Edward Hopper: portraits of America
Edward Hopper was one of the finest American Scene painters in the Realist tradition. His passion was to portray "typical America"; his city- and landscapes are vivid reflections of the then contemporary American life. Several of his paintings, such as House by the Railroad (1925), Early S...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Munich [u.a.]
Prestel
1995
|
| Schriftenreihe: | Pegasus Library
|
| Schlagworte: | |
| Zusammenfassung: | Edward Hopper was one of the finest American Scene painters in the Realist tradition. His passion was to portray "typical America"; his city- and landscapes are vivid reflections of the then contemporary American life. Several of his paintings, such as House by the Railroad (1925), Early Sunday Morning (1930), and Nighthawks (1942), have become icons of modern American art. They depict the loneliness, anonymity, and lack of variety in the daily life of ordinary people Edward Hopper: Portraits of America examines the apparent dichotomy within Hopper's oeuvre. On the one hand, his compositions depict deserted small towns or solitary figures in empty offices, desolate houses, or hotel rooms. On the other hand, Hopper painted the landscape of New England, where he spent almost every summer with his wife Jo, as bright and tranquil. He seemed to analyze the psychological restrictions and isolation of everyday life as well as the joy and freedom of vacation This volume superbly illustrates this dichotomy with full-color reproductions of many of Hopper's most famous compositions. It shows how, by linking fiction and reality, concealment and revelation, Hopper's images evoke an enigmatic uncertainty, which is both mystifying and fascinating |
| Beschreibung: | 126 S. zahlr. Ill. |
| ISBN: | 3791314858 |
Internformat
MARC
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| 520 | 3 | |a Edward Hopper was one of the finest American Scene painters in the Realist tradition. His passion was to portray "typical America"; his city- and landscapes are vivid reflections of the then contemporary American life. Several of his paintings, such as House by the Railroad (1925), Early Sunday Morning (1930), and Nighthawks (1942), have become icons of modern American art. They depict the loneliness, anonymity, and lack of variety in the daily life of ordinary people | |
| 520 | |a Edward Hopper: Portraits of America examines the apparent dichotomy within Hopper's oeuvre. On the one hand, his compositions depict deserted small towns or solitary figures in empty offices, desolate houses, or hotel rooms. On the other hand, Hopper painted the landscape of New England, where he spent almost every summer with his wife Jo, as bright and tranquil. He seemed to analyze the psychological restrictions and isolation of everyday life as well as the joy and freedom of vacation | ||
| 520 | |a This volume superbly illustrates this dichotomy with full-color reproductions of many of Hopper's most famous compositions. It shows how, by linking fiction and reality, concealment and revelation, Hopper's images evoke an enigmatic uncertainty, which is both mystifying and fascinating | ||
| 600 | 1 | 4 | |a Hopper, Edward <1882-1967> |
| 600 | 1 | 4 | |a Hopper, Edward <1882-1967> |x Criticism and interpretation |
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Datensatz im Suchindex
| _version_ | 1804124820608122880 |
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| author | Schmied, Wieland 1929-2014 |
| author_GND | (DE-588)118795244 (DE-588)118553534 |
| author_facet | Schmied, Wieland 1929-2014 |
| author_role | aut |
| author_sort | Schmied, Wieland 1929-2014 |
| author_variant | w s ws |
| building | Verbundindex |
| bvnumber | BV010393847 |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND237 |
| callnumber-raw | ND237.H75 |
| callnumber-search | ND237.H75 |
| callnumber-sort | ND 3237 H75 |
| callnumber-subject | ND - Painting |
| ctrlnum | (OCoLC)33420619 (DE-599)BVBBV010393847 |
| dewey-full | 759.13 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.13 |
| dewey-search | 759.13 |
| dewey-sort | 3759.13 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Book |
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| geographic_facet | USA United States In art |
| id | DE-604.BV010393847 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:51:44Z |
| institution | BVB |
| isbn | 3791314858 |
| language | English |
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| physical | 126 S. zahlr. Ill. |
| publishDate | 1995 |
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| spelling | Schmied, Wieland 1929-2014 Verfasser (DE-588)118795244 aut Bilder aus Amerika Edward Hopper portraits of America Wieland Schmied Munich [u.a.] Prestel 1995 126 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Pegasus Library Edward Hopper was one of the finest American Scene painters in the Realist tradition. His passion was to portray "typical America"; his city- and landscapes are vivid reflections of the then contemporary American life. Several of his paintings, such as House by the Railroad (1925), Early Sunday Morning (1930), and Nighthawks (1942), have become icons of modern American art. They depict the loneliness, anonymity, and lack of variety in the daily life of ordinary people Edward Hopper: Portraits of America examines the apparent dichotomy within Hopper's oeuvre. On the one hand, his compositions depict deserted small towns or solitary figures in empty offices, desolate houses, or hotel rooms. On the other hand, Hopper painted the landscape of New England, where he spent almost every summer with his wife Jo, as bright and tranquil. He seemed to analyze the psychological restrictions and isolation of everyday life as well as the joy and freedom of vacation This volume superbly illustrates this dichotomy with full-color reproductions of many of Hopper's most famous compositions. It shows how, by linking fiction and reality, concealment and revelation, Hopper's images evoke an enigmatic uncertainty, which is both mystifying and fascinating Hopper, Edward <1882-1967> Hopper, Edward <1882-1967> Criticism and interpretation Hopper, Edward 1882-1967 (DE-588)118553534 gnd rswk-swf USA Motiv (DE-588)4121832-2 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf USA United States In art USA (DE-588)4078704-7 gnd rswk-swf Hopper, Edward 1882-1967 (DE-588)118553534 p USA (DE-588)4078704-7 g DE-604 Malerei (DE-588)4037220-0 s USA Motiv (DE-588)4121832-2 s 1\p DE-604 Hopper, Edward 1882-1967 Sonstige (DE-588)118553534 oth 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Schmied, Wieland 1929-2014 Edward Hopper portraits of America Hopper, Edward <1882-1967> Hopper, Edward <1882-1967> Criticism and interpretation Hopper, Edward 1882-1967 (DE-588)118553534 gnd USA Motiv (DE-588)4121832-2 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)118553534 (DE-588)4121832-2 (DE-588)4037220-0 (DE-588)4078704-7 |
| title | Edward Hopper portraits of America |
| title_alt | Bilder aus Amerika |
| title_auth | Edward Hopper portraits of America |
| title_exact_search | Edward Hopper portraits of America |
| title_full | Edward Hopper portraits of America Wieland Schmied |
| title_fullStr | Edward Hopper portraits of America Wieland Schmied |
| title_full_unstemmed | Edward Hopper portraits of America Wieland Schmied |
| title_short | Edward Hopper |
| title_sort | edward hopper portraits of america |
| title_sub | portraits of America |
| topic | Hopper, Edward <1882-1967> Hopper, Edward <1882-1967> Criticism and interpretation Hopper, Edward 1882-1967 (DE-588)118553534 gnd USA Motiv (DE-588)4121832-2 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Hopper, Edward <1882-1967> Hopper, Edward <1882-1967> Criticism and interpretation Hopper, Edward 1882-1967 USA Motiv Malerei USA United States In art |
| work_keys_str_mv | AT schmiedwieland bilderausamerika AT hopperedward bilderausamerika AT schmiedwieland edwardhopperportraitsofamerica AT hopperedward edwardhopperportraitsofamerica |