A measured pace: toward a philosophical understanding of the arts of dance
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Toronto [u.a.]
Univ. of Toronto Press
1995
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Schriftenreihe: | Toronto studies in philosophy
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XVIII, 580 S. |
ISBN: | 0802005101 0802069460 |
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Datensatz im Suchindex
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adam_text | A Measured Pace
Toward a
Philosophical Understanding
of the Arts of Dance
Francis Sparshott
UNIVERSITY OF TORONTO PRESS
Toronto Buffalo London
Contents
Preface xv
1 Introduction 3
PART ONE: Kinds of Dance 11
2 The Problem of Classification 13
2 1 How Showbiz Did It 16
2 2 How Libraries Do It 17
2 3 Dances as Individuals 19
2 4 Dimensions of Meaning 21
2 5 Quality and Context 22
2 51 Global Concepts 22
3 Classification by Context 25
3 1 Self-defined and Other-defined 26
3 2 Forms of Life 27
3 3 Amateur and Professional 29
3 31 Style 33
3 4 Regular and Irregular 34
3 5 Audiences 36
3 6 Dancers 37
3 7 The Context of Art 38
3 71 High Art 38
viii Contents
3 72 The Dance and Dancing 39
3 73 Spontaneous and Enforced 41
3 74 Learnable and Unlearnable 41
3 75 Kinds of Art as Kinds of Dance 43
3 751 The Institutional Theory 43
3 76 Privileged and Unprivileged • 44
3 761 Imperial Elites 50
3 77 The Sanskrit Alternative 51
3 8 Motivations and Meanings 53
4 Mimesis 61
4 1 Quality: Intrinsic Classifications 61
4 11 Dimensions of Art 62
4 2 Formal and Mimetic 63
4 21 Modes of Mimesis 71
4 211 How Mimesis Can Belong to Dance 71
4 212 Dimensions of Variation 72
4 2121 Mimesis as Communication 72
4 21211 Recognizability 74
4 2122 Objects of Representation: Entities and Events 74
4 2123 Modes of Representation 77
4 21231 Ways of Personalizing 78
4 2124 Mediation by Language 79
4 2125 Ideologies of Exemplification 81
4 2126 Utterance and Affirmation • 82
5 Expression 84
5 1 Individual Expression 85
5 11 Expressing Nothing 91
5 2 Social Expression 92
5 3 Being in the World 94
5 31 Corporeality 97
5 311 The Dimensions of the Body 98
6 Formal Principles of Movement 102
6 1 Basic Movement Types 104
6 11 Dimensions of Movement 105
6 12 Energization and Orientation 107
6 121 In Place and through Space 108
Contents ix
6 1211 Spin 109
6 1212 Cyclic and Linear 110
6 1213 Space and Place 111
6 12131 Dance Space 113
6 122 Pose and Transition 118
6 13 The Asymmetrical Body 119
6 131 Symmetry and Asymmetry 120
6 2 Recapitulation 121
7 Anatomy 126
7 1 Feet and Hands 128
7 2 Whole and Part 129
7 21 Focal Dances 129
8 Units and Systems 134
8 1 Units of Movement 137
8 2 Movement Systems 139
8 21 Dance Traditions 140
8 22 Theoretical Analyses 141
8 221 Weaver 141
8 222 The Nineteenth Century 143
8 2221 Delsarte 145
8 2222 Laban 146
8 2223 Souriau 148
8 2224 Jaques-Dalcroze 148
8 223 Educational Dance 151
9 Rhythm 154
9 1 The Conceptual Question 154
9 11 Ambiguity 154
9 12 Necessity 155
9 121 Rhythmicality 156
9 2 The Basics 157
9 21 Aristoxenus on Rhythm 157
9 211 Kinds of Time 160
9 2111 Frye 161
9 212 Rhythm and Metre 162
9 22 Density 164
9 3 The Sources of Rhythm 165
x Contents
9 31 The Human Sources of Rhythm 167
9 311 The Human Engine 167
9 312 Rhythm and Life 168
9 3121 The Dance of Death 170
9 4 Repetition, Pattern, and Flow 171
9 41 Dance-generated Movements 171
9 42 Rhythm and Repetition 171
9 421 Repetition and Repeatability 172
9 422 Sameness 174
9 4221 Clocks 175
9 5 More Conceptual Questions 176
9 51 Ictus and Modulation 177
9 52 Beat 178
9 53 The Unrhythmical 179
9 6 The Uniqueness of Rhythms in Art 180
9 61 A Caveat 181
10 One and Many 183
10 1 One among Many 183
10 2 Groups 185
10 3 Chorus and Solo 189
10 31 Sameness and Difference 191
10 32 Corps de Ballet 193
10 33 Interrelation 193
10 4 Couples 195
10 41 Mating Couples 197
10 411 The Gay Scene 199
10 5 Conclusion 200
11 Modes of Dance Organization 202
11 1 Narrative 203
11 2 Music 205
11 3 Dance Form 207
11 4 Conclusion 208
PART TWO: Dance and Related Fields 211
12 Dance and Music 215
12 1 Symbiosis 216
Contents xi
12 2 The Art of Dance and the Art of Music 218
12 3 The Relation of a Dance to Its Music 222
12 4 Music Structure and Dance Structure 230
12 41 Times 230
12 42 Tones 235
13 Dance and Language 242
13 1 Verbal Mediation 244
13 2 Gesture 247
13 3 Dancing and Talking 249
13 4 What Is Language? 250
13 41 Learning to Speak, Learning to Dance 250
13 42 Language as Language 251
13 5 The Semiological Extension 258
14 Dance and Theatre 264
14 1 Performing Arts 264
14 11 Problems of Presentation 266
14 12 Theatre 266
14 2 Dance and Drama 269
14 21 Ballet and Opera 273
14 3 Dance and Scene 277
14 31 Stage and Scene 284
14 32 Body and Clothes 285
14 321 Dressing and Undressing 290
PART THREE: Aspects of Dance 297
15 Dance Values 301
15 1 Singularities 303
15 2 Generalities 306
15 21 Values in General 307
15 211 Basic Values 308
15 212 Art Values 312
15 2121 Dimensions of Art 316
15 21211 Rasa Reviewed 321
15 22 Values in Dance 321
15 221 Special Values 324
15 2211 Grace and Vigour 325
xii Contents
15 22111 Grace ; 327
15 22112 Athleticism 334
15 222 Other Values 335
15 3 Dance Criticism 337
15 4 Conclusion 340
16 Dancer and Spectator 342
17 Learning to Dance 350
17 1 Learning Dances 350
17 11 Step by Step 351
17 12 Holistic Learning 352
17 2 Learning Dancing 353
17 21 Primary and Secondary Standards Again 355
17 3 Learning to Dance for the Public 356
17 4 From the Particular to the General 361
17 41 Learning Dances, Learning Dancing 361
17 42 Learning Dancing, Learning Choreography 362
17 43 Learning Choreography, Learning Dance-making 364
17 5 The Solitary Dancer 365
17 6 Conclusion 371
18 Dance and Choreography 373
18 1 The Basic Hierarchy 373
18 2 Composition and Execution 378
18 3 Choreography and the Dimensions of Dance 383
18 4 What Choreographers Need to Know 385
18 5 The Necessity of Choreography 390
18 6 Margins of Choreography 391
18 61 Routines 391
18 62 Improvisation 392
19 The Identity of a Dance 397
19 1 Dance and Dancer 397
19 2 Performance Type and Performance Token 399
19 21 The Choreographer s Performance 400
19 22 The Dancer s Performance 402
19 3 Performance and Performing 405
Contents xiii
19 4 The Identity of a Dance 406
19 41 Idealism and Materialism 412
19 42 The Basics 415
20 Recording Dance 420
20 1 Score and Transcription 425
20 2 Notation 427
20 21 Four Uses of Notation 430
20 211 Composition 430
20 212 Dissemination 431
20 213 Precision 432
20 214 Copyright 434
20 22 Notation and Notations 435
20 221 Varieties of Notations 435
20 222 The Bias of Notation 436
20 3 Film and Video 440
20 31 Dance in Film 444
20 32 Dancefilm 446
20 33 Video 448
20 331 Video as Record 448
20 332 Video as Medium 449
20 3321 Dance on Television 450
20 4 Conclusion 451
21 Conclusion 453
22 Afterword: The Three Graces 459
Notes 463
References 545
Index 561
|
any_adam_object | 1 |
author | Sparshott, Francis 1926-2015 |
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dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.8/01 |
dewey-search | 792.8/01 |
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dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Philosophie Musikwissenschaft |
format | Book |
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spelling | Sparshott, Francis 1926-2015 Verfasser (DE-588)172380855 aut A measured pace toward a philosophical understanding of the arts of dance Francis Sparshott Toronto [u.a.] Univ. of Toronto Press 1995 XVIII, 580 S. txt rdacontent n rdamedia nc rdacarrier Toronto studies in philosophy Dans gtt Danse - Philosophie Filosofie gtt Theorieën gtt Philosophie Dance Philosophy Tanz (DE-588)4059028-8 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Tanz (DE-588)4059028-8 s Philosophie (DE-588)4045791-6 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006911731&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Sparshott, Francis 1926-2015 A measured pace toward a philosophical understanding of the arts of dance Dans gtt Danse - Philosophie Filosofie gtt Theorieën gtt Philosophie Dance Philosophy Tanz (DE-588)4059028-8 gnd Philosophie (DE-588)4045791-6 gnd |
subject_GND | (DE-588)4059028-8 (DE-588)4045791-6 |
title | A measured pace toward a philosophical understanding of the arts of dance |
title_auth | A measured pace toward a philosophical understanding of the arts of dance |
title_exact_search | A measured pace toward a philosophical understanding of the arts of dance |
title_full | A measured pace toward a philosophical understanding of the arts of dance Francis Sparshott |
title_fullStr | A measured pace toward a philosophical understanding of the arts of dance Francis Sparshott |
title_full_unstemmed | A measured pace toward a philosophical understanding of the arts of dance Francis Sparshott |
title_short | A measured pace |
title_sort | a measured pace toward a philosophical understanding of the arts of dance |
title_sub | toward a philosophical understanding of the arts of dance |
topic | Dans gtt Danse - Philosophie Filosofie gtt Theorieën gtt Philosophie Dance Philosophy Tanz (DE-588)4059028-8 gnd Philosophie (DE-588)4045791-6 gnd |
topic_facet | Dans Danse - Philosophie Filosofie Theorieën Philosophie Dance Philosophy Tanz |
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