitome of human pain and imagination, forces that recur in "Ginza Samba," an astonishing history of the saxophone, and "Impossible to Tell," a jazz-like work that intertwines elegy with the Japanese custom of linking-poems and the American tradition of ethnic jokes. A final section of translations includes renderings of poems by Czeslaw Milosz, Paul Celan, and others, as well as the last canto of Pinsky's award-winning version of the Inferno. | |
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Datensatz im Suchindex
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| author | Pinsky, Robert 1940- |
| author_GND | (DE-588)12437378X |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| dewey-search | 811/.54 |
| dewey-sort | 3811 254 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| edition | 1. ed., 2. print. |
| format | Book |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-09T18:01:19Z |
| institution | BVB |
| language | English |
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| physical | X, 303 S. |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| publisher | Farrar, Straus and Giroux |
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| spelling | Pinsky, Robert 1940- Verfasser (DE-588)12437378X aut The figured wheel new and collected poems, 1966 - 1996 Robert Pinsky 1. ed., 2. print. New York Farrar, Straus and Giroux 1996 X, 303 S. txt rdacontent n rdamedia nc rdacarrier Robert Pinsky's The Figured Wheel: New and Collected Poems, 1966-1996 gathers together all his poetry to date, including twenty-one new poems. The critic Hugh Kenner, writing about Pinsky's first volume, described this poet's project as "nothing less than the recovery for language of a whole domain of mute and familiar experience." Transformation of the familiar and uttering of what had been mute or implicit within culture continue to be central to Pinsky's art. New poems like "Avenue" and "The City Elegies" envision the city's mysterious epitome of human pain and imagination, forces that recur in "Ginza Samba," an astonishing history of the saxophone, and "Impossible to Tell," a jazz-like work that intertwines elegy with the Japanese custom of linking-poems and the American tradition of ethnic jokes. A final section of translations includes renderings of poems by Czeslaw Milosz, Paul Celan, and others, as well as the last canto of Pinsky's award-winning version of the Inferno. American poetry Poetry |
| spellingShingle | Pinsky, Robert 1940- The figured wheel new and collected poems, 1966 - 1996 American poetry Poetry |
| title | The figured wheel new and collected poems, 1966 - 1996 |
| title_auth | The figured wheel new and collected poems, 1966 - 1996 |
| title_exact_search | The figured wheel new and collected poems, 1966 - 1996 |
| title_full | The figured wheel new and collected poems, 1966 - 1996 Robert Pinsky |
| title_fullStr | The figured wheel new and collected poems, 1966 - 1996 Robert Pinsky |
| title_full_unstemmed | The figured wheel new and collected poems, 1966 - 1996 Robert Pinsky |
| title_short | The figured wheel |
| title_sort | the figured wheel new and collected poems 1966 1996 |
| title_sub | new and collected poems, 1966 - 1996 |
| topic | American poetry Poetry |
| topic_facet | American poetry Poetry |
| work_keys_str_mv | AT pinskyrobert thefiguredwheelnewandcollectedpoems19661996 |