Kings & connoisseurs: collecting art in seventeenth-century Europe
Old master paintings are now considered to be the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In this series of lectures Jonathan Brown tells in vivid detail the story of the rise of painting to this exalted status. The...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Princeton, NJ
Princeton Univ. Press
1995
|
Schriftenreihe: | The A. W. Mellon Lectures in the Fine Arts
43 = 1994 Bollingen series 35 |
Schlagworte: | |
Online-Zugang: | Table of contents Publisher description |
Zusammenfassung: | Old master paintings are now considered to be the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In this series of lectures Jonathan Brown tells in vivid detail the story of the rise of painting to this exalted status. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue. This book, which is an essay in cultural and art history, is completed by a postscript showing why important old master paintings have now virtually disappeared from the art market. The transformation of painting from an inexpensive to a costly art form reached a crucial stage in the royal courts of Europe in the seventeenth century, where rulers and aristocrats assembled huge collections, often in short periods of time. Brown traces this process in Madrid, Paris, London, and Brussels, beginning with the dispersal of the great English collections in the aftermath of the Civil War, including those of Charles I, the Earl of Arundel, and the Dukes of Buckingham and Hamilton. Hundreds of great pictures were all at once available to continental collectors and were acquired by Cardinal Jules Mazarin, Louis XIV of France, Archduke Leopold William of Austria, and Philip IV of Spain, as well as lesser-known collectors, including Everhard Jabach and Luis de Haro. Through comparative analysis of collecting and collectors at these courts, Brown explains the formation of new attitudes toward pictures, as well as the mechanisms that supported the enterprise of collecting, including the emergence of the art dealer, the development of connoisseurship, and the publication of sumptuous picture books of various collections. |
Beschreibung: | 264 S. zahlr. Ill. |
ISBN: | 069104497X |
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520 | 3 | |a Old master paintings are now considered to be the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In this series of lectures Jonathan Brown tells in vivid detail the story of the rise of painting to this exalted status. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue. This book, which is an essay in cultural and art history, is completed by a postscript showing why important old master paintings have now virtually disappeared from the art market. The transformation of painting from an inexpensive to a costly art form reached a crucial stage in the royal courts of Europe in the seventeenth century, where rulers and aristocrats assembled huge collections, often in short periods of time. Brown traces this process in Madrid, Paris, London, and Brussels, beginning with the dispersal of the great English collections in the aftermath of the Civil War, including those of Charles I, the Earl of Arundel, and the Dukes of Buckingham and Hamilton. Hundreds of great pictures were all at once available to continental collectors and were acquired by Cardinal Jules Mazarin, Louis XIV of France, Archduke Leopold William of Austria, and Philip IV of Spain, as well as lesser-known collectors, including Everhard Jabach and Luis de Haro. Through comparative analysis of collecting and collectors at these courts, Brown explains the formation of new attitudes toward pictures, as well as the mechanisms that supported the enterprise of collecting, including the emergence of the art dealer, the development of connoisseurship, and the publication of sumptuous picture books of various collections. | |
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Datensatz im Suchindex
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any_adam_object | |
author | Brown, Jonathan 1939- |
author_GND | (DE-588)136417582 |
author_facet | Brown, Jonathan 1939- |
author_role | aut |
author_sort | Brown, Jonathan 1939- |
author_variant | j b jb |
building | Verbundindex |
bvnumber | BV010478636 |
callnumber-first | N - Fine Arts |
callnumber-label | N5240 |
callnumber-raw | N5240.B76 1995 |
callnumber-search | N5240.B76 1995 |
callnumber-sort | N 45240 B76 41995 |
callnumber-subject | N - Visual Arts |
classification_rvk | LH 60400 LH 65760 |
ctrlnum | (OCoLC)32241695 (DE-599)BVBBV010478636 |
dewey-full | 759.4/074/4 759.4/074/420 |
dewey-hundreds | 700 - The arts |
dewey-ones | 759 - History, geographic treatment, biography |
dewey-raw | 759.4/074/4 759.4/074/4 20 |
dewey-search | 759.4/074/4 759.4/074/4 20 |
dewey-sort | 3759.4 274 14 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
era | Geschichte 1600-1700 Geschichte 1600-1700 gnd |
era_facet | Geschichte 1600-1700 |
format | Book |
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geographic_facet | Europa |
id | DE-604.BV010478636 |
illustrated | Illustrated |
indexdate | 2024-07-09T17:53:11Z |
institution | BVB |
isbn | 069104497X |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006982243 |
oclc_num | 32241695 |
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physical | 264 S. zahlr. Ill. |
publishDate | 1995 |
publishDateSearch | 1995 |
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publisher | Princeton Univ. Press |
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series | The A. W. Mellon Lectures in the Fine Arts Bollingen series |
series2 | The A. W. Mellon Lectures in the Fine Arts Bollingen series |
spelling | Brown, Jonathan 1939- Verfasser (DE-588)136417582 aut Kings & connoisseurs collecting art in seventeenth-century Europe Jonathan Brown Kings and connoisseurs Princeton, NJ Princeton Univ. Press 1995 264 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier The A. W. Mellon Lectures in the Fine Arts 43 = 1994 Bollingen series 35 Old master paintings are now considered to be the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In this series of lectures Jonathan Brown tells in vivid detail the story of the rise of painting to this exalted status. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue. This book, which is an essay in cultural and art history, is completed by a postscript showing why important old master paintings have now virtually disappeared from the art market. The transformation of painting from an inexpensive to a costly art form reached a crucial stage in the royal courts of Europe in the seventeenth century, where rulers and aristocrats assembled huge collections, often in short periods of time. Brown traces this process in Madrid, Paris, London, and Brussels, beginning with the dispersal of the great English collections in the aftermath of the Civil War, including those of Charles I, the Earl of Arundel, and the Dukes of Buckingham and Hamilton. Hundreds of great pictures were all at once available to continental collectors and were acquired by Cardinal Jules Mazarin, Louis XIV of France, Archduke Leopold William of Austria, and Philip IV of Spain, as well as lesser-known collectors, including Everhard Jabach and Luis de Haro. Through comparative analysis of collecting and collectors at these courts, Brown explains the formation of new attitudes toward pictures, as well as the mechanisms that supported the enterprise of collecting, including the emergence of the art dealer, the development of connoisseurship, and the publication of sumptuous picture books of various collections. Geschichte 1600-1700 Geschichte 1600-1700 gnd rswk-swf Kunstverzamelaars gtt Peinture - Collectionneurs et collections - Europe - Histoire - 17e siècle Peinture - Collections privées - Europe - Histoire - 17e siècle Schilderijen gtt Geschichte Malerei Painting -- Collectors and collecting -- Europe -- History -- 17th century Painting -- Private collections -- Europe -- History -- 17th century Sammlung (DE-588)4128844-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Hof (DE-588)4025453-7 gnd rswk-swf Europa Europa (DE-588)4015701-5 gnd rswk-swf Europa (DE-588)4015701-5 g Hof (DE-588)4025453-7 s Kunst (DE-588)4114333-4 s Sammlung (DE-588)4128844-0 s Geschichte 1600-1700 z DE-604 The A. W. Mellon Lectures in the Fine Arts 43 = 1994 (DE-604)BV023553919 43 Bollingen series 35 (DE-604)BV000006786 35 http://www.loc.gov/catdir/toc/prin031/95010548.html Table of contents http://www.loc.gov/catdir/description/prin021/95010548.html Publisher description |
spellingShingle | Brown, Jonathan 1939- Kings & connoisseurs collecting art in seventeenth-century Europe The A. W. Mellon Lectures in the Fine Arts Bollingen series Kunstverzamelaars gtt Peinture - Collectionneurs et collections - Europe - Histoire - 17e siècle Peinture - Collections privées - Europe - Histoire - 17e siècle Schilderijen gtt Geschichte Malerei Painting -- Collectors and collecting -- Europe -- History -- 17th century Painting -- Private collections -- Europe -- History -- 17th century Sammlung (DE-588)4128844-0 gnd Kunst (DE-588)4114333-4 gnd Hof (DE-588)4025453-7 gnd |
subject_GND | (DE-588)4128844-0 (DE-588)4114333-4 (DE-588)4025453-7 (DE-588)4015701-5 |
title | Kings & connoisseurs collecting art in seventeenth-century Europe |
title_alt | Kings and connoisseurs |
title_auth | Kings & connoisseurs collecting art in seventeenth-century Europe |
title_exact_search | Kings & connoisseurs collecting art in seventeenth-century Europe |
title_full | Kings & connoisseurs collecting art in seventeenth-century Europe Jonathan Brown |
title_fullStr | Kings & connoisseurs collecting art in seventeenth-century Europe Jonathan Brown |
title_full_unstemmed | Kings & connoisseurs collecting art in seventeenth-century Europe Jonathan Brown |
title_short | Kings & connoisseurs |
title_sort | kings connoisseurs collecting art in seventeenth century europe |
title_sub | collecting art in seventeenth-century Europe |
topic | Kunstverzamelaars gtt Peinture - Collectionneurs et collections - Europe - Histoire - 17e siècle Peinture - Collections privées - Europe - Histoire - 17e siècle Schilderijen gtt Geschichte Malerei Painting -- Collectors and collecting -- Europe -- History -- 17th century Painting -- Private collections -- Europe -- History -- 17th century Sammlung (DE-588)4128844-0 gnd Kunst (DE-588)4114333-4 gnd Hof (DE-588)4025453-7 gnd |
topic_facet | Kunstverzamelaars Peinture - Collectionneurs et collections - Europe - Histoire - 17e siècle Peinture - Collections privées - Europe - Histoire - 17e siècle Schilderijen Geschichte Malerei Painting -- Collectors and collecting -- Europe -- History -- 17th century Painting -- Private collections -- Europe -- History -- 17th century Sammlung Kunst Hof Europa |
url | http://www.loc.gov/catdir/toc/prin031/95010548.html http://www.loc.gov/catdir/description/prin021/95010548.html |
volume_link | (DE-604)BV023553919 (DE-604)BV000006786 |
work_keys_str_mv | AT brownjonathan kingsconnoisseurscollectingartinseventeenthcenturyeurope AT brownjonathan kingsandconnoisseurs |