The modern voice in American poetry:
Proposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and inter...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Gainesville u.a.
Univ. Pr. of Florida
1995
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Proposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and interiority (imagination) and exteriority (landscape). Doreski examines the work of well-known poets - concentrating on Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, T. S. Eliot, Ezra Pound, and Robert Lowell, but also including Alan Dugan, Robert Pinsky, John Ashbery, and Louise Gluck - from a fresh angle, often focusing on less-discussed poems (such as Eliot's "Portrait of a Lady"). Modernist poets experienced a vast shift in the relationship between poetry and society. Two principal themes underlie Doreski's criticism of their work: first, that they turned to drama, prose fiction, and extraliterary sources to expand the rhetorical range of their poetics; second, that their poetry demonstrates their conflict between a responsibility to history, tradition, or society and their desire to generate a world of their own making. |
| Beschreibung: | XVIII, 179 S. |
| ISBN: | 0813013623 |
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| 520 | 3 | |a Proposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and interiority (imagination) and exteriority (landscape). Doreski examines the work of well-known poets - concentrating on Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, T. S. Eliot, Ezra Pound, and Robert Lowell, but also including Alan Dugan, Robert Pinsky, John Ashbery, and Louise Gluck - from a fresh angle, often focusing on less-discussed poems (such as Eliot's "Portrait of a Lady"). Modernist poets experienced a vast shift in the relationship between poetry and society. Two principal themes underlie Doreski's criticism of their work: first, that they turned to drama, prose fiction, and extraliterary sources to expand the rhetorical range of their poetics; second, that their poetry demonstrates their conflict between a responsibility to history, tradition, or society and their desire to generate a world of their own making. | |
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Datensatz im Suchindex
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|---|---|
| adam_text | William Doreski
The Modern Voice in
c/lmerican iPoetry
University Press of Florida
Gainesville/Tallahassee/Tampa/Boca Raton
Pensacola/Orlando/Miami/Jacksonville
Contents
Preface xi
1 Frost l
Lyric Monologue and Landscape
2 Stevens 27
Allegorical Landscape and Myth
3 Williams and Moore 54
History and the Colloquial Style
4 Eliot and Pound 83
Political Discourse and the Voicing of Difference
5 Lowell 115
Autobiography and Vulnerability
Epilogue 151
Meditation and Impersonality in Contemporary Poetry
Works Cit ed 168
Index * 174
|
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| callnumber-subject | PS - American Literature |
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| ctrlnum | (OCoLC)31783385 (DE-599)BVBBV010531678 |
| dewey-full | 811/.509 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
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| dewey-search | 811/.509 |
| dewey-sort | 3811 3509 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 Geschichte 1900-1970 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1900-1970 |
| format | Book |
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| spelling | Doreski, William Verfasser aut The modern voice in American poetry William Doreski Gainesville u.a. Univ. Pr. of Florida 1995 XVIII, 179 S. txt rdacontent n rdamedia nc rdacarrier Proposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and interiority (imagination) and exteriority (landscape). Doreski examines the work of well-known poets - concentrating on Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, T. S. Eliot, Ezra Pound, and Robert Lowell, but also including Alan Dugan, Robert Pinsky, John Ashbery, and Louise Gluck - from a fresh angle, often focusing on less-discussed poems (such as Eliot's "Portrait of a Lady"). Modernist poets experienced a vast shift in the relationship between poetry and society. Two principal themes underlie Doreski's criticism of their work: first, that they turned to drama, prose fiction, and extraliterary sources to expand the rhetorical range of their poetics; second, that their poetry demonstrates their conflict between a responsibility to history, tradition, or society and their desire to generate a world of their own making. Geschichte 1900-2000 Geschichte 1900-1970 gnd rswk-swf Modernisme (Littérature) - États-Unis Poésie américaine - 20e siècle - Histoire et critique American poetry 20th century History and criticism Modernism (Literature) United States Lyrik (DE-588)4036774-5 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Lyrik (DE-588)4036774-5 s Moderne (DE-588)4039827-4 s Geschichte 1900-1970 z DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007020341&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Doreski, William The modern voice in American poetry Modernisme (Littérature) - États-Unis Poésie américaine - 20e siècle - Histoire et critique American poetry 20th century History and criticism Modernism (Literature) United States Lyrik (DE-588)4036774-5 gnd Moderne (DE-588)4039827-4 gnd |
| subject_GND | (DE-588)4036774-5 (DE-588)4039827-4 (DE-588)4078704-7 |
| title | The modern voice in American poetry |
| title_auth | The modern voice in American poetry |
| title_exact_search | The modern voice in American poetry |
| title_full | The modern voice in American poetry William Doreski |
| title_fullStr | The modern voice in American poetry William Doreski |
| title_full_unstemmed | The modern voice in American poetry William Doreski |
| title_short | The modern voice in American poetry |
| title_sort | the modern voice in american poetry |
| topic | Modernisme (Littérature) - États-Unis Poésie américaine - 20e siècle - Histoire et critique American poetry 20th century History and criticism Modernism (Literature) United States Lyrik (DE-588)4036774-5 gnd Moderne (DE-588)4039827-4 gnd |
| topic_facet | Modernisme (Littérature) - États-Unis Poésie américaine - 20e siècle - Histoire et critique American poetry 20th century History and criticism Modernism (Literature) United States Lyrik Moderne USA |
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