The cinema of Oliver Stone:
Oliver Stone has been hailed (and reviled) as the "director of the Sixties" for his socially concerned and politically charged films on Vietnam, Latin America, Wall Street, pop music, the JFK assassination, and the intertwined nature of celebrity and violence in American culture. Giving pa...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Continuum Publ.
1995
|
Schlagworte: | |
Zusammenfassung: | Oliver Stone has been hailed (and reviled) as the "director of the Sixties" for his socially concerned and politically charged films on Vietnam, Latin America, Wall Street, pop music, the JFK assassination, and the intertwined nature of celebrity and violence in American culture. Giving particular attention to Stone's stormy relationship with the Establishment and his dazzling cinematic techniques, film scholar Norman Kagan examines all of the controversial director's work. The Cinema of Oliver Stone shows how the movies were inspired, how they were made, and what the critics' - and other filmmakers' - reactions have been. By including analyses of films Stone worked on as a writer but not as director (Midnight Express, Conan the Barbarian, Scarface, and others), we get a complete look at the man and his work. |
Beschreibung: | 285 S. Ill. |
ISBN: | 0826408176 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV010509921 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | t | ||
008 | 951205s1995 a||| |||| 00||| eng d | ||
020 | |a 0826408176 |9 0-8264-0817-6 | ||
035 | |a (OCoLC)31519072 | ||
035 | |a (DE-599)BVBBV010509921 | ||
040 | |a DE-604 |b ger |e rakddb | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-M472 |a DE-188 | ||
050 | 0 | |a PN1998.3.S76 | |
082 | 0 | |a 791.43/0233/092 |2 20 | |
084 | |a MS 7960 |0 (DE-625)123800: |2 rvk | ||
100 | 1 | |a Kagan, Norman |e Verfasser |4 aut | |
245 | 1 | 0 | |a The cinema of Oliver Stone |c Norman Kagan |
246 | 1 | 3 | |a Oliver Stone |
264 | 1 | |a New York |b Continuum Publ. |c 1995 | |
300 | |a 285 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a Oliver Stone has been hailed (and reviled) as the "director of the Sixties" for his socially concerned and politically charged films on Vietnam, Latin America, Wall Street, pop music, the JFK assassination, and the intertwined nature of celebrity and violence in American culture. Giving particular attention to Stone's stormy relationship with the Establishment and his dazzling cinematic techniques, film scholar Norman Kagan examines all of the controversial director's work. The Cinema of Oliver Stone shows how the movies were inspired, how they were made, and what the critics' - and other filmmakers' - reactions have been. By including analyses of films Stone worked on as a writer but not as director (Midnight Express, Conan the Barbarian, Scarface, and others), we get a complete look at the man and his work. | |
600 | 1 | 4 | |a Stone, Oliver - Critique et interprétation |
600 | 1 | 4 | |a Stone, Oliver |x Criticism and interpretation |
600 | 1 | 7 | |a Stone, Oliver |d 1946- |0 (DE-588)119151529 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Stone, Oliver |d 1946- |0 (DE-588)119151529 |D p |
689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 0 | |5 DE-604 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-007005346 |
Datensatz im Suchindex
_version_ | 1804124976522985472 |
---|---|
any_adam_object | |
author | Kagan, Norman |
author_facet | Kagan, Norman |
author_role | aut |
author_sort | Kagan, Norman |
author_variant | n k nk |
building | Verbundindex |
bvnumber | BV010509921 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1998 |
callnumber-raw | PN1998.3.S76 |
callnumber-search | PN1998.3.S76 |
callnumber-sort | PN 41998.3 S76 |
callnumber-subject | PN - General Literature |
classification_rvk | MS 7960 |
ctrlnum | (OCoLC)31519072 (DE-599)BVBBV010509921 |
dewey-full | 791.43/0233/092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/0233/092 |
dewey-search | 791.43/0233/092 |
dewey-sort | 3791.43 3233 292 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Soziologie |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02049nam a2200397 c 4500</leader><controlfield tag="001">BV010509921</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">951205s1995 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0826408176</subfield><subfield code="9">0-8264-0817-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)31519072</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV010509921</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1998.3.S76</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/0233/092</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MS 7960</subfield><subfield code="0">(DE-625)123800:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kagan, Norman</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The cinema of Oliver Stone</subfield><subfield code="c">Norman Kagan</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Oliver Stone</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Continuum Publ.</subfield><subfield code="c">1995</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">285 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Oliver Stone has been hailed (and reviled) as the "director of the Sixties" for his socially concerned and politically charged films on Vietnam, Latin America, Wall Street, pop music, the JFK assassination, and the intertwined nature of celebrity and violence in American culture. Giving particular attention to Stone's stormy relationship with the Establishment and his dazzling cinematic techniques, film scholar Norman Kagan examines all of the controversial director's work. The Cinema of Oliver Stone shows how the movies were inspired, how they were made, and what the critics' - and other filmmakers' - reactions have been. By including analyses of films Stone worked on as a writer but not as director (Midnight Express, Conan the Barbarian, Scarface, and others), we get a complete look at the man and his work.</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Stone, Oliver - Critique et interprétation</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Stone, Oliver</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Stone, Oliver</subfield><subfield code="d">1946-</subfield><subfield code="0">(DE-588)119151529</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Stone, Oliver</subfield><subfield code="d">1946-</subfield><subfield code="0">(DE-588)119151529</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-007005346</subfield></datafield></record></collection> |
id | DE-604.BV010509921 |
illustrated | Illustrated |
indexdate | 2024-07-09T17:54:13Z |
institution | BVB |
isbn | 0826408176 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007005346 |
oclc_num | 31519072 |
open_access_boolean | |
owner | DE-12 DE-M472 DE-188 |
owner_facet | DE-12 DE-M472 DE-188 |
physical | 285 S. Ill. |
publishDate | 1995 |
publishDateSearch | 1995 |
publishDateSort | 1995 |
publisher | Continuum Publ. |
record_format | marc |
spelling | Kagan, Norman Verfasser aut The cinema of Oliver Stone Norman Kagan Oliver Stone New York Continuum Publ. 1995 285 S. Ill. txt rdacontent n rdamedia nc rdacarrier Oliver Stone has been hailed (and reviled) as the "director of the Sixties" for his socially concerned and politically charged films on Vietnam, Latin America, Wall Street, pop music, the JFK assassination, and the intertwined nature of celebrity and violence in American culture. Giving particular attention to Stone's stormy relationship with the Establishment and his dazzling cinematic techniques, film scholar Norman Kagan examines all of the controversial director's work. The Cinema of Oliver Stone shows how the movies were inspired, how they were made, and what the critics' - and other filmmakers' - reactions have been. By including analyses of films Stone worked on as a writer but not as director (Midnight Express, Conan the Barbarian, Scarface, and others), we get a complete look at the man and his work. Stone, Oliver - Critique et interprétation Stone, Oliver Criticism and interpretation Stone, Oliver 1946- (DE-588)119151529 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Stone, Oliver 1946- (DE-588)119151529 p Film (DE-588)4017102-4 s DE-604 |
spellingShingle | Kagan, Norman The cinema of Oliver Stone Stone, Oliver - Critique et interprétation Stone, Oliver Criticism and interpretation Stone, Oliver 1946- (DE-588)119151529 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)119151529 (DE-588)4017102-4 |
title | The cinema of Oliver Stone |
title_alt | Oliver Stone |
title_auth | The cinema of Oliver Stone |
title_exact_search | The cinema of Oliver Stone |
title_full | The cinema of Oliver Stone Norman Kagan |
title_fullStr | The cinema of Oliver Stone Norman Kagan |
title_full_unstemmed | The cinema of Oliver Stone Norman Kagan |
title_short | The cinema of Oliver Stone |
title_sort | the cinema of oliver stone |
topic | Stone, Oliver - Critique et interprétation Stone, Oliver Criticism and interpretation Stone, Oliver 1946- (DE-588)119151529 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Stone, Oliver - Critique et interprétation Stone, Oliver Criticism and interpretation Stone, Oliver 1946- Film |
work_keys_str_mv | AT kagannorman thecinemaofoliverstone AT kagannorman oliverstone |