J. S. Bach and the German motet:
J. S. Bach's much-performed motets are probably the most sophisticated pieces ever composed in the genre. Daniel Melamed takes a fresh look at Bach's works in the context of the German motet tradition, showing that they are firmly rooted in the conventions of his time. This allows new insi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
1995
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Zusammenfassung: | J. S. Bach's much-performed motets are probably the most sophisticated pieces ever composed in the genre. Daniel Melamed takes a fresh look at Bach's works in the context of the German motet tradition, showing that they are firmly rooted in the conventions of his time. This allows new insights into Bach's contribution to the genre and into the vexing question of instrumental participation in the motets. Professor Melamed argues for Bach's authorship of an early motet wrongly dismissed as inauthentic, and demonstrates that other motets were products of Bach's familiar technique of musical reworking. The chronology of the motets can be substantially revised, and Bach's activities as a motet composer shown to extend over his entire career. An understanding of the eighteenth-century conception of "motet" sheds light on how and why Bach used motet style in his cantatas, Latin works, and oratorios Finally Bach's study and performance of seventeenth-century motets late in his life, documented in newly discovered and reconstructed sources, played an important role in his exploration of his family's history and of the musical past |
| Beschreibung: | Zugl.: Cambridge, Mass., Univ., Diss., 1989 |
| Beschreibung: | XV, 229 S. Notenbeisp. |
| ISBN: | 052141864X |
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| 520 | |a Finally Bach's study and performance of seventeenth-century motets late in his life, documented in newly discovered and reconstructed sources, played an important role in his exploration of his family's history and of the musical past | ||
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| spelling | Melamed, Daniel R. ca. 20./21. Jh. Verfasser (DE-588)132269783 aut J. S. Bach and the German motet Daniel R. Melamed 1. publ. Cambridge [u.a.] Cambridge Univ. Press 1995 XV, 229 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Zugl.: Cambridge, Mass., Univ., Diss., 1989 J. S. Bach's much-performed motets are probably the most sophisticated pieces ever composed in the genre. Daniel Melamed takes a fresh look at Bach's works in the context of the German motet tradition, showing that they are firmly rooted in the conventions of his time. This allows new insights into Bach's contribution to the genre and into the vexing question of instrumental participation in the motets. Professor Melamed argues for Bach's authorship of an early motet wrongly dismissed as inauthentic, and demonstrates that other motets were products of Bach's familiar technique of musical reworking. The chronology of the motets can be substantially revised, and Bach's activities as a motet composer shown to extend over his entire career. An understanding of the eighteenth-century conception of "motet" sheds light on how and why Bach used motet style in his cantatas, Latin works, and oratorios Finally Bach's study and performance of seventeenth-century motets late in his life, documented in newly discovered and reconstructed sources, played an important role in his exploration of his family's history and of the musical past Bach, Johann Sebastian <1685-1750> / Motets Bach, Johann Sebastian <1685-1750> Motets Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd rswk-swf Geschichte 1700-1800 Geschichte 1600-1700 Motets - Histoire et critique - Allemagne - 17e siècle Motets - Histoire et critique - Allemagne - 18e siècle Motetten gtt Motets Germany 17th century History and criticism Motets Germany 18th century History and criticism Motette (DE-588)4040357-9 gnd rswk-swf Deutschland (DE-588)4113937-9 Hochschulschrift gnd-content Bach, Johann Sebastian 1685-1750 (DE-588)11850553X p Motette (DE-588)4040357-9 s DE-604 |
| spellingShingle | Melamed, Daniel R. ca. 20./21. Jh J. S. Bach and the German motet Bach, Johann Sebastian <1685-1750> / Motets Bach, Johann Sebastian <1685-1750> Motets Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd Motets - Histoire et critique - Allemagne - 17e siècle Motets - Histoire et critique - Allemagne - 18e siècle Motetten gtt Motets Germany 17th century History and criticism Motets Germany 18th century History and criticism Motette (DE-588)4040357-9 gnd |
| subject_GND | (DE-588)11850553X (DE-588)4040357-9 (DE-588)4113937-9 |
| title | J. S. Bach and the German motet |
| title_auth | J. S. Bach and the German motet |
| title_exact_search | J. S. Bach and the German motet |
| title_full | J. S. Bach and the German motet Daniel R. Melamed |
| title_fullStr | J. S. Bach and the German motet Daniel R. Melamed |
| title_full_unstemmed | J. S. Bach and the German motet Daniel R. Melamed |
| title_short | J. S. Bach and the German motet |
| title_sort | j s bach and the german motet |
| topic | Bach, Johann Sebastian <1685-1750> / Motets Bach, Johann Sebastian <1685-1750> Motets Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd Motets - Histoire et critique - Allemagne - 17e siècle Motets - Histoire et critique - Allemagne - 18e siècle Motetten gtt Motets Germany 17th century History and criticism Motets Germany 18th century History and criticism Motette (DE-588)4040357-9 gnd |
| topic_facet | Bach, Johann Sebastian <1685-1750> / Motets Bach, Johann Sebastian <1685-1750> Motets Bach, Johann Sebastian 1685-1750 Motets - Histoire et critique - Allemagne - 17e siècle Motets - Histoire et critique - Allemagne - 18e siècle Motetten Motets Germany 17th century History and criticism Motets Germany 18th century History and criticism Motette Deutschland Hochschulschrift |
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