History of the theatre:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston u.a.
Allyn and Bacon
1995
|
| Ausgabe: | 7. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 708 S. Ill., graph. Darst., Kt. |
| ISBN: | 0205164838 0205166954 |
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Datensatz im Suchindex
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| adam_text |
Contents
PrcUue xi
( HAI'TEK 1
The Origins ot Theatre 1
The Theory ot Ritu.il Origm 1
Pertormative Elements and Functions 3
Other Theorien ot Origin 5
Andern Hgypt ,ind the Near Hast
hvk'iiis; , 1 lliatrc Hislory 11
( MAI'TfK 2
Theotre and Drama in Ancient
Greece 13
The Ongin ot"Tragedy 15
The C'ity Dionysia in the Sixth Century 16
Tragedy in the Fitth C'entun 17
The Satyr Play 1 (
(ireek ("omedy in the Fitth Century 20
The Dramatic Festivals ot the Fitth ("enturv 22
Play Seiet tton and Financing 24
Actors and Aitmg 24
The Chorus 25
Musie and Dance 26
Costumes and Masks 27
Thcatrc Architecture 30
Auditorium and Audience 34
CJreek Drama After the Fifth Century 36
The Athenian Theatre in the Fourth Century 38
The Hellenistic Theatre 40
Greek Minies 45
ljflokii[ at Tltcatrc Hislory 41
CHAPTER ^
Roman and Byzantine Theatre and
Drama 49
Etruscan Antecedents 50
The Roman Context 52
Roman Festivals 53
Drama Under the Romans 54
Other Entertainments 5(»
I'roduction Arrangements 61
The Roman Theatre Structure 61
Other Striictures tor Entertainments 64
Scenery 65
Actors and Acting 67
Masks and Costumes 69
Music 70
The Decline of the Theatre in Rome 71
Theatre in the Eastern Empire 73
The Byzantine Theatre 74
The Rise of Islam 77
Looking at Theatre History 79
CHAPTER 4
European Theatre and Drama in the Middle
Ages 81
The Theatre, 500 and 900 A.D. 83
The Liturgical Drama 85
The Staging of Liturgical Drama 89
The Feast ofFools 90
The Late Middle Ages 91
Performances Outside the Church 91
The Vernacular Religious Drama 93
Production Arrangements 95
The Director 95
Actors and Acting 97
Costumes 98
The Stages 99
Scenery 102
Special EfFects and Machinery 104
Music 105
Audiences and Auditoriums 105
Secular Dramatic Forms 106
Farce 107
The Morality Play 108
Chambers of Rhetoric 111
Interludes 112
Tournaments, Mummings, and Disguisings 114
Royal Entries and Street Pageants 115
The End ofMedieval Drama 117
Looking at Theatre History 118
CHAPTER 5
Italian Theatre and Drama,
1400 1700 121
Renaissance Drama 122
Beginnings of the Baroque Era 125
The Neoclassical Ideal 125
Intermezzi and Opera 127
The Development of New Scenic Practices 128
Development of Theatre Architecture 136
Machinery and Special Effects 139
Music and Dance 141
The Festival Context 142
Commedia dell'Arte 143
The Decline ofltaly 149
hooking at Theatre History 150
CHAPTER 6
English Theatre from the Middle Ages
to1642 153
Early Tudor Drama 153
The University Wits 155
Shakespeare and His Contemporaries 156
Jacobean and Caroline Dramatists 158
Government Regulation of the Theatre 160
Acting Troupes 161
The Public Theatres 164
The Private Theatres 171
Scenery, Properties, Special Effects, and Music 175
Costumes 176
Audiences 177
The Stuart Masques 178
hooking at Theatre History 182
CHAPTER 7
The Spanish Theatre to 1 700 185
The Religious Drama 186
The Beginnings of a Secular Drama 188
The Early Professional Theatre in Spain 189
Lope de Vega and His Contemporaries 190
Calderon and His Contemporaries 191
The Corrales 192
Acting Companies 195
Actors and Acting 196
Costumes 197
The Stage and Scenery 197
Court Entertainments 199
Looking at Theatre History 200
CHAPTER 8
The Theatre in France,
1500 1700 203
Theatre at Court and in the Schools Prior to
1600 203
The Public Theatre in Paris Before 1595 205
The Public Theatre, 1595 1629 206
The Triumph of the Neoclassical Ideal 208
Acting Companies, 1629 1660 211
The Public Theatre, 1629 1660 212
Scenic Practices in the Public Theaters,
1629 1660 213
The Triumph of the Italian Ideal in Scenery,
1640 1660 215
The Naturalization of the Italian Ideal,
1669 1700 217
French Drama, 1660 1700 224
Acting Companies, 1660 1700 224
The Organization of French Acting
Companies 225
Theatre Architecture and Scenic Practices,
1660 1700 227
The Close of the Severiteenth Century 228
Looking at Theatre History 230
CHAPTER 9
The British Theatre 1642 1800 233
Theatrical Activity, 1642 1660 233
The Reestablishment of the Theatre 236
Acting Companies, 1660 1700 236
English Drama, 1660 1700 237
English Drama, 1700 1750 240
Governmental Regulation of the Theatre 243
English Drama, 1750 1800 245
The Playwright 247
Financial Policies 247
Theatre Architecture 249
Scenic Practices 251
Costume Practices 255
Actors and Acting, 1660 1800 256
Audiences and Performances 261
The Provincial Theatre 262
Theatre of Colonial North America 263
Looking at Theatre History 265
CHAPTER 10
Italy and France in the Eighteenth
Century 267
The Evolution of Italian Scenic Design 267
Italian Drama of the Eighteenth
Century 272
French Drama of the Eighteenth
Century 275
Parisian Acting Troupes 278
The Dramatist 284
Actors and Acting 284
Theatre Architecture 286
Scenic Practices 287
Costume Practices 289
Looking at Theatre History 29 i
CHAPTER 11
Theatre in Northern and Eastern Europe
during the Eighteenth Century 293
The Court Theatres of Germany 293
The Jesuit Theatre 296
The Early Public Theatre in Germany 297
The Reforms of Gottsched and Neuber 299
Acting Troupes, 1740 1770 300
German Drama, 1740 1787 302
The Establishment of National Theatres,
1770 1800 305
Evolution of Staging in the Eighteenth
Century 307
EL. Schröder 310
Iffland and Kotzebue 311
Goethe, Schiller, and Weimar
Classicism 312
Theatre and Drama in Other Countries of
Northern Europe 316
Theatre in Russia to 1800 318
Looking at Theatre History 323
CHAPTER 12
Theatre in Europe and the United
States during the Early Nineteenth
Century 327
Theoretical Foundations of Romanticism 328
Romantic Drama in Germany 329
Postromantic German Language Drama 331
Theatrical Conditions in German Language
Theatres 334
The French Theatre, 1789 1815 338
French Drama, 1800 1850 339
Theatrical Conditions in France, 1800 1850 342
Directing and Acting in France, 1800 1850 343
Scenery, Costume, and Lighting in France,
1800 1850 346
Russian Drama and Theatre, 1800 1850 349
Trends in English Theatre, 1800 1843 352
English Drama, 1800 1850 354
English Theatrical Conditions, 1800 1843 356
Macready and Vestris 362
Theatre in North America, 1782 1815 364
The Expanding American Theatre,
1815 1850 367
Looking at Theatre History 378
CHAPTER 13
Theatre and Drama in Europe and the
United States during the Late Nineteenth
Century 381
The Beginnings of Realism 382
French Drama, 1850 1900 383
Theatrical Conditions in France, 1850 1900 385
English Drama, 1850 1900 391
English Theatrical Conditions, 1843 1860 393
English Theatrical Conditions, 1860 1880 396
English Theatrical Conditions, 1880 1900 400
Theatre in the United States, 1850 1870 405
Theatre in the United States, 1870 1895 409
The Theatre in Italy and Spain, 1850 1900 415
Russian Theatre and Drama, 1850 1900 416
German and Austrian Theatre, 1850 1900 419
Looking at Theatre History 423
CHAPTER14
The Beginnings of the Modern Theatre,
1875 1915 425
Wagner and Saxe Meiningen 425
Ibsen 429
Zola and the French Naturalists 431
Antoine and the Theatre Libre 432
The Freie Bühne and German Realism 434
The Independent Theatre and Realism in
England 435
The Continuing Tradition in England,
1900 1914 438
The Moscow Art Theatre and Realism in
Russia 440
Nonrealism in France 441
Appia and Craig 444
Strindberg and Freud 446
Nonrealistic Theatre and Drama in
Germany 447
Nonrealistic Theatre in England 450
The Irish Renaissance 452
Russian Modernism 454
The Revival of Idealism in France 457
The Theatre in Italy and Spain,
1875 1915 459
Theatre in the United States, 1895 1915 460
Major Technical Innovations, 1875 1915 464
Looking at Theatre History 466
CHAPTER 15
The Theatre in Europe and the United States
between the Wars 469
German Theatre and Drama, 1915 1940 469
Theatre and Drama in France, 1915 1940 476
Italian Theatre and Drama, 1915 1940 481
Theatre and Drama in Spain, 1915 1940 484
Theater and Drama in Russia, 1917 1940 485
English Theatre and Drama, 1915 1940 490
Theatre and Drama in the United States,
1915 1940 495
Looking at Theatre History 505
CHAPTER 16
Theatre in Europe and the United States,
1940 1968 507
French Theatre and Drama, 1940 1968 507
German Language Theatre and Drama,
1940 1968 515
Theatre and Drama in the United States,
1940 1968 520
English Theatre and Drama, 1940 1968 528
Theatre and Drama in Italy, 1940 1968 536
Soviet Theatre and Drama, 1940 1968 537
Theatre and Drama in Czechoslovakia,
1940 1968 539
International Developments 540
Looking at Theatre History 541
CHAPTER 17
Theatre and Drama After 1968 545
Theatre and Drama in Italy after 1968 545
Soviet and Russian Theatre after 1968 548
Theatre in Poland and Czechoslovakia 551
German Theatre and Drama after 1968 554
Theatre in France after 1968 560
British Theatre after 1968 565
Theatre in the United States after 1968 572
PostScript 590
Looking at Theatre History 590
CHAPTER 18
The Theatre of Asia 593
India 593
Sanskrit Drama 595
Sanskrit Performance 596
Modern India 598
China 600
The Development of Chinese Literary
Drama 603
Beijing Opera 607
Twentieth Century Developments in Chinese
Theatre 612
Japan 613
Noh Theatre 614
Bunraku 619
Kabuki 622
Modern Japanese Theatre and Drama 627
Other Asian Countries 628
Looking at Theatre History 632
CHAPTER 19
The Theatre of Africa 635
Some Basic Issues and Problems 635
Nigeria 639
Ghana 643
Sierra Leone 645
Kenya 646
Uganda and Tanzania 647
Zambia and Zimbabwe 650
African Countries Once Under Portuguese
Rule 652
Senegal 653
The Ivory Coast 654
Mali and Cameroon 655
Congo and Zaire 657
South Africa 658
North Africa 665
Looking at Theatre History 661
Appendix 669
Bibliography 615
Index 689
rnMTFMT«; iv |
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