German Lieder in the nineteenth century:
The repertory of the nineteenth-century German lied offers a world of expressiveness condensed into brief moments of musical time. This collection of essays by prominent scholars surveys representative works of the major lied composers, as well as the styles, forms, and poetry that characterize this...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York
Schirmer [u.a.]
1996
|
| Schriftenreihe: | Studies in musical genres and repertories
|
| Schlagworte: | |
| Zusammenfassung: | The repertory of the nineteenth-century German lied offers a world of expressiveness condensed into brief moments of musical time. This collection of essays by prominent scholars surveys representative works of the major lied composers, as well as the styles, forms, and poetry that characterize this body of music The book begins with a chapter by Harry Seelig on the literary context of the nineteenth-century lied, arguing that Goethe practically single-handedly created German Romantic poetry and influenced poets and composers alike. Subsequent chapters focus on the contributions of individual lied composers. Susan Youens presents an overview of Schubert's songs and discusses in detail his text-setting and style in selected songs; Rufus Hallmark does the same for Schumann, extending his discussion to the composer's little-known late songs and songs for more than one voice; Virginia Hancock makes a case for treating Brahms's folk-tune and folk-lyric settings on an equal footing with his Kunstlieder; Lawrence Kramer examines Wolf's distinctive approach to the lied in light of the contemporary emergence of psychiatry; Barbara A Petersen discusses the broad range of musical aesthetics found in Richard Strauss's lifetime of lieder composition; and Christopher Lewis writes on the special way in which Mahler's songs evoke the Romantic dilemma. In counterpoint to these studies of the masters, Jurgen Thym's contribution highlights five composers whose lieder are less widely discussed and performed in English-speaking countries: Carl Loewe, Fanny Mendelssohn Hensel, Franz Liszt, Robert Franz, and Peter Cornelius; John Daverio writes on the song cycle as a reflection of Romantic imagery and aesthetics; and Robert Spillman emphasizes the practical issues of the singer's communication with an audience in German. Numerous music and text examples are used to illustrate the authors' points, and extensive notes and bibliographies accompany each essay |
| Beschreibung: | XVII, 346 S. Notenbeisp. |
| ISBN: | 0028708458 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV010837848 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 960709s1996 gl|| |||| 00||| eng d | ||
| 020 | |a 0028708458 |9 0-02-870845-8 | ||
| 035 | |a (OCoLC)32854211 | ||
| 035 | |a (DE-599)BVBBV010837848 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-703 | ||
| 050 | 0 | |a ML2829.4 | |
| 082 | 0 | |a 782.4216/80943 |2 22 | |
| 084 | |a LR 53975 |0 (DE-625)109613:13533 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 245 | 1 | 0 | |a German Lieder in the nineteenth century |c ed. by Rufus Hallmark |
| 264 | 1 | |a New York |b Schirmer [u.a.] |c 1996 | |
| 300 | |a XVII, 346 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Studies in musical genres and repertories | |
| 520 | 3 | |a The repertory of the nineteenth-century German lied offers a world of expressiveness condensed into brief moments of musical time. This collection of essays by prominent scholars surveys representative works of the major lied composers, as well as the styles, forms, and poetry that characterize this body of music | |
| 520 | |a The book begins with a chapter by Harry Seelig on the literary context of the nineteenth-century lied, arguing that Goethe practically single-handedly created German Romantic poetry and influenced poets and composers alike. Subsequent chapters focus on the contributions of individual lied composers. Susan Youens presents an overview of Schubert's songs and discusses in detail his text-setting and style in selected songs; Rufus Hallmark does the same for Schumann, extending his discussion to the composer's little-known late songs and songs for more than one voice; Virginia Hancock makes a case for treating Brahms's folk-tune and folk-lyric settings on an equal footing with his Kunstlieder; Lawrence Kramer examines Wolf's distinctive approach to the lied in light of the contemporary emergence of psychiatry; Barbara A | ||
| 520 | |a Petersen discusses the broad range of musical aesthetics found in Richard Strauss's lifetime of lieder composition; and Christopher Lewis writes on the special way in which Mahler's songs evoke the Romantic dilemma. In counterpoint to these studies of the masters, Jurgen Thym's contribution highlights five composers whose lieder are less widely discussed and performed in English-speaking countries: Carl Loewe, Fanny Mendelssohn Hensel, Franz Liszt, Robert Franz, and Peter Cornelius; John Daverio writes on the song cycle as a reflection of Romantic imagery and aesthetics; and Robert Spillman emphasizes the practical issues of the singer's communication with an audience in German. Numerous music and text examples are used to illustrate the authors' points, and extensive notes and bibliographies accompany each essay | ||
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1800-1900 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Chansons allemandes - 19e siècle - Histoire et critique | |
| 650 | 7 | |a Duits |2 gtt | |
| 650 | 7 | |a Lieder - Allemagne - 19e siècle |2 ram | |
| 650 | 7 | |a Liederen |2 gtt | |
| 650 | 4 | |a Musique et littérature | |
| 650 | 7 | |a Musique et littérature |2 ram | |
| 650 | 4 | |a Deutsch | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Music and literature |x History |y 19th century | |
| 650 | 4 | |a Songs, German |y 19th century |x History and criticism | |
| 650 | 0 | 7 | |a Lied |0 (DE-588)4035669-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Deutsch |0 (DE-588)4113292-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Deutschland |0 (DE-588)4011882-4 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Deutsch |0 (DE-588)4113292-0 |D s |
| 689 | 0 | 1 | |a Lied |0 (DE-588)4035669-3 |D s |
| 689 | 0 | 2 | |a Geschichte 1800-1900 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Deutschland |0 (DE-588)4011882-4 |D g |
| 689 | 1 | 1 | |a Lied |0 (DE-588)4035669-3 |D s |
| 689 | 1 | 2 | |a Geschichte 1800-1900 |A z |
| 689 | 1 | |5 DE-604 | |
| 700 | 1 | |a Hallmark, Rufus E. |d 1943- |e Sonstige |0 (DE-588)17215054X |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-007244537 | ||
Datensatz im Suchindex
| _version_ | 1804125325263634432 |
|---|---|
| any_adam_object | |
| author_GND | (DE-588)17215054X |
| building | Verbundindex |
| bvnumber | BV010837848 |
| callnumber-first | M - Music |
| callnumber-label | ML2829 |
| callnumber-raw | ML2829.4 |
| callnumber-search | ML2829.4 |
| callnumber-sort | ML 42829.4 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 53975 |
| ctrlnum | (OCoLC)32854211 (DE-599)BVBBV010837848 |
| dewey-full | 782.4216/80943 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.4216/80943 |
| dewey-search | 782.4216/80943 |
| dewey-sort | 3782.4216 580943 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1800-1900 Geschichte 1800-1900 gnd |
| era_facet | Geschichte 1800-1900 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04047nam a2200637 c 4500</leader><controlfield tag="001">BV010837848</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">960709s1996 gl|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0028708458</subfield><subfield code="9">0-02-870845-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)32854211</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV010837848</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML2829.4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.4216/80943</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 53975</subfield><subfield code="0">(DE-625)109613:13533</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">German Lieder in the nineteenth century</subfield><subfield code="c">ed. by Rufus Hallmark</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Schirmer [u.a.]</subfield><subfield code="c">1996</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XVII, 346 S.</subfield><subfield code="b">Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Studies in musical genres and repertories</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The repertory of the nineteenth-century German lied offers a world of expressiveness condensed into brief moments of musical time. This collection of essays by prominent scholars surveys representative works of the major lied composers, as well as the styles, forms, and poetry that characterize this body of music</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The book begins with a chapter by Harry Seelig on the literary context of the nineteenth-century lied, arguing that Goethe practically single-handedly created German Romantic poetry and influenced poets and composers alike. Subsequent chapters focus on the contributions of individual lied composers. Susan Youens presents an overview of Schubert's songs and discusses in detail his text-setting and style in selected songs; Rufus Hallmark does the same for Schumann, extending his discussion to the composer's little-known late songs and songs for more than one voice; Virginia Hancock makes a case for treating Brahms's folk-tune and folk-lyric settings on an equal footing with his Kunstlieder; Lawrence Kramer examines Wolf's distinctive approach to the lied in light of the contemporary emergence of psychiatry; Barbara A</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Petersen discusses the broad range of musical aesthetics found in Richard Strauss's lifetime of lieder composition; and Christopher Lewis writes on the special way in which Mahler's songs evoke the Romantic dilemma. In counterpoint to these studies of the masters, Jurgen Thym's contribution highlights five composers whose lieder are less widely discussed and performed in English-speaking countries: Carl Loewe, Fanny Mendelssohn Hensel, Franz Liszt, Robert Franz, and Peter Cornelius; John Daverio writes on the song cycle as a reflection of Romantic imagery and aesthetics; and Robert Spillman emphasizes the practical issues of the singer's communication with an audience in German. Numerous music and text examples are used to illustrate the authors' points, and extensive notes and bibliographies accompany each essay</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Chansons allemandes - 19e siècle - Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Duits</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Lieder - Allemagne - 19e siècle</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Liederen</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique et littérature</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musique et littérature</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Deutsch</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and literature</subfield><subfield code="x">History</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Songs, German</subfield><subfield code="y">19th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lied</subfield><subfield code="0">(DE-588)4035669-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Deutsch</subfield><subfield code="0">(DE-588)4113292-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Deutsch</subfield><subfield code="0">(DE-588)4113292-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Lied</subfield><subfield code="0">(DE-588)4035669-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Lied</subfield><subfield code="0">(DE-588)4035669-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hallmark, Rufus E.</subfield><subfield code="d">1943-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)17215054X</subfield><subfield code="4">oth</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-007244537</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Deutschland (DE-588)4011882-4 gnd |
| geographic_facet | Deutschland |
| id | DE-604.BV010837848 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:59:46Z |
| institution | BVB |
| isbn | 0028708458 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007244537 |
| oclc_num | 32854211 |
| open_access_boolean | |
| owner | DE-12 DE-703 |
| owner_facet | DE-12 DE-703 |
| physical | XVII, 346 S. Notenbeisp. |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| publisher | Schirmer [u.a.] |
| record_format | marc |
| series2 | Studies in musical genres and repertories |
| spelling | German Lieder in the nineteenth century ed. by Rufus Hallmark New York Schirmer [u.a.] 1996 XVII, 346 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Studies in musical genres and repertories The repertory of the nineteenth-century German lied offers a world of expressiveness condensed into brief moments of musical time. This collection of essays by prominent scholars surveys representative works of the major lied composers, as well as the styles, forms, and poetry that characterize this body of music The book begins with a chapter by Harry Seelig on the literary context of the nineteenth-century lied, arguing that Goethe practically single-handedly created German Romantic poetry and influenced poets and composers alike. Subsequent chapters focus on the contributions of individual lied composers. Susan Youens presents an overview of Schubert's songs and discusses in detail his text-setting and style in selected songs; Rufus Hallmark does the same for Schumann, extending his discussion to the composer's little-known late songs and songs for more than one voice; Virginia Hancock makes a case for treating Brahms's folk-tune and folk-lyric settings on an equal footing with his Kunstlieder; Lawrence Kramer examines Wolf's distinctive approach to the lied in light of the contemporary emergence of psychiatry; Barbara A Petersen discusses the broad range of musical aesthetics found in Richard Strauss's lifetime of lieder composition; and Christopher Lewis writes on the special way in which Mahler's songs evoke the Romantic dilemma. In counterpoint to these studies of the masters, Jurgen Thym's contribution highlights five composers whose lieder are less widely discussed and performed in English-speaking countries: Carl Loewe, Fanny Mendelssohn Hensel, Franz Liszt, Robert Franz, and Peter Cornelius; John Daverio writes on the song cycle as a reflection of Romantic imagery and aesthetics; and Robert Spillman emphasizes the practical issues of the singer's communication with an audience in German. Numerous music and text examples are used to illustrate the authors' points, and extensive notes and bibliographies accompany each essay Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Chansons allemandes - 19e siècle - Histoire et critique Duits gtt Lieder - Allemagne - 19e siècle ram Liederen gtt Musique et littérature Musique et littérature ram Deutsch Geschichte Music and literature History 19th century Songs, German 19th century History and criticism Lied (DE-588)4035669-3 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutsch (DE-588)4113292-0 s Lied (DE-588)4035669-3 s Geschichte 1800-1900 z DE-604 Deutschland (DE-588)4011882-4 g Hallmark, Rufus E. 1943- Sonstige (DE-588)17215054X oth |
| spellingShingle | German Lieder in the nineteenth century Chansons allemandes - 19e siècle - Histoire et critique Duits gtt Lieder - Allemagne - 19e siècle ram Liederen gtt Musique et littérature Musique et littérature ram Deutsch Geschichte Music and literature History 19th century Songs, German 19th century History and criticism Lied (DE-588)4035669-3 gnd Deutsch (DE-588)4113292-0 gnd |
| subject_GND | (DE-588)4035669-3 (DE-588)4113292-0 (DE-588)4011882-4 (DE-588)4143413-4 |
| title | German Lieder in the nineteenth century |
| title_auth | German Lieder in the nineteenth century |
| title_exact_search | German Lieder in the nineteenth century |
| title_full | German Lieder in the nineteenth century ed. by Rufus Hallmark |
| title_fullStr | German Lieder in the nineteenth century ed. by Rufus Hallmark |
| title_full_unstemmed | German Lieder in the nineteenth century ed. by Rufus Hallmark |
| title_short | German Lieder in the nineteenth century |
| title_sort | german lieder in the nineteenth century |
| topic | Chansons allemandes - 19e siècle - Histoire et critique Duits gtt Lieder - Allemagne - 19e siècle ram Liederen gtt Musique et littérature Musique et littérature ram Deutsch Geschichte Music and literature History 19th century Songs, German 19th century History and criticism Lied (DE-588)4035669-3 gnd Deutsch (DE-588)4113292-0 gnd |
| topic_facet | Chansons allemandes - 19e siècle - Histoire et critique Duits Lieder - Allemagne - 19e siècle Liederen Musique et littérature Deutsch Geschichte Music and literature History 19th century Songs, German 19th century History and criticism Lied Deutschland Aufsatzsammlung |
| work_keys_str_mv | AT hallmarkrufuse germanliederinthenineteenthcentury |