The writing of melancholy: modes of opposition in early French modernism
Ross Chambers, an eminent critic of French literature, proposes an original theory of the development of French modernism. His bold rereading of mid-nineteenth-century texts, from Madame Bovary to Les Fleurs du mal, leads to a reconception of the workings of narrative - in themselves and in relation...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English French |
Veröffentlicht: |
Chicago u.a.
Univ. of Chicago Press
1993
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Schlagworte: | |
Zusammenfassung: | Ross Chambers, an eminent critic of French literature, proposes an original theory of the development of French modernism. His bold rereading of mid-nineteenth-century texts, from Madame Bovary to Les Fleurs du mal, leads to a reconception of the workings of narrative - in themselves and in relation to history. Chambers makes a distinction between a text's formal mode of address (narrative function) and the reflexive devices by which it invites interpretation (textual function). The works he considers reveal a discontinuity or disjunction between these two functions and as a result seem uncentered, their manner of conveying meaning oddly blurred. In this they recall the general malaise that swept through French society in the wake of the failed revolution of 1848. Chambers shows how the internal opposition of narrative and textual function, often read as a willful resistance to this historical ennui, is actually its symptom Pursuing this argument through works by Flaubert, Nerval, Baudelaire, Gautier, and Hugo, Chambers uses theoretical insights to illuminate textual details, which in turn clarify and advance his theory. The process yields a subtle and compelling meditation on the powers of writing and reading, which contributes significantly to the debate about the historical status of literary texts. At the heart of the book is the concept of oppositionality; in this respect The Writing of Melancholy is both a necessary complement to Chambers's previous work in Room for Maneuver and a discreet homage by a member of the post-1968 generation to those who were thirty-something in 1848. Originally published in French, the book has been revised and expanded to include an entirely new chapter on Gerard de Nerval's "Sylvie. |
Beschreibung: | XV, 239 S. |
ISBN: | 0226100707 |
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520 | 3 | |a Ross Chambers, an eminent critic of French literature, proposes an original theory of the development of French modernism. His bold rereading of mid-nineteenth-century texts, from Madame Bovary to Les Fleurs du mal, leads to a reconception of the workings of narrative - in themselves and in relation to history. Chambers makes a distinction between a text's formal mode of address (narrative function) and the reflexive devices by which it invites interpretation (textual function). The works he considers reveal a discontinuity or disjunction between these two functions and as a result seem uncentered, their manner of conveying meaning oddly blurred. In this they recall the general malaise that swept through French society in the wake of the failed revolution of 1848. Chambers shows how the internal opposition of narrative and textual function, often read as a willful resistance to this historical ennui, is actually its symptom | |
520 | |a Pursuing this argument through works by Flaubert, Nerval, Baudelaire, Gautier, and Hugo, Chambers uses theoretical insights to illuminate textual details, which in turn clarify and advance his theory. The process yields a subtle and compelling meditation on the powers of writing and reading, which contributes significantly to the debate about the historical status of literary texts. At the heart of the book is the concept of oppositionality; in this respect The Writing of Melancholy is both a necessary complement to Chambers's previous work in Room for Maneuver and a discreet homage by a member of the post-1968 generation to those who were thirty-something in 1848. Originally published in French, the book has been revised and expanded to include an entirely new chapter on Gerard de Nerval's "Sylvie. | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Chambers, Ross |
author_facet | Chambers, Ross |
author_role | aut |
author_sort | Chambers, Ross |
author_variant | r c rc |
building | Verbundindex |
bvnumber | BV010518415 |
callnumber-first | P - Language and Literature |
callnumber-label | PQ295 |
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callnumber-search | PQ295.M63 |
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callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
classification_rvk | IG 3720 |
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dewey-full | 840.9/1 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 840 - Literatures of Romance languages |
dewey-raw | 840.9/1 |
dewey-search | 840.9/1 |
dewey-sort | 3840.9 11 |
dewey-tens | 840 - Literatures of Romance languages |
discipline | Romanistik |
era | Geschichte 1800-1900 Geschichte 1830-1860 gnd Geschichte 1800-1900 gnd |
era_facet | Geschichte 1800-1900 Geschichte 1830-1860 |
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illustrated | Not Illustrated |
indexdate | 2024-07-09T17:54:23Z |
institution | BVB |
isbn | 0226100707 |
language | English French |
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physical | XV, 239 S. |
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publisher | Univ. of Chicago Press |
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spelling | Chambers, Ross Verfasser aut Mélancolie et opposition The writing of melancholy modes of opposition in early French modernism Ross Chambers Chicago u.a. Univ. of Chicago Press 1993 XV, 239 S. txt rdacontent n rdamedia nc rdacarrier Ross Chambers, an eminent critic of French literature, proposes an original theory of the development of French modernism. His bold rereading of mid-nineteenth-century texts, from Madame Bovary to Les Fleurs du mal, leads to a reconception of the workings of narrative - in themselves and in relation to history. Chambers makes a distinction between a text's formal mode of address (narrative function) and the reflexive devices by which it invites interpretation (textual function). The works he considers reveal a discontinuity or disjunction between these two functions and as a result seem uncentered, their manner of conveying meaning oddly blurred. In this they recall the general malaise that swept through French society in the wake of the failed revolution of 1848. Chambers shows how the internal opposition of narrative and textual function, often read as a willful resistance to this historical ennui, is actually its symptom Pursuing this argument through works by Flaubert, Nerval, Baudelaire, Gautier, and Hugo, Chambers uses theoretical insights to illuminate textual details, which in turn clarify and advance his theory. The process yields a subtle and compelling meditation on the powers of writing and reading, which contributes significantly to the debate about the historical status of literary texts. At the heart of the book is the concept of oppositionality; in this respect The Writing of Melancholy is both a necessary complement to Chambers's previous work in Room for Maneuver and a discreet homage by a member of the post-1968 generation to those who were thirty-something in 1848. Originally published in French, the book has been revised and expanded to include an entirely new chapter on Gerard de Nerval's "Sylvie. Geschichte 1800-1900 Geschichte 1830-1860 gnd rswk-swf Geschichte 1800-1900 gnd rswk-swf French literature 19th century History and criticism Melancholy in literature Modernism (Literature) France Polarity in literature Revolution 1848 (DE-588)4049688-0 gnd rswk-swf Melancholie Motiv (DE-588)4114564-1 gnd rswk-swf Prosa (DE-588)4047497-5 gnd rswk-swf Französisch (DE-588)4113615-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Modernismus (DE-588)4133275-1 gnd rswk-swf Frankreich Französisch (DE-588)4113615-9 s Prosa (DE-588)4047497-5 s Revolution 1848 (DE-588)4049688-0 s DE-604 Geschichte 1830-1860 z Modernismus (DE-588)4133275-1 s DE-188 Literatur (DE-588)4035964-5 s Melancholie Motiv (DE-588)4114564-1 s Geschichte 1800-1900 z |
spellingShingle | Chambers, Ross The writing of melancholy modes of opposition in early French modernism French literature 19th century History and criticism Melancholy in literature Modernism (Literature) France Polarity in literature Revolution 1848 (DE-588)4049688-0 gnd Melancholie Motiv (DE-588)4114564-1 gnd Prosa (DE-588)4047497-5 gnd Französisch (DE-588)4113615-9 gnd Literatur (DE-588)4035964-5 gnd Modernismus (DE-588)4133275-1 gnd |
subject_GND | (DE-588)4049688-0 (DE-588)4114564-1 (DE-588)4047497-5 (DE-588)4113615-9 (DE-588)4035964-5 (DE-588)4133275-1 |
title | The writing of melancholy modes of opposition in early French modernism |
title_alt | Mélancolie et opposition |
title_auth | The writing of melancholy modes of opposition in early French modernism |
title_exact_search | The writing of melancholy modes of opposition in early French modernism |
title_full | The writing of melancholy modes of opposition in early French modernism Ross Chambers |
title_fullStr | The writing of melancholy modes of opposition in early French modernism Ross Chambers |
title_full_unstemmed | The writing of melancholy modes of opposition in early French modernism Ross Chambers |
title_short | The writing of melancholy |
title_sort | the writing of melancholy modes of opposition in early french modernism |
title_sub | modes of opposition in early French modernism |
topic | French literature 19th century History and criticism Melancholy in literature Modernism (Literature) France Polarity in literature Revolution 1848 (DE-588)4049688-0 gnd Melancholie Motiv (DE-588)4114564-1 gnd Prosa (DE-588)4047497-5 gnd Französisch (DE-588)4113615-9 gnd Literatur (DE-588)4035964-5 gnd Modernismus (DE-588)4133275-1 gnd |
topic_facet | French literature 19th century History and criticism Melancholy in literature Modernism (Literature) France Polarity in literature Revolution 1848 Melancholie Motiv Prosa Französisch Literatur Modernismus Frankreich |
work_keys_str_mv | AT chambersross melancolieetopposition AT chambersross thewritingofmelancholymodesofoppositioninearlyfrenchmodernism |