Authenticities: philosophical reflections on musical performance
How are we to assess the current popularity of period instruments and early-music performance? For musicians and audiences alike, the "historical authenticity" movement has increasingly influenced the performance of classical music. It has given us, claims Peter Kivy, "new and rewardi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ithaca [u.a.]
Cornell Univ. Press
1995
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Zusammenfassung: | How are we to assess the current popularity of period instruments and early-music performance? For musicians and audiences alike, the "historical authenticity" movement has increasingly influenced the performance of classical music. It has given us, claims Peter Kivy, "new and rewarding ways of listening to our musical repertory (as well as silly, vulgar, and unrewarding ones)." He believes that theory now overrules the ear in arguing for and justifying particular aesthetic decisions. In his customary engaging style, Kivy here mounts a philosophical inquiry into the desirability of using or re-creating historical practices in performance. In "How to Be Authentic," the first section of his book, he examines four different kinds of authenticity; in the second part, "Why to Be Authentic," he suggests how to evaluate them. Discussing issues that he cares about passionately, Kivy provides ammunition for both camps - those who follow authentic performance practice and those who do not It is his hope that his book provides the groundwork for dialogue between musicians and philosophers |
| Beschreibung: | XIV, 299 S. Notenbeisp. |
| ISBN: | 0801430461 |
Internformat
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| 520 | 3 | |a How are we to assess the current popularity of period instruments and early-music performance? For musicians and audiences alike, the "historical authenticity" movement has increasingly influenced the performance of classical music. It has given us, claims Peter Kivy, "new and rewarding ways of listening to our musical repertory (as well as silly, vulgar, and unrewarding ones)." He believes that theory now overrules the ear in arguing for and justifying particular aesthetic decisions. In his customary engaging style, Kivy here mounts a philosophical inquiry into the desirability of using or re-creating historical practices in performance. In "How to Be Authentic," the first section of his book, he examines four different kinds of authenticity; in the second part, "Why to Be Authentic," he suggests how to evaluate them. Discussing issues that he cares about passionately, Kivy provides ammunition for both camps - those who follow authentic performance practice and those who do not | |
| 520 | |a It is his hope that his book provides the groundwork for dialogue between musicians and philosophers | ||
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| 650 | 4 | |a Music |x Philosophy and aesthetics | |
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Datensatz im Suchindex
| _version_ | 1804124860109029376 |
|---|---|
| any_adam_object | |
| author | Kivy, Peter 1934-2017 |
| author_GND | (DE-588)124280730 |
| author_facet | Kivy, Peter 1934-2017 |
| author_role | aut |
| author_sort | Kivy, Peter 1934-2017 |
| author_variant | p k pk |
| building | Verbundindex |
| bvnumber | BV010428125 |
| callnumber-first | M - Music |
| callnumber-label | ML457 |
| callnumber-raw | ML457 |
| callnumber-search | ML457 |
| callnumber-sort | ML 3457 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 56000 LR 56800 |
| ctrlnum | (OCoLC)31207464 (DE-599)BVBBV010428125 |
| dewey-full | 781.4/3/01 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.4/3/01 |
| dewey-search | 781.4/3/01 |
| dewey-sort | 3781.4 13 11 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV010428125 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:52:22Z |
| institution | BVB |
| isbn | 0801430461 |
| language | English |
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| physical | XIV, 299 S. Notenbeisp. |
| publishDate | 1995 |
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| publisher | Cornell Univ. Press |
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| spelling | Kivy, Peter 1934-2017 Verfasser (DE-588)124280730 aut Authenticities philosophical reflections on musical performance Peter Kivy 1. publ. Ithaca [u.a.] Cornell Univ. Press 1995 XIV, 299 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier How are we to assess the current popularity of period instruments and early-music performance? For musicians and audiences alike, the "historical authenticity" movement has increasingly influenced the performance of classical music. It has given us, claims Peter Kivy, "new and rewarding ways of listening to our musical repertory (as well as silly, vulgar, and unrewarding ones)." He believes that theory now overrules the ear in arguing for and justifying particular aesthetic decisions. In his customary engaging style, Kivy here mounts a philosophical inquiry into the desirability of using or re-creating historical practices in performance. In "How to Be Authentic," the first section of his book, he examines four different kinds of authenticity; in the second part, "Why to Be Authentic," he suggests how to evaluate them. Discussing issues that he cares about passionately, Kivy provides ammunition for both camps - those who follow authentic performance practice and those who do not It is his hope that his book provides the groundwork for dialogue between musicians and philosophers Authenticiteit gtt Musique - Philosophie et esthétique Muziekfilosofie gtt Pratique de l'exécution (Musique) Uitvoeringspraktijk gtt Musik Music Philosophy and aesthetics Performance practice (Music) Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Authentizität (DE-588)4193985-2 gnd rswk-swf Musik (DE-588)4040802-4 s Aufführung (DE-588)4143388-9 s Authentizität (DE-588)4193985-2 s DE-604 Musikphilosophie (DE-588)4123809-6 s Musikalische Aufführungspraxis (DE-588)4170800-3 s 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kivy, Peter 1934-2017 Authenticities philosophical reflections on musical performance Authenticiteit gtt Musique - Philosophie et esthétique Muziekfilosofie gtt Pratique de l'exécution (Musique) Uitvoeringspraktijk gtt Musik Music Philosophy and aesthetics Performance practice (Music) Musikphilosophie (DE-588)4123809-6 gnd Aufführung (DE-588)4143388-9 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Musik (DE-588)4040802-4 gnd Authentizität (DE-588)4193985-2 gnd |
| subject_GND | (DE-588)4123809-6 (DE-588)4143388-9 (DE-588)4170800-3 (DE-588)4040802-4 (DE-588)4193985-2 |
| title | Authenticities philosophical reflections on musical performance |
| title_auth | Authenticities philosophical reflections on musical performance |
| title_exact_search | Authenticities philosophical reflections on musical performance |
| title_full | Authenticities philosophical reflections on musical performance Peter Kivy |
| title_fullStr | Authenticities philosophical reflections on musical performance Peter Kivy |
| title_full_unstemmed | Authenticities philosophical reflections on musical performance Peter Kivy |
| title_short | Authenticities |
| title_sort | authenticities philosophical reflections on musical performance |
| title_sub | philosophical reflections on musical performance |
| topic | Authenticiteit gtt Musique - Philosophie et esthétique Muziekfilosofie gtt Pratique de l'exécution (Musique) Uitvoeringspraktijk gtt Musik Music Philosophy and aesthetics Performance practice (Music) Musikphilosophie (DE-588)4123809-6 gnd Aufführung (DE-588)4143388-9 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Musik (DE-588)4040802-4 gnd Authentizität (DE-588)4193985-2 gnd |
| topic_facet | Authenticiteit Musique - Philosophie et esthétique Muziekfilosofie Pratique de l'exécution (Musique) Uitvoeringspraktijk Musik Music Philosophy and aesthetics Performance practice (Music) Musikphilosophie Aufführung Musikalische Aufführungspraxis Authentizität |
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