Looking high and low: art and cultural identity
Can low riders rightfully be considered art? Why are Chicano murals considered art while graffiti is considered vandalism? What do Native American artisans think about the popular display of their ceremonial objects? How do the "middlebrow" notions of Getty workers influence "highbrow...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Tucson
Univ. of Arizona Press
1995
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Can low riders rightfully be considered art? Why are Chicano murals considered art while graffiti is considered vandalism? What do Native American artisans think about the popular display of their ceremonial objects? How do the "middlebrow" notions of Getty workers influence "highbrow" values at the J. Paul Getty Trust? Looking High and Low attempts to answer these questions - and the broader question "What is art?" - by bringing together a collection of challenging essays on the meaning of art in cultural context and on the ways that our understandings of art and aesthetics have been influenced by social process and cultural values. This volume challenges conventional modes of analyzing art. Its ethnographic explorations illuminate the importance of art as a cultural force while creating a greater awareness of the roles that scholars, museum curators, and critics play in the evaluation of art. |
| Beschreibung: | VI, 210 S. Ill. |
| ISBN: | 0816513112 0816515166 |
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Datensatz im Suchindex
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| adam_text | LOOKING HIGH AND LOW
ART AND CULTURAL IDENTITY
Edited by Brenda JcTBright and Liza Bakewell
The University of Arizona Press Tucson
CONTENTS
Acknowledgments vii
1 INTRODUCTION Art Hierarchies, Cultural Boundaries, and
Reflexive Analysis
Brenda Jo Bright 1
2 BELLAS ARTES AND ARTES POPULARES The Implications of
Difference in the Mexico City Art World
Liza Bakewell 19
3 SPACE, POWER, AND YOUTH CULTURE Mexican American
Graffiti and Chicano Murals in East Los Angeles, 1972-1978
Marcos Sanchez-Tranquilino 55
vi Contents
4 REMAPPINGS Los Angeles Low Riders
Brenda Jo Bright 89
5 MARKETING MARIA The Tribal Artist in the Age of
Mechanical Reproduction
Barbara A Babcock 124
6 AESTHETICS AND POLITICS Zuni War God Repatriation
and Kachina Representation
Barbara Tedlock 151
7 MIDDLEBROW INTO HIGHBROW AT THE J PAUL GETTY TRUST,
LOS ANGELES
George E Marcus 173
INDEX 199
LIST OF CONTRIBUTORS 209
|
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| spelling | Looking high and low art and cultural identity ed. by Brenda Jo Bright ... Tucson Univ. of Arizona Press 1995 VI, 210 S. Ill. txt rdacontent n rdamedia nc rdacarrier Can low riders rightfully be considered art? Why are Chicano murals considered art while graffiti is considered vandalism? What do Native American artisans think about the popular display of their ceremonial objects? How do the "middlebrow" notions of Getty workers influence "highbrow" values at the J. Paul Getty Trust? Looking High and Low attempts to answer these questions - and the broader question "What is art?" - by bringing together a collection of challenging essays on the meaning of art in cultural context and on the ways that our understandings of art and aesthetics have been influenced by social process and cultural values. This volume challenges conventional modes of analyzing art. Its ethnographic explorations illuminate the importance of art as a cultural force while creating a greater awareness of the roles that scholars, museum curators, and critics play in the evaluation of art. Arts - Aspect social - États-Unis ram Arts et société - États-Unis Culture populaire - États-Unis Culture populaire - États-Unis ram Culturele identiteit gtt Kunst gtt Mexicaanse Amerikanen gtt Pueblo-Indianen gtt Volkscultuur gtt Zuni (volk) gtt Arts and society United States Popular culture United States Kunstsoziologie (DE-588)4033673-6 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Kunstsoziologie (DE-588)4033673-6 s DE-604 Bright, Brenda Jo Sonstige oth HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007126135&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Looking high and low art and cultural identity Arts - Aspect social - États-Unis ram Arts et société - États-Unis Culture populaire - États-Unis Culture populaire - États-Unis ram Culturele identiteit gtt Kunst gtt Mexicaanse Amerikanen gtt Pueblo-Indianen gtt Volkscultuur gtt Zuni (volk) gtt Arts and society United States Popular culture United States Kunstsoziologie (DE-588)4033673-6 gnd |
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| title | Looking high and low art and cultural identity |
| title_auth | Looking high and low art and cultural identity |
| title_exact_search | Looking high and low art and cultural identity |
| title_full | Looking high and low art and cultural identity ed. by Brenda Jo Bright ... |
| title_fullStr | Looking high and low art and cultural identity ed. by Brenda Jo Bright ... |
| title_full_unstemmed | Looking high and low art and cultural identity ed. by Brenda Jo Bright ... |
| title_short | Looking high and low |
| title_sort | looking high and low art and cultural identity |
| title_sub | art and cultural identity |
| topic | Arts - Aspect social - États-Unis ram Arts et société - États-Unis Culture populaire - États-Unis Culture populaire - États-Unis ram Culturele identiteit gtt Kunst gtt Mexicaanse Amerikanen gtt Pueblo-Indianen gtt Volkscultuur gtt Zuni (volk) gtt Arts and society United States Popular culture United States Kunstsoziologie (DE-588)4033673-6 gnd |
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