Shaw and Joyce: "the last word in stolentelling"
This controversial and groundbreaking book - certain to provoke Joyce scholars - documents the heretofore under observed influence of George Bernard Shaw on James Joyce. In painstaking detail, Martha Fodaski Black addresses Joyce's "stolentelling" from Shaw, maintaining that Joyce emp...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Gainesville, Fla. [u.a.]
Univ. Press of Florida
1995
|
| Schriftenreihe: | The Florida James Joyce series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This controversial and groundbreaking book - certain to provoke Joyce scholars - documents the heretofore under observed influence of George Bernard Shaw on James Joyce. In painstaking detail, Martha Fodaski Black addresses Joyce's "stolentelling" from Shaw, maintaining that Joyce employed literary ruses to obscure the relationship between himself and his Irish predecessor - stratagems that argue for Joyce's own originality. Shaw and Joyce were both literary pickpockets, like most writers, but Shaw (unlike Joyce) readily admitted his sources. Black seeks "to restore Shaw's reputation, to prove that the crafty Joyce secretly approved of and used the old leprechaun playwright, and to quarrel with critics who isolate texts from the faces behind them." Black finds "pervasive and indubitable connections" especially between Finnegans Wake and Back to Methuselah, culminating in the subterranean conflict between the father/brother ("frother") Shaun and the "penman" Shem in the Wake. But ultimately she shows that Shaw's influence on Joyce was ubiquitous: while the younger writer followed his own muse as a stylist, the "germs" of all his themes "are in the polemics, prefaces, and plays of the famous Fabian." A critical pragmatist, Black draws on an eclectic blend of sociological/psychological and feminist insights to produce an analysis "accessible to readers who are not specialists in structuralism, deconstruction, manuscript analysis, or any of the critical isms." Given the controversial nature of "The Last Word in Stolentelling," it will find partisan readers among Joyce and Shaw scholars as well as others interested in Irish literature and literary theory |
| Beschreibung: | XVI, 445 S. |
| ISBN: | 0813013283 |
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| 520 | 3 | |a This controversial and groundbreaking book - certain to provoke Joyce scholars - documents the heretofore under observed influence of George Bernard Shaw on James Joyce. In painstaking detail, Martha Fodaski Black addresses Joyce's "stolentelling" from Shaw, maintaining that Joyce employed literary ruses to obscure the relationship between himself and his Irish predecessor - stratagems that argue for Joyce's own originality. Shaw and Joyce were both literary pickpockets, like most writers, but Shaw (unlike Joyce) readily admitted his sources. Black seeks "to restore Shaw's reputation, to prove that the crafty Joyce secretly approved of and used the old leprechaun playwright, and to quarrel with critics who isolate texts from the faces behind them." | |
| 520 | |a Black finds "pervasive and indubitable connections" especially between Finnegans Wake and Back to Methuselah, culminating in the subterranean conflict between the father/brother ("frother") Shaun and the "penman" Shem in the Wake. But ultimately she shows that Shaw's influence on Joyce was ubiquitous: while the younger writer followed his own muse as a stylist, the "germs" of all his themes "are in the polemics, prefaces, and plays of the famous Fabian." A critical pragmatist, Black draws on an eclectic blend of sociological/psychological and feminist insights to produce an analysis "accessible to readers who are not specialists in structuralism, deconstruction, manuscript analysis, or any of the critical isms." Given the controversial nature of "The Last Word in Stolentelling," it will find partisan readers among Joyce and Shaw scholars as well as others interested in Irish literature and literary theory | ||
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| 650 | 4 | |a Influence littéraire, artistique, etc | |
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Datensatz im Suchindex
| _version_ | 1804124634280361984 |
|---|---|
| adam_text | n
D
0 U
L
•
Ju u
The Last Word in Stolentelling
Martha Fodaski Black
University Press of Florida
Gainesville/Tallahassee/Tampa/Boca Raton
Pensacola/Orlando/Miami/Jacksonville
Foreword, by Bernard Benstock ix
Preface xi
Abbreviations xv a
1 The Case for Joyce s Piously Forged Palimpsests of Lamppost
Shawe i
2 Sonny George and Sunny Jim: Frother and His
Doblinganger 24
3 The Devil s Disciple and His Great Immensipater: Stephen Hero, A
Portrait of the Artist as a Young Man, and Exiles 54
Fruting for Firstlings—A True Covenanter against the World:
Stephen Hero 56
A Portrait of the Artist as a Young Shavian: O Foenix Culprit! 70
Carmen in the Drawing-Room: Annadominant Candidatus in
Exiles 88
4 Tripartite Dubliners: Circumcivisizing the Quintessential
Dublin 109
Yung and Easily Freudened: Dublin Boys 115
Lawanorder on Loveinardor: Dublin s Destructive Ideals 131
Our Liffeyside People: Philistines in Dublin 155
5 The Great Immensipater Retaled in Bloom amp; Co : Ulysses 194
The Credible Androgyne: Such is Manowife s Lot To Lose and Win
Again 201
Irish Nationalism: The Vilest Bogeyer but Most Attractionable
Ava|ar 210
Fireworks on the Beach: Sunny, My Gander, He s Coming to Land
Her 216
Bloom-Shavian Politics: A London s Alderman Ladled Out by
the Waggerful to the Regionals of Pigmyland 222
Bella Bangs Bloom: The Morbidization of the Modern
Mandaboutwoman Type 235
Molly as Privatized Life Force: The Bringer of Plurabilities Haloed
Be Her Eve 239
Mother, Son; and Hamlet s Father s Ghost: Anglers or Angelers
Coexistent and Compresent with or without Their Tertium
Quid 249
6 Methuselah at the Wake: Pelagiarist Penman and Grand
Precurser 260
One to Do and One to Dare, Par by Par, a Peerless Pair 294
Burrus and Caseous: Unbeaten Risicide and Puir Tyron 308
Funferal Fables: Grimm Gests of Jacko and Esaup 324
The Mookse and the Gripes: Corked Father and Dubville
Brooder-on-Low 329
The Ondt and the Gracehoper: Veripatetic Imago and
Artaloner 337
Groundbroken Irishmen and Anonymoses: The Rann of Persse
O Reilly 347
Jaunty Jaun: The Brave Footsore Unfrillfrocked
Quackfriar 372
HCE: Poppypap s a Passport Out 3 80
Anna and the Crisscouple Crosscomplimentary
Jined 394
A Shaun the Postscript: A Commodius Vicus of Recirculation 406
Works Cited 419
Index 428
|
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| era | Geschichte 1900-2000 |
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| spelling | Black, Martha F. Verfasser aut Shaw and Joyce "the last word in stolentelling" Martha Fodaski Black Gainesville, Fla. [u.a.] Univ. Press of Florida 1995 XVI, 445 S. txt rdacontent n rdamedia nc rdacarrier The Florida James Joyce series This controversial and groundbreaking book - certain to provoke Joyce scholars - documents the heretofore under observed influence of George Bernard Shaw on James Joyce. In painstaking detail, Martha Fodaski Black addresses Joyce's "stolentelling" from Shaw, maintaining that Joyce employed literary ruses to obscure the relationship between himself and his Irish predecessor - stratagems that argue for Joyce's own originality. Shaw and Joyce were both literary pickpockets, like most writers, but Shaw (unlike Joyce) readily admitted his sources. Black seeks "to restore Shaw's reputation, to prove that the crafty Joyce secretly approved of and used the old leprechaun playwright, and to quarrel with critics who isolate texts from the faces behind them." Black finds "pervasive and indubitable connections" especially between Finnegans Wake and Back to Methuselah, culminating in the subterranean conflict between the father/brother ("frother") Shaun and the "penman" Shem in the Wake. But ultimately she shows that Shaw's influence on Joyce was ubiquitous: while the younger writer followed his own muse as a stylist, the "germs" of all his themes "are in the polemics, prefaces, and plays of the famous Fabian." A critical pragmatist, Black draws on an eclectic blend of sociological/psychological and feminist insights to produce an analysis "accessible to readers who are not specialists in structuralism, deconstruction, manuscript analysis, or any of the critical isms." Given the controversial nature of "The Last Word in Stolentelling," it will find partisan readers among Joyce and Shaw scholars as well as others interested in Irish literature and literary theory Joyce, James <1882-1941> - Et la littérature Shaw, Bernard <1856-1950> - Influence Joyce, James <1882-1941> Knowledge Literature Shaw, Bernard <1856-1950> Influence Joyce, James 1882-1941 (DE-588)118558501 gnd rswk-swf Shaw, Bernard 1856-1950 (DE-588)118642375 gnd rswk-swf Geschichte 1900-2000 Influence littéraire, artistique, etc Irlande dans la littérature Geschichte Literatur Wissen Influence (Literary, artistic, etc.) History 20th century Irland Ireland In literature Shaw, Bernard 1856-1950 (DE-588)118642375 p Joyce, James 1882-1941 (DE-588)118558501 p DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006795128&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Black, Martha F. Shaw and Joyce "the last word in stolentelling" Joyce, James <1882-1941> - Et la littérature Shaw, Bernard <1856-1950> - Influence Joyce, James <1882-1941> Knowledge Literature Shaw, Bernard <1856-1950> Influence Joyce, James 1882-1941 (DE-588)118558501 gnd Shaw, Bernard 1856-1950 (DE-588)118642375 gnd Influence littéraire, artistique, etc Irlande dans la littérature Geschichte Literatur Wissen Influence (Literary, artistic, etc.) History 20th century |
| subject_GND | (DE-588)118558501 (DE-588)118642375 |
| title | Shaw and Joyce "the last word in stolentelling" |
| title_auth | Shaw and Joyce "the last word in stolentelling" |
| title_exact_search | Shaw and Joyce "the last word in stolentelling" |
| title_full | Shaw and Joyce "the last word in stolentelling" Martha Fodaski Black |
| title_fullStr | Shaw and Joyce "the last word in stolentelling" Martha Fodaski Black |
| title_full_unstemmed | Shaw and Joyce "the last word in stolentelling" Martha Fodaski Black |
| title_short | Shaw and Joyce |
| title_sort | shaw and joyce the last word in stolentelling |
| title_sub | "the last word in stolentelling" |
| topic | Joyce, James <1882-1941> - Et la littérature Shaw, Bernard <1856-1950> - Influence Joyce, James <1882-1941> Knowledge Literature Shaw, Bernard <1856-1950> Influence Joyce, James 1882-1941 (DE-588)118558501 gnd Shaw, Bernard 1856-1950 (DE-588)118642375 gnd Influence littéraire, artistique, etc Irlande dans la littérature Geschichte Literatur Wissen Influence (Literary, artistic, etc.) History 20th century |
| topic_facet | Joyce, James <1882-1941> - Et la littérature Shaw, Bernard <1856-1950> - Influence Joyce, James <1882-1941> Knowledge Literature Shaw, Bernard <1856-1950> Influence Joyce, James 1882-1941 Shaw, Bernard 1856-1950 Influence littéraire, artistique, etc Irlande dans la littérature Geschichte Literatur Wissen Influence (Literary, artistic, etc.) History 20th century Irland Ireland In literature |
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