Music and conceptualization:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
1995
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| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VIII, 163 S. Notenbeisp. |
| ISBN: | 0521403316 |
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Datensatz im Suchindex
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| adam_text | Music and
Conceptualization
MARK DEBELLIS
Columbia University
H CAMBRIDGE
UNIVERSITY PRESS
Contents
Acknowledgments page vii
1 Introduction: Hearing Ascriptions 1
2 Musical Hearing as Weakly Nonconceptual 19
3 Musical Hearing as Strongly Nonconceptual 57
4 Is There an Observation-Theory Distinction
in Music? 80
5 Theoretically Informed Listening 117
6 Conceptions of Musical Structure 132
Works Cited 153
Index 161
|
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| spelling | De Bellis, Mark A. Verfasser aut Music and conceptualization Mark DeBellis 1. publ. Cambridge [u.a.] Cambridge Univ. Press 1995 VIII, 163 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007093464&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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