The power of black music: interpreting its history from Africa to the United States
Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkag...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Oxford Univ. Press
1995
|
| Schlagworte: | |
| Zusammenfassung: | Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths, and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr., advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early New Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory |
| Beschreibung: | 316 S. Notenbeisp. |
| ISBN: | 0195082354 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV010408273 | ||
| 003 | DE-604 | ||
| 005 | 20100720 | ||
| 007 | t | ||
| 008 | 951005s1995 gl|| i||| 00||| eng d | ||
| 020 | |a 0195082354 |9 0-19-508235-4 | ||
| 035 | |a (OCoLC)29670104 | ||
| 035 | |a (DE-599)BVBBV010408273 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-29 |a DE-N2 |a DE-355 |a DE-11 |a DE-188 | ||
| 050 | 0 | |a ML3556 | |
| 082 | 0 | |a 780/.89/96073 |2 20 | |
| 084 | |a HD 570 |0 (DE-625)48532: |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Floyd, Samuel A. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The power of black music |b interpreting its history from Africa to the United States |c Samuel A. Floyd |
| 264 | 1 | |a New York [u.a.] |b Oxford Univ. Press |c 1995 | |
| 300 | |a 316 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths, and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr., advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early New Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond | |
| 520 | |a Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory | ||
| 650 | 7 | |a Beïnvloeding |2 gtt | |
| 650 | 7 | |a Negers |2 gtt | |
| 650 | 7 | |a Populaire muziek |2 gtt | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Schwarze | |
| 650 | 4 | |a Schwarze. USA | |
| 650 | 4 | |a African Americans |x Music |x History and criticism | |
| 650 | 4 | |a Music |z United States |x History and criticism | |
| 650 | 0 | 7 | |a Jazz |0 (DE-588)4028532-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Afroamerikanische Musik |0 (DE-588)4122767-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geschichte |0 (DE-588)4020517-4 |2 gnd |9 rswk-swf |
| 651 | 4 | |a USA | |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Jazz |0 (DE-588)4028532-7 |D s |
| 689 | 0 | 2 | |a Geschichte |0 (DE-588)4020517-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 1 | 1 | |a Afroamerikanische Musik |0 (DE-588)4122767-0 |D s |
| 689 | 1 | 2 | |a Geschichte |0 (DE-588)4020517-4 |D s |
| 689 | 1 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-006931413 | ||
Datensatz im Suchindex
| _version_ | 1804124836407017472 |
|---|---|
| any_adam_object | |
| author | Floyd, Samuel A. |
| author_facet | Floyd, Samuel A. |
| author_role | aut |
| author_sort | Floyd, Samuel A. |
| author_variant | s a f sa saf |
| building | Verbundindex |
| bvnumber | BV010408273 |
| callnumber-first | M - Music |
| callnumber-label | ML3556 |
| callnumber-raw | ML3556 |
| callnumber-search | ML3556 |
| callnumber-sort | ML 43556 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | HD 570 |
| ctrlnum | (OCoLC)29670104 (DE-599)BVBBV010408273 |
| dewey-full | 780/.89/96073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.89/96073 |
| dewey-search | 780/.89/96073 |
| dewey-sort | 3780 289 596073 |
| dewey-tens | 780 - Music |
| discipline | Anglistik / Amerikanistik Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03364nam a2200577 c 4500</leader><controlfield tag="001">BV010408273</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20100720 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">951005s1995 gl|| i||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0195082354</subfield><subfield code="9">0-19-508235-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)29670104</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV010408273</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-N2</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3556</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780/.89/96073</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HD 570</subfield><subfield code="0">(DE-625)48532:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Floyd, Samuel A.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The power of black music</subfield><subfield code="b">interpreting its history from Africa to the United States</subfield><subfield code="c">Samuel A. Floyd</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York [u.a.]</subfield><subfield code="b">Oxford Univ. Press</subfield><subfield code="c">1995</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">316 S.</subfield><subfield code="b">Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths, and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr., advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early New Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Beïnvloeding</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Negers</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Populaire muziek</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Schwarze</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Schwarze. USA</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African Americans</subfield><subfield code="x">Music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Jazz</subfield><subfield code="0">(DE-588)4028532-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Afroamerikanische Musik</subfield><subfield code="0">(DE-588)4122767-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Jazz</subfield><subfield code="0">(DE-588)4028532-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Afroamerikanische Musik</subfield><subfield code="0">(DE-588)4122767-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-006931413</subfield></datafield></record></collection> |
| geographic | USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV010408273 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:52:00Z |
| institution | BVB |
| isbn | 0195082354 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006931413 |
| oclc_num | 29670104 |
| open_access_boolean | |
| owner | DE-12 DE-29 DE-N2 DE-355 DE-BY-UBR DE-11 DE-188 |
| owner_facet | DE-12 DE-29 DE-N2 DE-355 DE-BY-UBR DE-11 DE-188 |
| physical | 316 S. Notenbeisp. |
| publishDate | 1995 |
| publishDateSearch | 1995 |
| publishDateSort | 1995 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Floyd, Samuel A. Verfasser aut The power of black music interpreting its history from Africa to the United States Samuel A. Floyd New York [u.a.] Oxford Univ. Press 1995 316 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths, and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr., advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early New Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory Beïnvloeding gtt Negers gtt Populaire muziek gtt Musik Schwarze Schwarze. USA African Americans Music History and criticism Music United States History and criticism Jazz (DE-588)4028532-7 gnd rswk-swf Afroamerikanische Musik (DE-588)4122767-0 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Jazz (DE-588)4028532-7 s Geschichte (DE-588)4020517-4 s DE-604 Afroamerikanische Musik (DE-588)4122767-0 s |
| spellingShingle | Floyd, Samuel A. The power of black music interpreting its history from Africa to the United States Beïnvloeding gtt Negers gtt Populaire muziek gtt Musik Schwarze Schwarze. USA African Americans Music History and criticism Music United States History and criticism Jazz (DE-588)4028532-7 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4028532-7 (DE-588)4122767-0 (DE-588)4020517-4 (DE-588)4078704-7 |
| title | The power of black music interpreting its history from Africa to the United States |
| title_auth | The power of black music interpreting its history from Africa to the United States |
| title_exact_search | The power of black music interpreting its history from Africa to the United States |
| title_full | The power of black music interpreting its history from Africa to the United States Samuel A. Floyd |
| title_fullStr | The power of black music interpreting its history from Africa to the United States Samuel A. Floyd |
| title_full_unstemmed | The power of black music interpreting its history from Africa to the United States Samuel A. Floyd |
| title_short | The power of black music |
| title_sort | the power of black music interpreting its history from africa to the united states |
| title_sub | interpreting its history from Africa to the United States |
| topic | Beïnvloeding gtt Negers gtt Populaire muziek gtt Musik Schwarze Schwarze. USA African Americans Music History and criticism Music United States History and criticism Jazz (DE-588)4028532-7 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Beïnvloeding Negers Populaire muziek Musik Schwarze Schwarze. USA African Americans Music History and criticism Music United States History and criticism Jazz Afroamerikanische Musik Geschichte USA |
| work_keys_str_mv | AT floydsamuela thepowerofblackmusicinterpretingitshistoryfromafricatotheunitedstates |