Rationalizing culture: IRCAM, Boulez, and the institutionalization of the musical avant-garde
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. [u.a.]
Univ. of California Press
1995
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XV, 390 S. Ill., graph. Darst. |
| ISBN: | 9780520085077 0520085078 |
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Datensatz im Suchindex
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Contents
Acknowledgments xiii
Introduction i
1. Themes and Debates 13
2. Prehistory: Modernism, Postmodernism, and
Music 4°
3. Background: IRCAM's Conditions of Existence 66
4. The Institution of IRCAM: Culture and Status 102
5. Power, Institutional Conflict, Politics 143
6. Music: Uncertainty, the Canon, and Dissident
Musics I(»4
7. Science, Technology, the Music Research
Vanguard 1^°
8. A Composer's Visit: Mediations and Practices 223
9. Aporias: Technological and Social Problems
around Production 2 5 2
10. Subjectivities: Difference and Fragmentation 279
11. Conclusions: IRCAM, Cultural Power, and
the Reproduction of Aesthetic Modernism 308
Appendix: IRCAM Workers and Visitors as
Introduced in the Text, by Acronym 3 3 1
Glossary of terms and acronyms in the text 333
Notes r 339
General Bibliography 3^5
Bibliography of Music Related References 375
Index 385
Illustrations
PHOTOGRAPHS
(following page zn)
1. IRCAM: external view
2. IRCAM: entrance, 1984
3. "Musicians keep out!" sign on 4X studio door
4. The 4X prototype
5. Flight cases in corridor
6. Mechanic's workshop
7. Technicians' area
8. Experimental clarinet
9. Trussed up trumpet
10. Interconnected speaker system in a research office
11. Main corridor with glass roof and two rows of
glass walled offices
12. Outside glass walled office looking in
13. Inside glass walled office looking out
14. Terminal: VDU and keyboard
15. Collaboration: socializing the technology
FIGURES
1. The antagonistic counterpoint of musical modernism and
postmodernism 63
2. IRCAM's organization: Organigramme for 1982 108
xii Illustrations
3. IRCAM's sexual division of labor in 1984 12.0
4. Production and reproduction: two status domains within
IRC AM culture 134
5. Pay and security among IRC AM workers 136
6. Inverse correlation between status and stratification
among research and production workers 137
7. IRCAM's canon: approximate distribution of composers
by number of their works played in the Passage du
Vingtieme Siecle concert series, 1977 173
8. Structure of oppositions in IRCAM's intellectual work
culture, 1984 2.2.0
9. Vertical mediation: the hierarchy of computer codes in
IRCAM's computer music system 227
10. AV's project: technological configuration and main
contributions of tutors 242
11. The frustrated author: AV's computer mail messages 246
12. Systems messages aimed at managing space on the
overloaded VAX, summer 1984 255
13. Differentiation of IRCAM subjects on aesthetics and
technology, 1984 280
14. Guide to aesthetic differentiation between IRCAM and
non IRCAM musics 303 |
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| spelling | Born, Georgina 1955- Verfasser (DE-588)1048438988 aut Rationalizing culture IRCAM, Boulez, and the institutionalization of the musical avant-garde Georgina Born Berkeley, Calif. [u.a.] Univ. of California Press 1995 XV, 390 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Boulez, Pierre <1925-> - Influence Boulez, Pierre <1925-> IRCAM IRCAM (Institut de recherche : France) IRCAM (Research institute : France) Institut de Recherche et de Coordination Acoustique, Musique (DE-588)1038042-5 gnd rswk-swf Avant-garde gtt Centres de recherche - France - Aspect anthropologique Computermuziek gtt Musicologie - Aspect social Musique expérimentale Musique expérimentale - Aspect social Muzieksociologie gtt Avant-garde (Music) (DE-588)4113937-9 Hochschulschrift gnd-content Institut de Recherche et de Coordination Acoustique, Musique (DE-588)1038042-5 b DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006969491&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Born, Georgina 1955- Rationalizing culture IRCAM, Boulez, and the institutionalization of the musical avant-garde Boulez, Pierre <1925-> - Influence Boulez, Pierre <1925-> IRCAM IRCAM (Institut de recherche : France) IRCAM (Research institute : France) Institut de Recherche et de Coordination Acoustique, Musique (DE-588)1038042-5 gnd Avant-garde gtt Centres de recherche - France - Aspect anthropologique Computermuziek gtt Musicologie - Aspect social Musique expérimentale Musique expérimentale - Aspect social Muzieksociologie gtt Avant-garde (Music) |
| subject_GND | (DE-588)1038042-5 (DE-588)4113937-9 |
| title | Rationalizing culture IRCAM, Boulez, and the institutionalization of the musical avant-garde |
| title_auth | Rationalizing culture IRCAM, Boulez, and the institutionalization of the musical avant-garde |
| title_exact_search | Rationalizing culture IRCAM, Boulez, and the institutionalization of the musical avant-garde |
| title_full | Rationalizing culture IRCAM, Boulez, and the institutionalization of the musical avant-garde Georgina Born |
| title_fullStr | Rationalizing culture IRCAM, Boulez, and the institutionalization of the musical avant-garde Georgina Born |
| title_full_unstemmed | Rationalizing culture IRCAM, Boulez, and the institutionalization of the musical avant-garde Georgina Born |
| title_short | Rationalizing culture |
| title_sort | rationalizing culture ircam boulez and the institutionalization of the musical avant garde |
| title_sub | IRCAM, Boulez, and the institutionalization of the musical avant-garde |
| topic | Boulez, Pierre <1925-> - Influence Boulez, Pierre <1925-> IRCAM IRCAM (Institut de recherche : France) IRCAM (Research institute : France) Institut de Recherche et de Coordination Acoustique, Musique (DE-588)1038042-5 gnd Avant-garde gtt Centres de recherche - France - Aspect anthropologique Computermuziek gtt Musicologie - Aspect social Musique expérimentale Musique expérimentale - Aspect social Muzieksociologie gtt Avant-garde (Music) |
| topic_facet | Boulez, Pierre <1925-> - Influence Boulez, Pierre <1925-> IRCAM IRCAM (Institut de recherche : France) IRCAM (Research institute : France) Institut de Recherche et de Coordination Acoustique, Musique Avant-garde Centres de recherche - France - Aspect anthropologique Computermuziek Musicologie - Aspect social Musique expérimentale Musique expérimentale - Aspect social Muzieksociologie Avant-garde (Music) Hochschulschrift |
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