All made of tunes: Charles Ives and the uses of musical borrowing
Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven [u.a.]
Yale Univ. Press
1995
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| Schlagworte: | |
| Zusammenfassung: | Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, Burkholder contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing |
| Beschreibung: | XII, 554 S. Notenbeisp. |
| ISBN: | 0300056427 |
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| 520 | 3 | |a Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one | |
| 520 | |a Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, Burkholder contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing | ||
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| spelling | Burkholder, James Peter 1954- Verfasser (DE-588)13236316X aut All made of tunes Charles Ives and the uses of musical borrowing J. Peter Burkholder New Haven [u.a.] Yale Univ. Press 1995 XII, 554 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, Burkholder contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing Ives, Charles <1874-1954> - Critique et interprétation Ives, Charles <1874-1954> - Sources Ives, Charles <1874-1954> Sources Ives, Charles <1874-1954> Criticism and interpretation Ives, Charles 1874-1954 (DE-588)118556142 gnd rswk-swf Citaten gtt Compositieleer gtt Muziekwerken gtt Quotation in music (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4135952-5 Quelle gnd-content Ives, Charles 1874-1954 (DE-588)118556142 p DE-604 |
| spellingShingle | Burkholder, James Peter 1954- All made of tunes Charles Ives and the uses of musical borrowing Ives, Charles <1874-1954> - Critique et interprétation Ives, Charles <1874-1954> - Sources Ives, Charles <1874-1954> Sources Ives, Charles <1874-1954> Criticism and interpretation Ives, Charles 1874-1954 (DE-588)118556142 gnd Citaten gtt Compositieleer gtt Muziekwerken gtt Quotation in music |
| subject_GND | (DE-588)118556142 (DE-588)4143413-4 (DE-588)4135952-5 |
| title | All made of tunes Charles Ives and the uses of musical borrowing |
| title_auth | All made of tunes Charles Ives and the uses of musical borrowing |
| title_exact_search | All made of tunes Charles Ives and the uses of musical borrowing |
| title_full | All made of tunes Charles Ives and the uses of musical borrowing J. Peter Burkholder |
| title_fullStr | All made of tunes Charles Ives and the uses of musical borrowing J. Peter Burkholder |
| title_full_unstemmed | All made of tunes Charles Ives and the uses of musical borrowing J. Peter Burkholder |
| title_short | All made of tunes |
| title_sort | all made of tunes charles ives and the uses of musical borrowing |
| title_sub | Charles Ives and the uses of musical borrowing |
| topic | Ives, Charles <1874-1954> - Critique et interprétation Ives, Charles <1874-1954> - Sources Ives, Charles <1874-1954> Sources Ives, Charles <1874-1954> Criticism and interpretation Ives, Charles 1874-1954 (DE-588)118556142 gnd Citaten gtt Compositieleer gtt Muziekwerken gtt Quotation in music |
| topic_facet | Ives, Charles <1874-1954> - Critique et interprétation Ives, Charles <1874-1954> - Sources Ives, Charles <1874-1954> Sources Ives, Charles <1874-1954> Criticism and interpretation Ives, Charles 1874-1954 Citaten Compositieleer Muziekwerken Quotation in music Aufsatzsammlung Quelle |
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