Lovers of cinema: the first American film avant-garde, 1919 - 1945
Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cine...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Madison [u.a.]
Univ. of Wisconsin Press
1995
|
| Schriftenreihe: | Wisconsin studies in film
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a ground-breaking group of articles on this neglected film period. With one exception, all are original to this volume, and many are the first to treat comprehensively such early filmmakers as Mary Ellen Bute, Theodore Huff, and Douglass Crockwell Lovers of Cinema will become an essential point of reference for the future study of cinema's early years. Horak's extensive introduction surveys the milieu and aspirations of these pioneering filmmakers and traces their relation to amateur and documentary film traditions. Also included in the book is a listing of all American avant-garde films produced in the years before World War II and a bibliography of the most relevant criticism, literature, and news accounts. Many of the early avant-garde films discussed here, such as Tell-Tale Heart, Mr. Motorboat's Last Stand, and Poem 8, were lost until their rediscovery and restoration by Horak |
| Beschreibung: | XII, 404 S. Ill. |
| ISBN: | 0299146804 0299146847 |
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Datensatz im Suchindex
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| adam_text | INHALTSVERZEICHNIS
HORAK, JAN-CHRISTOPHER
THE FIRST AMERICAN FILM AVANT-GARDE, 19191945
S. 14-
THOMPSON, KRISTIN
THE LIMITS OF EXPERIMENTATION IN HOLLYWOOD
S. 67-
TAVES, BRIAN
ROBERT FLOREY AND THE HOLLYWOOD AVANT-GARDE
S. 94-
MORITZ, WILLIAM
AMERICANS IN PARIS: MAN RAY AND DUDLEY MURPHY
S. 118-
ZIMMERMAN, PATRICIA R.
STARTLING ANGLES: AMATEUR FILM AND THE EARLY AVANT-GARDE
S. 137-
CARTWRIGHT, LISA
U.S. MODERNISM AND THE EMERGENCE OF THE RIGHT WING OF FILM ART: THE
FILMS OF JAMES SIBLEY WATSON, JR., AND MELVILLE WEBBER
S. 156-
KLEINHANS, CHUCK
THEODORE HUFF: HISTORIAN AND FILMMAKER
S. 180-
MACDONALD, SCOTT
RALPH STEINER
S. 205-
WOLFE, CHARLES
STRAIGHT SHOTS AND CROOKED PLOTS: SOCIAL DOCUMENTARY AND THE AVANT-GARDE
IN THE 1930S
S. 234-
HORAK, JAN-CHRISTOPHER
PAUL STRAND AND CHARLES SHEELERS MANHATTA
S. 267-
URICCHIO, WILLIAM
THE CITY VIEWED: THE FILMS OF LEYDA, BROWNING, AND WEINBERG
S. 287-
RABINOVITZ, LAUREN
MARY ELLEN BUTE
S. 315-
GUNNING, TOM
MACHINES THAT GIVE BIRTH TO IMAGES: DOUGLASS CROCKWELL
S. 335-
INHALTSVERZEICHNIS ALS PDF
2000- OESTERR. BIBLIOTHEKENVERBUND & SERVICE GMBH [HTML 4.0 /
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| spelling | Lovers of cinema the first American film avant-garde, 1919 - 1945 ed. by Jan-Christopher Horak Madison [u.a.] Univ. of Wisconsin Press 1995 XII, 404 S. Ill. txt rdacontent n rdamedia nc rdacarrier Wisconsin studies in film Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a ground-breaking group of articles on this neglected film period. With one exception, all are original to this volume, and many are the first to treat comprehensively such early filmmakers as Mary Ellen Bute, Theodore Huff, and Douglass Crockwell Lovers of Cinema will become an essential point of reference for the future study of cinema's early years. Horak's extensive introduction surveys the milieu and aspirations of these pioneering filmmakers and traces their relation to amateur and documentary film traditions. Also included in the book is a listing of all American avant-garde films produced in the years before World War II and a bibliography of the most relevant criticism, literature, and news accounts. Many of the early avant-garde films discussed here, such as Tell-Tale Heart, Mr. Motorboat's Last Stand, and Poem 8, were lost until their rediscovery and restoration by Horak Geschichte 1919-1945 gnd rswk-swf Avant-garde gtt Cinéma américain - Histoire ram Cinéma expérimental - États-Unis - Histoire ram Filmkunst gtt Films expérimentaux - États-Unis - Histoire et critique Film Experimental films United States History and criticism Experimentalfilm (DE-588)4153359-8 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Experimentalfilm (DE-588)4153359-8 s Geschichte 1919-1945 z DE-604 Horak, Jan-Christopher 1951- Sonstige (DE-588)133323927 oth OEBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007195687&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Lovers of cinema the first American film avant-garde, 1919 - 1945 |
| title_auth | Lovers of cinema the first American film avant-garde, 1919 - 1945 |
| title_exact_search | Lovers of cinema the first American film avant-garde, 1919 - 1945 |
| title_full | Lovers of cinema the first American film avant-garde, 1919 - 1945 ed. by Jan-Christopher Horak |
| title_fullStr | Lovers of cinema the first American film avant-garde, 1919 - 1945 ed. by Jan-Christopher Horak |
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