Contemporary Nigerian theatre: cultural heritage and social vision
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bayreuth [u.a.]
Bayreuth African Studies Breitinger [u.a.]
1996
|
| Schriftenreihe: | Bayreuth African studies series
40 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 289 Seiten Illustrationen |
| ISBN: | 3927510327 3927510491 |
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Datensatz im Suchindex
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| adam_text | Titel: Contemporary Nigerian theatre
Autor: Obafemi, Olu
Jahr: 1996
CONTENTS CONTENTS............................................................................................................ DEDICATION ........................................................................................................ ACKNOWLEDGEMENT ....................................................................................... FOREWORD........................................................................................................... PREFACE...........................................................................................................11 CHAPTER ONE...................................................................................................... THE YORUBA OPERATIC THEATRE: A WORLD IN SEARCH OF HARMONY AND SOCIAL ORDER......:.........................................................13 Introduction.....................................................................................................13 Part One...............................................................................................................
The World in Search of Harmony: Duro Ladipo s Oba Ko So .......................18 Dramatic Vision and Technique.....................................................................21 Part Two.............................................................................................................. Watchman for the Watchword: Ogunde s Strike and Hunger ........................36 The Play...........................................................................................................39 Repetition and Alternation..............................................................................45 Part Three............................................................................................................ Theatre of Farce: The Yeye Tradition in Moses Olaiya s Tokunbo ...............55 The Yeye Tradition.........................................................................................56 Tokunbo..........................................................................................................57
Dramatic Technique in Tokunbo .....................................................................62 CHAPTER TWO..................................................................................................... ANIMIST METAPHYSICS AND THE REVOLUTIONARY VISION IN THE NIGERIAN LITERARY DRAMA: CLARK, ROTIMI, SOYINKA AND SOFOLA..............................................................................................................67 Introduction.....................................................................................................67 Part One............................................................................................................... Folklore and Tragic Vision: J.P. Clark s Ozidi and The Ozidi Saga 1 .............69
Clark s Dramatic Vision..................................................................................75 Dramatic Technique........................................................................................81 Part Two.............................................................................................................. Tragedy and the Recreation of History in Ola Rotimi s Plays........................89 Kurunmi and Ovonramwen Nogbaisi .............................................................94 Historical Sources of Kurunmi and Ovonramwen Nogbaisi ..........................95 Dramatic vision in the plays............................................................................97 Dramatic technique.......................................................................................109 Part Three............................................................................................................ Ritual, Drama and Society: The Revolutionary Vision in Soyinka s
Theatre 1 IS Approaches to Soyinka s drama................................................... 118 Dramatic Vision............................................................................................123 Yoruba Belief in Soyinka s vision................................................................124 Death and the King s Horseman ...................................................................127 The Road ........................................................................................................132 Kongi s Harvest .............................................................................................136 Madmen and Specialists ...............................................................................141 Ritual as Technique in Soyinka s Drama......................................................147 Part Four.............................................................................................................. Tradition and Social Vision in Sofola s
Theatre...........................................158 CHAPTER THREE................................................................................................. THE POLITICAL THEATRE IN NIGERIA: OSOFISAN, OMOTOSO, SOWANDE AND ONWUEME.......................................................................168 Introduction...................................................................................................168 Part One............................................................................................................... Femi Osofisan: The Chattering and the Song and Once Upon Four Robbersll The Chattering and the Song ........................................................................179 Dramatic Technique......................................................................................182 Once Upon Four Robbers .............................................................................192 Dramatic Technique......................................................................................195
Part Two.............................................................................................................. Kole Omotoso: The Curse And Shadows In The Horizon ...........................207 Dramatic Technique......................................................................................212 Part Three............................................................................................................ Spiritual Nationalism: Bode Sowande s Sanctus for Women, The Night Before and Farewell to Babylon...................................................................224 Sanctus for Women ........................................................................................227 Dramatic Technique......................................................................................231 The Night Before ...........................................................................................235 Dramatic Technique......................................................................................240
Farewell to Babylon ......................................................................................246 Dramatic Technique.................. 253 Part Four.............................................................................................................. Tess Onwueme s Drama of Social Commitment..........................................260 NIGERIAN THEATRE SINCE 1980...............................................................265 Popular Theatre.............................................................................................265 First Generation Literary Theatre.................................................................269 The Emergent Tradition................................................................................272 CONCLUSION.................................................................................................276 SELECTED BIBLIOGRAPHY........................................................................277 Primary Sources - Plays................................................................................277
Secondary Sources........................................................................................279 A. Books - critical and general.....................................................................279 B. Articles in Journals...................................................................................284 C. Unpublished Manuscripts and Seminar Papers........................................288 D. Dissertations and Theses..........................................................................289 INDEX...............................................................................................................290
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| dewey-full | 822 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
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| discipline | Geowissenschaften Allgemeines Anglistik / Amerikanistik Außereuropäische Sprachen und Literaturen Literaturwissenschaft Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| era | Geschichte 1960-1995 gnd Geschichte 1980-1995 gnd |
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| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007080663 |
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| spelling | Obafemi, Olu 1950- (DE-588)115429964 aut Contemporary Nigerian theatre cultural heritage and social vision Olufemi Obafemi Bayreuth [u.a.] Bayreuth African Studies Breitinger [u.a.] 1996 289 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Bayreuth African studies series 40 Geschichte 1960-1995 gnd rswk-swf Geschichte 1980-1995 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Nigeria (DE-588)4042300-1 gnd rswk-swf Nigeria (DE-588)4042300-1 g Theater (DE-588)4059702-7 s Geschichte 1980-1995 z DE-604 Drama (DE-588)4012899-4 s Englisch (DE-588)4014777-0 s Geschichte 1960-1995 z Bayreuth African studies series 40 (DE-604)BV000014687 40 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007080663&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Obafemi, Olu 1950- Contemporary Nigerian theatre cultural heritage and social vision Bayreuth African studies series Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4012899-4 (DE-588)4059702-7 (DE-588)4042300-1 |
| title | Contemporary Nigerian theatre cultural heritage and social vision |
| title_auth | Contemporary Nigerian theatre cultural heritage and social vision |
| title_exact_search | Contemporary Nigerian theatre cultural heritage and social vision |
| title_full | Contemporary Nigerian theatre cultural heritage and social vision Olufemi Obafemi |
| title_fullStr | Contemporary Nigerian theatre cultural heritage and social vision Olufemi Obafemi |
| title_full_unstemmed | Contemporary Nigerian theatre cultural heritage and social vision Olufemi Obafemi |
| title_short | Contemporary Nigerian theatre |
| title_sort | contemporary nigerian theatre cultural heritage and social vision |
| title_sub | cultural heritage and social vision |
| topic | Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Englisch Drama Theater Nigeria |
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