Cultural semiotics, Spenser and the captive woman:
In Cultural Semiotics, Spenser, and the Captive Woman, author Louise Schleiner uses concepts from A. J. Greimas to analyze The Shepheardes Calender (1579) as a discourse and as a definitive text for the Elizabethan "political unconscious," in the sense of Fredric Jameson, who also drew on...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bethlehem
Lehigh Univ. Press [u.a.]
1995
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In Cultural Semiotics, Spenser, and the Captive Woman, author Louise Schleiner uses concepts from A. J. Greimas to analyze The Shepheardes Calender (1579) as a discourse and as a definitive text for the Elizabethan "political unconscious," in the sense of Fredric Jameson, who also drew on Greimas. The book demonstrates sociolinguistic patterns at work in Elizabethan ideological conflicts, at a level that shows how those patterns were related to the energies of people's sexuality and their political and religious commitments. Through explaining this libidinal and political functioning of the Calender, in its time and for Spenser as a new poet, the book identifies an "ideologeme," widely observable in England of the 1580s and 1590s: that of the captive/capturing woman, a unit of interfactional and interclass discourse As well as discussing Spenser, two chapters include examples from music and balladry and use the "captive woman" construct to analyze material from such figures as Lyly, Shakespeare, the composer John Dowland, the Countess of Pembroke, and Queen Elizabeth I. A concluding chapter on the Calender's proferred text-readership game shows Spenser evolving his ordering of the twelve eclogues through inventing a strategic frame for them, an implied story that both celebrates and leaves behind his passionate friendship with Gabriel Harvey |
| Beschreibung: | 278 S. graph. Darst. |
| ISBN: | 093422336X |
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| 520 | 3 | |a In Cultural Semiotics, Spenser, and the Captive Woman, author Louise Schleiner uses concepts from A. J. Greimas to analyze The Shepheardes Calender (1579) as a discourse and as a definitive text for the Elizabethan "political unconscious," in the sense of Fredric Jameson, who also drew on Greimas. The book demonstrates sociolinguistic patterns at work in Elizabethan ideological conflicts, at a level that shows how those patterns were related to the energies of people's sexuality and their political and religious commitments. Through explaining this libidinal and political functioning of the Calender, in its time and for Spenser as a new poet, the book identifies an "ideologeme," widely observable in England of the 1580s and 1590s: that of the captive/capturing woman, a unit of interfactional and interclass discourse | |
| 520 | |a As well as discussing Spenser, two chapters include examples from music and balladry and use the "captive woman" construct to analyze material from such figures as Lyly, Shakespeare, the composer John Dowland, the Countess of Pembroke, and Queen Elizabeth I. A concluding chapter on the Calender's proferred text-readership game shows Spenser evolving his ordering of the twelve eclogues through inventing a strategic frame for them, an implied story that both celebrates and leaves behind his passionate friendship with Gabriel Harvey | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Cultural Semiotics,
Spenser,
and the Captive Woman
Louise Schleiner
Lehigh
University
Presi
Bethlehem: Lehigh University Press
London and Toronto: Associated University Presses
Contents
Acknowledgments 9
1 Introduction 13
Methodology: A Brief Placement 17
A Recent Object of Pursuit: The Unity of the Calender 27
Colin Clout: Prophetic Pastor or Sickly Dying Lover? 30
The Morality of Power 35
Semiotics and the Recognition of an Ideologeme 40
2 The Greimas Model and the Calender s Perspectival
Framing 42
The Generative Trajectory 43
The Trajectory s Syntactic Side, Including Actants of
Communication and of Narration 46
Communication Actants and the Calender s Perspectival
Framing 49
The Semantic Side of the Generative Trajectory 54
The Narrative Program 59
Is the Narrative Program Gender-Specific? 62
3 The Shepheardes Calender Analyzed through the Greimas
Model 65
Stage 1: Objectification 65
Stages 2 and 3: Segmentation and Extraction/Inventory 66
Stage 4: Structu ration 70
Prosopopoeia and Stage 5: Recognizing the Base Narrative
Program 75
The Instrumental Narrative Programs 80
4 Isaiah: Excrescence as Expression and the Figurative
Isotopy 89
5 The Calender as Prophecy and the Captive Woman
Ideologeme 102
The Calender s Politics and Theology 105
The New Ideologeme and the Calender s Solution1 for the
Insoluble Conflict 109
How Things Turn Out in December 113
Economic Interests and the Captive Woman
Ideologeme 116
8 CONTENTS
How the Ideologeme Began to Tick and Work 123
The Classeme Maleness-Femaleness within
Ideologemes 125
6 The Captive Woman1 at Work 129
The Entrepreneurial Pattern in the Faerie Queene: Britomart
vs Radigund, Gloriana of the Shield vs Philotime 130
The Ideologeme in the Arcadia, Old and New 138
Sweet Cynthia, How Wouldst Thou Be Possessed?: Lyly,
Dowland, and the Squirearchist Pattern 143
Shrew-Taming, Pandosto, and Shakespeare s Rewriting of the
Woman Recaptured 151
Entrepreneurial Satire in Willobie His Avisa 158
Britomart vs Penelope 163
Tinkering with the Ideologeme? A Countess Tries to
Speak 166
Capturing and Liberating: What the Queen Said 176
7 Compositional Order and Colin s Framing of Male and
Female Loves in The Shepheardes Calender 179
The Easy Moves in the Game of Who s Who: The Clear
Identities 183
The Trickier Moves of the Game: The Beclouded
Identities 187
Groupings among the Eclogues and their Order of
Composition 193
Colin s Two Loves 199
Appendix 1 Algorithm or Description Procedures Used 202
Appendix 2 Data of the Algorithm s Application 208
Notes 240
Bibliography 265
Index 275
|
| any_adam_object | 1 |
| author | Schleiner, Louise |
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| dewey-ones | 821 - English poetry |
| dewey-raw | 821/.3 |
| dewey-search | 821/.3 |
| dewey-sort | 3821 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1500-1600 |
| era_facet | Geschichte 1500-1600 |
| format | Book |
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| id | DE-604.BV010526976 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:54:30Z |
| institution | BVB |
| isbn | 093422336X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007016324 |
| oclc_num | 31206122 |
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| physical | 278 S. graph. Darst. |
| publishDate | 1995 |
| publishDateSearch | 1995 |
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| publisher | Lehigh Univ. Press [u.a.] |
| record_format | marc |
| spelling | Schleiner, Louise Verfasser aut Cultural semiotics, Spenser and the captive woman Louise Schleiner Bethlehem Lehigh Univ. Press [u.a.] 1995 278 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier In Cultural Semiotics, Spenser, and the Captive Woman, author Louise Schleiner uses concepts from A. J. Greimas to analyze The Shepheardes Calender (1579) as a discourse and as a definitive text for the Elizabethan "political unconscious," in the sense of Fredric Jameson, who also drew on Greimas. The book demonstrates sociolinguistic patterns at work in Elizabethan ideological conflicts, at a level that shows how those patterns were related to the energies of people's sexuality and their political and religious commitments. Through explaining this libidinal and political functioning of the Calender, in its time and for Spenser as a new poet, the book identifies an "ideologeme," widely observable in England of the 1580s and 1590s: that of the captive/capturing woman, a unit of interfactional and interclass discourse As well as discussing Spenser, two chapters include examples from music and balladry and use the "captive woman" construct to analyze material from such figures as Lyly, Shakespeare, the composer John Dowland, the Countess of Pembroke, and Queen Elizabeth I. A concluding chapter on the Calender's proferred text-readership game shows Spenser evolving his ordering of the twelve eclogues through inventing a strategic frame for them, an implied story that both celebrates and leaves behind his passionate friendship with Gabriel Harvey Spenser, Edmund <1552?-1599> Characters Women Spenser, Edmund 1552-1599 (DE-588)118616129 gnd rswk-swf Spenser, Edmund 1552-1599 The shepheardes calender (DE-588)4120040-8 gnd rswk-swf Geschichte 1500-1600 Frau Geschichte Literature and society England History 16th century Semiotics and literature England History 16th century Sex role in literature Women and literature England History 16th century Frau (DE-588)4018202-2 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf Geschlechterrolle Motiv (DE-588)4222106-7 gnd rswk-swf Gefangener Motiv (DE-588)4156238-0 gnd rswk-swf Kultursemiotik (DE-588)4129038-0 gnd rswk-swf Frauenbild (DE-588)4125057-6 gnd rswk-swf Spenser, Edmund 1552-1599 (DE-588)118616129 p Frau Motiv (DE-588)4113617-2 s DE-604 Frau (DE-588)4018202-2 s Frauenbild (DE-588)4125057-6 s Spenser, Edmund 1552-1599 The shepheardes calender (DE-588)4120040-8 u Gefangener Motiv (DE-588)4156238-0 s DE-188 Geschlechterrolle Motiv (DE-588)4222106-7 s Kultursemiotik (DE-588)4129038-0 s HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007016324&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Schleiner, Louise Cultural semiotics, Spenser and the captive woman Spenser, Edmund <1552?-1599> Characters Women Spenser, Edmund 1552-1599 (DE-588)118616129 gnd Spenser, Edmund 1552-1599 The shepheardes calender (DE-588)4120040-8 gnd Frau Geschichte Literature and society England History 16th century Semiotics and literature England History 16th century Sex role in literature Women and literature England History 16th century Frau (DE-588)4018202-2 gnd Frau Motiv (DE-588)4113617-2 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd Gefangener Motiv (DE-588)4156238-0 gnd Kultursemiotik (DE-588)4129038-0 gnd Frauenbild (DE-588)4125057-6 gnd |
| subject_GND | (DE-588)118616129 (DE-588)4120040-8 (DE-588)4018202-2 (DE-588)4113617-2 (DE-588)4222106-7 (DE-588)4156238-0 (DE-588)4129038-0 (DE-588)4125057-6 |
| title | Cultural semiotics, Spenser and the captive woman |
| title_auth | Cultural semiotics, Spenser and the captive woman |
| title_exact_search | Cultural semiotics, Spenser and the captive woman |
| title_full | Cultural semiotics, Spenser and the captive woman Louise Schleiner |
| title_fullStr | Cultural semiotics, Spenser and the captive woman Louise Schleiner |
| title_full_unstemmed | Cultural semiotics, Spenser and the captive woman Louise Schleiner |
| title_short | Cultural semiotics, Spenser and the captive woman |
| title_sort | cultural semiotics spenser and the captive woman |
| topic | Spenser, Edmund <1552?-1599> Characters Women Spenser, Edmund 1552-1599 (DE-588)118616129 gnd Spenser, Edmund 1552-1599 The shepheardes calender (DE-588)4120040-8 gnd Frau Geschichte Literature and society England History 16th century Semiotics and literature England History 16th century Sex role in literature Women and literature England History 16th century Frau (DE-588)4018202-2 gnd Frau Motiv (DE-588)4113617-2 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd Gefangener Motiv (DE-588)4156238-0 gnd Kultursemiotik (DE-588)4129038-0 gnd Frauenbild (DE-588)4125057-6 gnd |
| topic_facet | Spenser, Edmund <1552?-1599> Characters Women Spenser, Edmund 1552-1599 Spenser, Edmund 1552-1599 The shepheardes calender Frau Geschichte Literature and society England History 16th century Semiotics and literature England History 16th century Sex role in literature Women and literature England History 16th century Frau Motiv Geschlechterrolle Motiv Gefangener Motiv Kultursemiotik Frauenbild |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007016324&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT schleinerlouise culturalsemioticsspenserandthecaptivewoman |