Das Jazz-Theorie-Buch:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German English |
| Veröffentlicht: |
[Rottenburg am Neckar]
Advance Music
1996
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Aus dem Amerikan. übers. |
| Beschreibung: | XII, 466 S. Ill., zahlr. Notenbeisp. |
| ISBN: | 3892210462 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804125370321993728 |
|---|---|
| adam_text | Titel: Das Jazz-Theorie-Buch
Autor: LeVine, Mark
Jahr: 1996
Inhalt
Das JazzJJ^P^IFe Buch von Mark Levine
sagung............................................................................................................................................vi
¦^^Anmerkung des Verfassers..............................................................................................................vii
Einleitung..............................................................................................................................................vni
Terminologie und Akkordsymbole..................................................................................................x
Glossar......................................................................................................................................................xi
Teil i Theorie: Akkorde und Skalen......................................................................................1
Kapitel eins Theoretische Grundlagen....................................................................................................................3
Kapitel zwei Die Durskala und die ll-V-l Verbindung................................................................................................13
Kapitel drei Akkord/Skalentheorie......................................................................................................................29
? Die Harmonik der Durskala..............................................................................................................31
? Die Harmonik der melodischen Mollskala....................................................................................50
? Die Harmonik der verminderten Skala ..........................................................................................73
? Die Harmonik der Ganztonskala......................................................................................................84
Kapitel vier Das Üben von Skalen ........................................................................................................................89
Kapitel fünf Slash-Akkorde......................................................................................................................................96
Teil ii Improvisation: Das Spielen über Changes................................................105
Kapitel sechs Von den Skalen zur Musik..............................................................................................................107
Kapitel sieben Die Bebopskalen................................................................................................................................157
Kapitel Acht Outside spielen................................................................................................................................169
Kapitel Neun PentatonischeSkalen........................................................................................................................177
Kapitel Zehn Blues......................................................................................................................................................202
Kapitel elf Rhythm Changes................................................................................................................................217
Kapitel zwölf Üben, üben, üben..............................................................................................................................223
Teil iii Reharmonisation..................................................................................................................235
Kapitel dreizehn Grundlagen der Reharmonisation..............................................................................................237
Kapitel vierzehn Reharmonisation für Fortgeschrittene......................................................................................279
Kapitel fünfzehn Coltrane Changes..............................................................................................................................327
Kapitel sechzehn Drei Reharmonisationen................................................................................................................347
? John Coltranes Reharmonisation von »Spring Is Here«............................................................347
? Kenny Barrons Reharmonisation von »Spring Is Here«............................................................350
? John Coltranes Reharmonisation von »Body And Soul«..........................................................352
Teil iv Das Repertoire..........................................................................................................................357
Kapitel siebzehn Songform und Komposition ........................................................................................................358
Kapitel achtzehn Ein Lead Sheet lesen........................................................................................................................375
Kapitel neunzehn Ein Stück auswendig lernen..........................................................................................................383
Kapitel zwanzig Heads....................................................................................................................................................387
Kapitel einundzwanzig Das Repertoire....................................................................................................................................391
Teil v Sonstiges..........................................................................................................................................419
Kapitel zweiundzwanzig Salsa und Latin Jazz..........................................................................................................................420
Kapitel dreiundzwanzig Loose Ends ........................................................................................................................................431
Kapitel vierundzwanzig Hörtips..................................................................................................................................................443
........................................457
|
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| bvnumber | BV010881261 |
| classification_rvk | LS 48200 |
| ctrlnum | (OCoLC)75761868 (DE-599)BVBBV010881261 |
| discipline | Musikwissenschaft |
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| illustrated | Illustrated |
| indexdate | 2024-07-09T18:00:29Z |
| institution | BVB |
| isbn | 3892210462 |
| language | German English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007275458 |
| oclc_num | 75761868 |
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| physical | XII, 466 S. Ill., zahlr. Notenbeisp. |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| publisher | Advance Music |
| record_format | marc |
| spelling | Levine, Mark Verfasser aut The jazz theory book Das Jazz-Theorie-Buch Mark Levine Das Jazz Theorie Buch [Rottenburg am Neckar] Advance Music 1996 XII, 466 S. Ill., zahlr. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Aus dem Amerikan. übers. Jazz (DE-588)4028532-7 gnd rswk-swf Lehrmittel (DE-588)4074111-4 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Harmonie Musik (DE-588)4023447-2 gnd rswk-swf Jazz (DE-588)4028532-7 s Harmonie Musik (DE-588)4023447-2 s DE-604 Lehrmittel (DE-588)4074111-4 s Musiktheorie (DE-588)4040876-0 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007275458&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Levine, Mark Das Jazz-Theorie-Buch Jazz (DE-588)4028532-7 gnd Lehrmittel (DE-588)4074111-4 gnd Musiktheorie (DE-588)4040876-0 gnd Harmonie Musik (DE-588)4023447-2 gnd |
| subject_GND | (DE-588)4028532-7 (DE-588)4074111-4 (DE-588)4040876-0 (DE-588)4023447-2 |
| title | Das Jazz-Theorie-Buch |
| title_alt | The jazz theory book Das Jazz Theorie Buch |
| title_auth | Das Jazz-Theorie-Buch |
| title_exact_search | Das Jazz-Theorie-Buch |
| title_full | Das Jazz-Theorie-Buch Mark Levine |
| title_fullStr | Das Jazz-Theorie-Buch Mark Levine |
| title_full_unstemmed | Das Jazz-Theorie-Buch Mark Levine |
| title_short | Das Jazz-Theorie-Buch |
| title_sort | das jazz theorie buch |
| topic | Jazz (DE-588)4028532-7 gnd Lehrmittel (DE-588)4074111-4 gnd Musiktheorie (DE-588)4040876-0 gnd Harmonie Musik (DE-588)4023447-2 gnd |
| topic_facet | Jazz Lehrmittel Musiktheorie Harmonie Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007275458&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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