Pincus argues that Japanese intellectuals attempted to resist the inroads of Western hegemony and reclaim what they perceived as a threatened cultural authenticity. But after several generations of assimilation with a modernized West, they had no choice but to delineate Japaneseness against, and wit...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Pincus, Leslie 1950- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Berkeley [u.a.] Univ. of Calif. Press 1996
Schriftenreihe:	Twentieth century Japan 5
Schlagworte:	Kuki, Shūzō <1888-1941> Kuki, Shūzō > 1888-1941 Culture - Aspect moral Cultuurfilosofie Esthétique - Japon Histoire des mentalités - Japon Moderniteit Représentations sociales - Japon Valeurs (philosophie) - Japon Valeurs sociales - Japon Japon - Civilisation - 1868-.... Japon - Vie intellectuelle - 20e siècle
Zusammenfassung:	Pincus argues that Japanese intellectuals attempted to resist the inroads of Western hegemony and reclaim what they perceived as a threatened cultural authenticity. But after several generations of assimilation with a modernized West, they had no choice but to delineate Japaneseness against, and within, dominant discursive modes derived from the West. She discovers that these intellectuals were in fact reacting to the precipitous transformation of their own social world, in which the emergence of mass culture and the specter of mass politics promised a Japan of drastically different proportions. Ultimately their own struggle for hegemony over the form and content of national culture would lead to the most disastrous political consequences. To explore these questions, Leslie Pincus focuses on the work of philosopher Kuki Shuzo, in particular his classic study of Edo style, "Iki" no kozo - a text that demonstrates with unusual clarity the philosophical sources, the modernist affiliations, and the ideological implications of this highly aestheticized discourse on culture in interwar Japan. Nearly a half century after Japan opened its doors to Western knowledge, intellectual discourse there took a sharp turn inward. Drawing on the cultural resources of a forgotten past, Japanese thinkers of the 1910s and 1930s imagined a realm of authenticity impervious to the fragmenting processes of modernization. Ultimately these thinkers equated authenticity with something irreducibly Japanese and in so doing became complicit, even instrumental, in a repressive and imperialist state apparatus. How did this cultural complicity take shape, and what does it reveal more generally about the troubled relationship between modernity and national culture?
Beschreibung:	XII, 271 S.
ISBN:	0520201345