The breaking of style: Hopkins, Heaney, Graham
Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential con...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass. [u.a.]
Harvard Univ. Press
1995
|
| Schriftenreihe: | The Richard Ellmann lectures in modern literature
|
| Schlagworte: | |
| Zusammenfassung: | Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work. Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical "atmosphere" from one poem to the next - from "nounness" to the "betweenness" of an adverbial style - shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic "freeze-framing" to coverage, each with its own meaning in this poet's career. |
| Beschreibung: | X, 100 S. |
| ISBN: | 067408120X 0674081218 |
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| 520 | 3 | |a Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work. Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical "atmosphere" from one poem to the next - from "nounness" to the "betweenness" of an adverbial style - shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic "freeze-framing" to coverage, each with its own meaning in this poet's career. | |
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Datensatz im Suchindex
| _version_ | 1804125125014978560 |
|---|---|
| any_adam_object | |
| author | Vendler, Helen Hennessy 1933-2024 |
| author_GND | (DE-588)124591477 |
| author_facet | Vendler, Helen Hennessy 1933-2024 |
| author_role | aut |
| author_sort | Vendler, Helen Hennessy 1933-2024 |
| author_variant | h h v hh hhv |
| building | Verbundindex |
| bvnumber | BV010648151 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR504 |
| callnumber-raw | PR504 |
| callnumber-search | PR504 |
| callnumber-sort | PR 3504 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HG 550 HL 3125 |
| ctrlnum | (OCoLC)32550302 (DE-599)BVBBV010648151 |
| dewey-full | 821.009 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 821 - English poetry |
| dewey-raw | 821.009 |
| dewey-search | 821.009 |
| dewey-sort | 3821.009 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1876-1990 gnd |
| era_facet | Geschichte 1876-1990 |
| format | Book |
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| id | DE-604.BV010648151 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T17:56:35Z |
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| isbn | 067408120X 0674081218 |
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| series2 | The Richard Ellmann lectures in modern literature |
| spelling | Vendler, Helen Hennessy 1933-2024 Verfasser (DE-588)124591477 aut The breaking of style Hopkins, Heaney, Graham Helen Vendler Cambridge, Mass. [u.a.] Harvard Univ. Press 1995 X, 100 S. txt rdacontent n rdamedia nc rdacarrier The Richard Ellmann lectures in modern literature Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work. Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical "atmosphere" from one poem to the next - from "nounness" to the "betweenness" of an adverbial style - shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic "freeze-framing" to coverage, each with its own meaning in this poet's career. Graham, Jorie <1951-> - Style Heaney, Seamus - Style Hopkins, Gerard Manley <1844-1889> - Style Graham, Jorie <1951-> Literary style Heaney, Seamus <1939-> Literary style Hopkins, Gerard Manley <1844-1889> Literary style Heaney, Seamus 1939-2013 (DE-588)118547410 gnd rswk-swf Hopkins, Gerard Manley 1844-1889 (DE-588)118553526 gnd rswk-swf Graham, Jorie 1950- (DE-588)119393700 gnd rswk-swf Geschichte 1876-1990 gnd rswk-swf Amerikaans gtt Engels gtt Gedichten gtt Stijlen gtt Englisch Lyrik English language Style English poetry History and criticism Sprache (DE-588)4056449-6 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Dichtersprache (DE-588)4012112-4 gnd rswk-swf USA Hopkins, Gerard Manley 1844-1889 (DE-588)118553526 p Sprache (DE-588)4056449-6 s DE-604 Heaney, Seamus 1939-2013 (DE-588)118547410 p Graham, Jorie 1950- (DE-588)119393700 p Englisch (DE-588)4014777-0 s Dichtersprache (DE-588)4012112-4 s Geschichte 1876-1990 z |
| spellingShingle | Vendler, Helen Hennessy 1933-2024 The breaking of style Hopkins, Heaney, Graham Graham, Jorie <1951-> - Style Heaney, Seamus - Style Hopkins, Gerard Manley <1844-1889> - Style Graham, Jorie <1951-> Literary style Heaney, Seamus <1939-> Literary style Hopkins, Gerard Manley <1844-1889> Literary style Heaney, Seamus 1939-2013 (DE-588)118547410 gnd Hopkins, Gerard Manley 1844-1889 (DE-588)118553526 gnd Graham, Jorie 1950- (DE-588)119393700 gnd Amerikaans gtt Engels gtt Gedichten gtt Stijlen gtt Englisch Lyrik English language Style English poetry History and criticism Sprache (DE-588)4056449-6 gnd Englisch (DE-588)4014777-0 gnd Dichtersprache (DE-588)4012112-4 gnd |
| subject_GND | (DE-588)118547410 (DE-588)118553526 (DE-588)119393700 (DE-588)4056449-6 (DE-588)4014777-0 (DE-588)4012112-4 |
| title | The breaking of style Hopkins, Heaney, Graham |
| title_auth | The breaking of style Hopkins, Heaney, Graham |
| title_exact_search | The breaking of style Hopkins, Heaney, Graham |
| title_full | The breaking of style Hopkins, Heaney, Graham Helen Vendler |
| title_fullStr | The breaking of style Hopkins, Heaney, Graham Helen Vendler |
| title_full_unstemmed | The breaking of style Hopkins, Heaney, Graham Helen Vendler |
| title_short | The breaking of style |
| title_sort | the breaking of style hopkins heaney graham |
| title_sub | Hopkins, Heaney, Graham |
| topic | Graham, Jorie <1951-> - Style Heaney, Seamus - Style Hopkins, Gerard Manley <1844-1889> - Style Graham, Jorie <1951-> Literary style Heaney, Seamus <1939-> Literary style Hopkins, Gerard Manley <1844-1889> Literary style Heaney, Seamus 1939-2013 (DE-588)118547410 gnd Hopkins, Gerard Manley 1844-1889 (DE-588)118553526 gnd Graham, Jorie 1950- (DE-588)119393700 gnd Amerikaans gtt Engels gtt Gedichten gtt Stijlen gtt Englisch Lyrik English language Style English poetry History and criticism Sprache (DE-588)4056449-6 gnd Englisch (DE-588)4014777-0 gnd Dichtersprache (DE-588)4012112-4 gnd |
| topic_facet | Graham, Jorie <1951-> - Style Heaney, Seamus - Style Hopkins, Gerard Manley <1844-1889> - Style Graham, Jorie <1951-> Literary style Heaney, Seamus <1939-> Literary style Hopkins, Gerard Manley <1844-1889> Literary style Heaney, Seamus 1939-2013 Hopkins, Gerard Manley 1844-1889 Graham, Jorie 1950- Amerikaans Engels Gedichten Stijlen Englisch Lyrik English language Style English poetry History and criticism Sprache Dichtersprache USA |
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