The vulgarization of art: the Victorians and aesthetic democracy
In this major reinterpretation of the Victorian Aesthetic Movement, Linda Dowling argues that such classic works of Victorian art writing as Ruskin's Stones of Venice or Morris's Lectures on Art or Wilde's Critic as Artist become wholly intelligible only within the larger ideological...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Charlottesville [u.a.]
Univ. Press of Virginia
1996
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Victorian literature and culture series
|
| Schlagworte: | |
| Zusammenfassung: | In this major reinterpretation of the Victorian Aesthetic Movement, Linda Dowling argues that such classic works of Victorian art writing as Ruskin's Stones of Venice or Morris's Lectures on Art or Wilde's Critic as Artist become wholly intelligible only within the larger ideological context of the Whig aesthetic tradition Tracing the genealogy of Victorian Aestheticism back to the first great crisis of the Whig polity in the earlier eighteenth century, Dowling locates the source of the Victorians' utopian hopes for art in the "moral sense" theory of Anthony Ashley Cooper, third earl of Shaftesbury. Shaftesbury's theory of a universal moral sense, argues The Vulgarization of Art, became the transcendental basis for the new Whig polity that proposed itself as an alternative to older theories of natural law and divine right. It would then sustain the Victorians' hope that their own nightmare landscape of commercial modernity and mass taste might be transformed by a universal pleasure in art and beauty The Vulgarization of Art goes on to explore the tragic consequences for the Aesthetic Movement when a repressed and irresolvable conflict between Shaftesbury's assumption of "aristocratic soul" and the Victorian ideal of "aesthetic democracy" repeatedly shatters the hopes of such writers as Ruskin, Morris, Pater, and Wilde for social transformation through the aesthetic sense |
| Beschreibung: | XIV, 133 S. |
| ISBN: | 0813916348 |
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| 520 | 3 | |a In this major reinterpretation of the Victorian Aesthetic Movement, Linda Dowling argues that such classic works of Victorian art writing as Ruskin's Stones of Venice or Morris's Lectures on Art or Wilde's Critic as Artist become wholly intelligible only within the larger ideological context of the Whig aesthetic tradition | |
| 520 | |a Tracing the genealogy of Victorian Aestheticism back to the first great crisis of the Whig polity in the earlier eighteenth century, Dowling locates the source of the Victorians' utopian hopes for art in the "moral sense" theory of Anthony Ashley Cooper, third earl of Shaftesbury. Shaftesbury's theory of a universal moral sense, argues The Vulgarization of Art, became the transcendental basis for the new Whig polity that proposed itself as an alternative to older theories of natural law and divine right. It would then sustain the Victorians' hope that their own nightmare landscape of commercial modernity and mass taste might be transformed by a universal pleasure in art and beauty | ||
| 520 | |a The Vulgarization of Art goes on to explore the tragic consequences for the Aesthetic Movement when a repressed and irresolvable conflict between Shaftesbury's assumption of "aristocratic soul" and the Victorian ideal of "aesthetic democracy" repeatedly shatters the hopes of such writers as Ruskin, Morris, Pater, and Wilde for social transformation through the aesthetic sense | ||
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Datensatz im Suchindex
| _version_ | 1804125257152331776 |
|---|---|
| any_adam_object | |
| author | Dowling, Linda C. 1944- |
| author_GND | (DE-588)138210292 |
| author_facet | Dowling, Linda C. 1944- |
| author_role | aut |
| author_sort | Dowling, Linda C. 1944- |
| author_variant | l c d lc lcd |
| building | Verbundindex |
| bvnumber | BV010775945 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR468 |
| callnumber-raw | PR468.A33 |
| callnumber-search | PR468.A33 |
| callnumber-sort | PR 3468 A33 |
| callnumber-subject | PR - English Literature |
| classification_rvk | CH 4350 HL 1135 HL 1139 |
| ctrlnum | (OCoLC)32590018 (DE-599)BVBBV010775945 |
| dewey-full | 820.9/357 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.9/357 |
| dewey-search | 820.9/357 |
| dewey-sort | 3820.9 3357 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik Philosophie |
| edition | 1. publ. |
| era | Geschichte 1800-1900 Geschichte 1800-1900 gnd Geschichte 1860-1900 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1860-1900 |
| format | Book |
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| geographic | Großbritannien Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV010775945 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T17:58:41Z |
| institution | BVB |
| isbn | 0813916348 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007196788 |
| oclc_num | 32590018 |
| open_access_boolean | |
| owner | DE-29 DE-739 DE-473 DE-BY-UBG DE-384 DE-12 DE-20 DE-11 DE-188 DE-255 |
| owner_facet | DE-29 DE-739 DE-473 DE-BY-UBG DE-384 DE-12 DE-20 DE-11 DE-188 DE-255 |
| physical | XIV, 133 S. |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| publisher | Univ. Press of Virginia |
| record_format | marc |
| series2 | Victorian literature and culture series |
| spelling | Dowling, Linda C. 1944- Verfasser (DE-588)138210292 aut The vulgarization of art the Victorians and aesthetic democracy Linda Dowling 1. publ. Charlottesville [u.a.] Univ. Press of Virginia 1996 XIV, 133 S. txt rdacontent n rdamedia nc rdacarrier Victorian literature and culture series In this major reinterpretation of the Victorian Aesthetic Movement, Linda Dowling argues that such classic works of Victorian art writing as Ruskin's Stones of Venice or Morris's Lectures on Art or Wilde's Critic as Artist become wholly intelligible only within the larger ideological context of the Whig aesthetic tradition Tracing the genealogy of Victorian Aestheticism back to the first great crisis of the Whig polity in the earlier eighteenth century, Dowling locates the source of the Victorians' utopian hopes for art in the "moral sense" theory of Anthony Ashley Cooper, third earl of Shaftesbury. Shaftesbury's theory of a universal moral sense, argues The Vulgarization of Art, became the transcendental basis for the new Whig polity that proposed itself as an alternative to older theories of natural law and divine right. It would then sustain the Victorians' hope that their own nightmare landscape of commercial modernity and mass taste might be transformed by a universal pleasure in art and beauty The Vulgarization of Art goes on to explore the tragic consequences for the Aesthetic Movement when a repressed and irresolvable conflict between Shaftesbury's assumption of "aristocratic soul" and the Victorian ideal of "aesthetic democracy" repeatedly shatters the hopes of such writers as Ruskin, Morris, Pater, and Wilde for social transformation through the aesthetic sense Morris, William <1834-1896> Ruskin, John <1819-1900> Wilde, Oscar <1854-1900> Shaftesbury, Anthony Ashley Cooper of 1671-1713 (DE-588)118613693 gnd rswk-swf Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Geschichte 1860-1900 gnd rswk-swf Artes - Grã-bretanha larpcal Crítica de arte (história) - Grã-bretanha larpcal Democratisering gtt Engels gtt Estheticisme gtt Estética (arte) - Grã-bretanha larpcal Kunstkritiek gtt Letterkunde gtt Literatura inglesa (história e crítica) larpcal Englisch Geschichte Literatur Aesthetic movement (Art) Aestheticism (Literature) Aesthetics, British Art and literature Great Britain History 19th century Art criticism Great Britain History 19th century Arts, British Criticism Great Britain History 19th century English literature 19th century History and criticism Theory, etc Popular culture Great Britain History 19th century Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Ästhetizismus (DE-588)4000629-3 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Ästhetik (DE-588)4000626-8 s Geschichte 1860-1900 z DE-604 Shaftesbury, Anthony Ashley Cooper of 1671-1713 (DE-588)118613693 p Rezeption (DE-588)4049716-1 s Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Ästhetizismus (DE-588)4000629-3 s Geschichte 1800-1900 z Kunst (DE-588)4114333-4 s |
| spellingShingle | Dowling, Linda C. 1944- The vulgarization of art the Victorians and aesthetic democracy Morris, William <1834-1896> Ruskin, John <1819-1900> Wilde, Oscar <1854-1900> Shaftesbury, Anthony Ashley Cooper of 1671-1713 (DE-588)118613693 gnd Artes - Grã-bretanha larpcal Crítica de arte (história) - Grã-bretanha larpcal Democratisering gtt Engels gtt Estheticisme gtt Estética (arte) - Grã-bretanha larpcal Kunstkritiek gtt Letterkunde gtt Literatura inglesa (história e crítica) larpcal Englisch Geschichte Literatur Aesthetic movement (Art) Aestheticism (Literature) Aesthetics, British Art and literature Great Britain History 19th century Art criticism Great Britain History 19th century Arts, British Criticism Great Britain History 19th century English literature 19th century History and criticism Theory, etc Popular culture Great Britain History 19th century Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Literatur (DE-588)4035964-5 gnd Rezeption (DE-588)4049716-1 gnd Englisch (DE-588)4014777-0 gnd Ästhetizismus (DE-588)4000629-3 gnd |
| subject_GND | (DE-588)118613693 (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4035964-5 (DE-588)4049716-1 (DE-588)4014777-0 (DE-588)4000629-3 (DE-588)4022153-2 |
| title | The vulgarization of art the Victorians and aesthetic democracy |
| title_auth | The vulgarization of art the Victorians and aesthetic democracy |
| title_exact_search | The vulgarization of art the Victorians and aesthetic democracy |
| title_full | The vulgarization of art the Victorians and aesthetic democracy Linda Dowling |
| title_fullStr | The vulgarization of art the Victorians and aesthetic democracy Linda Dowling |
| title_full_unstemmed | The vulgarization of art the Victorians and aesthetic democracy Linda Dowling |
| title_short | The vulgarization of art |
| title_sort | the vulgarization of art the victorians and aesthetic democracy |
| title_sub | the Victorians and aesthetic democracy |
| topic | Morris, William <1834-1896> Ruskin, John <1819-1900> Wilde, Oscar <1854-1900> Shaftesbury, Anthony Ashley Cooper of 1671-1713 (DE-588)118613693 gnd Artes - Grã-bretanha larpcal Crítica de arte (história) - Grã-bretanha larpcal Democratisering gtt Engels gtt Estheticisme gtt Estética (arte) - Grã-bretanha larpcal Kunstkritiek gtt Letterkunde gtt Literatura inglesa (história e crítica) larpcal Englisch Geschichte Literatur Aesthetic movement (Art) Aestheticism (Literature) Aesthetics, British Art and literature Great Britain History 19th century Art criticism Great Britain History 19th century Arts, British Criticism Great Britain History 19th century English literature 19th century History and criticism Theory, etc Popular culture Great Britain History 19th century Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Literatur (DE-588)4035964-5 gnd Rezeption (DE-588)4049716-1 gnd Englisch (DE-588)4014777-0 gnd Ästhetizismus (DE-588)4000629-3 gnd |
| topic_facet | Morris, William <1834-1896> Ruskin, John <1819-1900> Wilde, Oscar <1854-1900> Shaftesbury, Anthony Ashley Cooper of 1671-1713 Artes - Grã-bretanha Crítica de arte (história) - Grã-bretanha Democratisering Engels Estheticisme Estética (arte) - Grã-bretanha Kunstkritiek Letterkunde Literatura inglesa (história e crítica) Englisch Geschichte Literatur Aesthetic movement (Art) Aestheticism (Literature) Aesthetics, British Art and literature Great Britain History 19th century Art criticism Great Britain History 19th century Arts, British Criticism Great Britain History 19th century English literature 19th century History and criticism Theory, etc Popular culture Great Britain History 19th century Kunst Ästhetik Rezeption Ästhetizismus Großbritannien |
| work_keys_str_mv | AT dowlinglindac thevulgarizationofartthevictoriansandaestheticdemocracy |