The social and religious designs of J. S. Bach's Brandenburg Concertos:
This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteen...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Princeton, NJ
Princeton Univ. Press
1995
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Schlagworte: | |
Zusammenfassung: | This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as opposed to reflect) existing musical and social hierarchies Careful consideration of Lutheran theology and Bach's documented understanding of it reveals, however, that his music should not be understood to call for progressive political action. One important message of Lutheranism, and, in this interpretation, of Bach's concertos, is that in the next world, the heavenly one, the hierarchies of the present world will no longer be necessary. Bach's music more likely instructs its listeners how to think about and spiritually cope with contemporary hierarchies than how to act upon them. In this sense, contrary to currently accepted views, Bach's concertos share with his extensive output of vocal music for the Lutheran liturgy an essentially religious character |
Beschreibung: | 150 S. Notenbeisp. |
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520 | 3 | |a This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as opposed to reflect) existing musical and social hierarchies | |
520 | |a Careful consideration of Lutheran theology and Bach's documented understanding of it reveals, however, that his music should not be understood to call for progressive political action. One important message of Lutheranism, and, in this interpretation, of Bach's concertos, is that in the next world, the heavenly one, the hierarchies of the present world will no longer be necessary. Bach's music more likely instructs its listeners how to think about and spiritually cope with contemporary hierarchies than how to act upon them. In this sense, contrary to currently accepted views, Bach's concertos share with his extensive output of vocal music for the Lutheran liturgy an essentially religious character | ||
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Datensatz im Suchindex
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author | Marissen, Michael 1960- |
author_GND | (DE-588)121427625 |
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illustrated | Illustrated |
indexdate | 2024-07-09T17:50:14Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006858432 |
oclc_num | 30780397 |
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owner_facet | DE-12 DE-824 DE-11 |
physical | 150 S. Notenbeisp. |
publishDate | 1995 |
publishDateSearch | 1995 |
publishDateSort | 1995 |
publisher | Princeton Univ. Press |
record_format | marc |
spelling | Marissen, Michael 1960- Verfasser (DE-588)121427625 aut The social and religious designs of J. S. Bach's Brandenburg Concertos Michael Marissen Princeton, NJ Princeton Univ. Press 1995 150 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as opposed to reflect) existing musical and social hierarchies Careful consideration of Lutheran theology and Bach's documented understanding of it reveals, however, that his music should not be understood to call for progressive political action. One important message of Lutheranism, and, in this interpretation, of Bach's concertos, is that in the next world, the heavenly one, the hierarchies of the present world will no longer be necessary. Bach's music more likely instructs its listeners how to think about and spiritually cope with contemporary hierarchies than how to act upon them. In this sense, contrary to currently accepted views, Bach's concertos share with his extensive output of vocal music for the Lutheran liturgy an essentially religious character Bach, Johann Sebastian <1685-1750> Brandenburgische Konzerte Bach, Johann Sebastian 1685-1750 Die Brandenburgischen Konzerte (DE-588)300005350 gnd rswk-swf Brandenburgse concerten (Bach) gtt Interpretatie gtt Tijdgeest gtt Bach, Johann Sebastian 1685-1750 Die Brandenburgischen Konzerte (DE-588)300005350 u DE-604 |
spellingShingle | Marissen, Michael 1960- The social and religious designs of J. S. Bach's Brandenburg Concertos Bach, Johann Sebastian <1685-1750> Brandenburgische Konzerte Bach, Johann Sebastian 1685-1750 Die Brandenburgischen Konzerte (DE-588)300005350 gnd Brandenburgse concerten (Bach) gtt Interpretatie gtt Tijdgeest gtt |
subject_GND | (DE-588)300005350 |
title | The social and religious designs of J. S. Bach's Brandenburg Concertos |
title_auth | The social and religious designs of J. S. Bach's Brandenburg Concertos |
title_exact_search | The social and religious designs of J. S. Bach's Brandenburg Concertos |
title_full | The social and religious designs of J. S. Bach's Brandenburg Concertos Michael Marissen |
title_fullStr | The social and religious designs of J. S. Bach's Brandenburg Concertos Michael Marissen |
title_full_unstemmed | The social and religious designs of J. S. Bach's Brandenburg Concertos Michael Marissen |
title_short | The social and religious designs of J. S. Bach's Brandenburg Concertos |
title_sort | the social and religious designs of j s bach s brandenburg concertos |
topic | Bach, Johann Sebastian <1685-1750> Brandenburgische Konzerte Bach, Johann Sebastian 1685-1750 Die Brandenburgischen Konzerte (DE-588)300005350 gnd Brandenburgse concerten (Bach) gtt Interpretatie gtt Tijdgeest gtt |
topic_facet | Bach, Johann Sebastian <1685-1750> Brandenburgische Konzerte Bach, Johann Sebastian 1685-1750 Die Brandenburgischen Konzerte Brandenburgse concerten (Bach) Interpretatie Tijdgeest |
work_keys_str_mv | AT marissenmichael thesocialandreligiousdesignsofjsbachsbrandenburgconcertos |