The subject of modernism: narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce
Like other poststructuralist theories, Lacanian theory has long been accused of being ahistorical. In The Subject of Modernism, Tony E. Jackson combines a uniquely graspable explanation of the Lacanian theory of the self with a series of detailed psychoanalytic interpretations of actual texts to off...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
Univ. of Michigan Press
1994
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| Schlagworte: | |
| Zusammenfassung: | Like other poststructuralist theories, Lacanian theory has long been accused of being ahistorical. In The Subject of Modernism, Tony E. Jackson combines a uniquely graspable explanation of the Lacanian theory of the self with a series of detailed psychoanalytic interpretations of actual texts to offer a new kind of literary history After exposing the seldom-discussed history of the self found in the work of Lacan, Jackson shows that the basic plot structure of realistic novels reveals an unconscious desire to preserve a certain kind of historically institutionalized self, but that the desire of realism to write the most real representation of reality steadily makes the self-preservation more difficult to sustain. Thus in following through on its own desire to prove the certainty of its being, realism eventually discovers its own impossibility. Jackson charts the resistances to and misrecognitions of this discovery as they are revealed in the changes of narrative form from Eliot's last, most ambitious novel, Daniel Deronda, through Conrad's most modernist novels, Lord Jim and Heart of Darkness, to Woolf's Mrs. Dalloway and The Waves. He ends with an appended consideration of the "Cyclops" and "Nausicaa" chapters from Joyces's Ulysses While other critics have argued that realism structures a certain self and modernism undoes that self, they have not attempted a historical explanation of why this change should have occurred. Jackson reads the emergence of modernism as a kind of generic self-analysis of realism, analogous to the self-analysis performed by Freud: when realism discovers the significance of its own desire to write the most real representation of reality, it has, in that moment, become modernism. It has grasped its own nature and so fully becomes itself, for the first time, as modernism. The Subject of Modernism will appeal most obviously to readers of Victorian and modernist fiction, but it will also draw those interested in the history of the novel and in the idea of literary history in general. Finally, because of the way Jackson brings together fiction, psychoanalysis, and history, anyone interested in the history of aesthetics will find here new ways to examine particular art forms |
| Beschreibung: | Teilw. zugl.: Diss. |
| Beschreibung: | 209 S. |
| ISBN: | 0472105523 |
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| 520 | 3 | |a Like other poststructuralist theories, Lacanian theory has long been accused of being ahistorical. In The Subject of Modernism, Tony E. Jackson combines a uniquely graspable explanation of the Lacanian theory of the self with a series of detailed psychoanalytic interpretations of actual texts to offer a new kind of literary history | |
| 520 | |a After exposing the seldom-discussed history of the self found in the work of Lacan, Jackson shows that the basic plot structure of realistic novels reveals an unconscious desire to preserve a certain kind of historically institutionalized self, but that the desire of realism to write the most real representation of reality steadily makes the self-preservation more difficult to sustain. Thus in following through on its own desire to prove the certainty of its being, realism eventually discovers its own impossibility. Jackson charts the resistances to and misrecognitions of this discovery as they are revealed in the changes of narrative form from Eliot's last, most ambitious novel, Daniel Deronda, through Conrad's most modernist novels, Lord Jim and Heart of Darkness, to Woolf's Mrs. Dalloway and The Waves. He ends with an appended consideration of the "Cyclops" and "Nausicaa" chapters from Joyces's Ulysses | ||
| 520 | |a While other critics have argued that realism structures a certain self and modernism undoes that self, they have not attempted a historical explanation of why this change should have occurred. Jackson reads the emergence of modernism as a kind of generic self-analysis of realism, analogous to the self-analysis performed by Freud: when realism discovers the significance of its own desire to write the most real representation of reality, it has, in that moment, become modernism. It has grasped its own nature and so fully becomes itself, for the first time, as modernism. The Subject of Modernism will appeal most obviously to readers of Victorian and modernist fiction, but it will also draw those interested in the history of the novel and in the idea of literary history in general. Finally, because of the way Jackson brings together fiction, psychoanalysis, and history, anyone interested in the history of aesthetics will find here new ways to examine particular art forms | ||
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Datensatz im Suchindex
| _version_ | 1813185157892407296 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Jackson, Tony E. |
| author_facet | Jackson, Tony E. |
| author_role | aut |
| author_sort | Jackson, Tony E. |
| author_variant | t e j te tej |
| building | Verbundindex |
| bvnumber | BV010217900 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR888 |
| callnumber-raw | PR888.M63 |
| callnumber-search | PR888.M63 |
| callnumber-sort | PR 3888 M63 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HM 1071 HM 1331 |
| ctrlnum | (OCoLC)30625247 (DE-599)BVBBV010217900 |
| dewey-full | 823/.9120923 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823/.9120923 |
| dewey-search | 823/.9120923 |
| dewey-sort | 3823 79120923 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1850-1945 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1850-1945 |
| format | Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Großbritannien Irland |
| geographic_facet | Großbritannien Irland |
| id | DE-604.BV010217900 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-17T18:01:55Z |
| institution | BVB |
| isbn | 0472105523 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006790536 |
| oclc_num | 30625247 |
| open_access_boolean | |
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| owner_facet | DE-12 DE-355 DE-BY-UBR DE-739 DE-19 DE-BY-UBM DE-188 |
| physical | 209 S. |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | Univ. of Michigan Press |
| record_format | marc |
| spelling | Jackson, Tony E. Verfasser aut The subject of modernism narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce Tony E. Jackson Ann Arbor Univ. of Michigan Press 1994 209 S. txt rdacontent n rdamedia nc rdacarrier Teilw. zugl.: Diss. Like other poststructuralist theories, Lacanian theory has long been accused of being ahistorical. In The Subject of Modernism, Tony E. Jackson combines a uniquely graspable explanation of the Lacanian theory of the self with a series of detailed psychoanalytic interpretations of actual texts to offer a new kind of literary history After exposing the seldom-discussed history of the self found in the work of Lacan, Jackson shows that the basic plot structure of realistic novels reveals an unconscious desire to preserve a certain kind of historically institutionalized self, but that the desire of realism to write the most real representation of reality steadily makes the self-preservation more difficult to sustain. Thus in following through on its own desire to prove the certainty of its being, realism eventually discovers its own impossibility. Jackson charts the resistances to and misrecognitions of this discovery as they are revealed in the changes of narrative form from Eliot's last, most ambitious novel, Daniel Deronda, through Conrad's most modernist novels, Lord Jim and Heart of Darkness, to Woolf's Mrs. Dalloway and The Waves. He ends with an appended consideration of the "Cyclops" and "Nausicaa" chapters from Joyces's Ulysses While other critics have argued that realism structures a certain self and modernism undoes that self, they have not attempted a historical explanation of why this change should have occurred. Jackson reads the emergence of modernism as a kind of generic self-analysis of realism, analogous to the self-analysis performed by Freud: when realism discovers the significance of its own desire to write the most real representation of reality, it has, in that moment, become modernism. It has grasped its own nature and so fully becomes itself, for the first time, as modernism. The Subject of Modernism will appeal most obviously to readers of Victorian and modernist fiction, but it will also draw those interested in the history of the novel and in the idea of literary history in general. Finally, because of the way Jackson brings together fiction, psychoanalysis, and history, anyone interested in the history of aesthetics will find here new ways to examine particular art forms Conrad, Joseph <1857-1924> - Critique et interprétation Eliot, George <1819-1880> / Daniel Deronda Joyce, James <1882-1941> - Critique et interprétation Woolf, Virginia <1882-1941> - Critique et interprétation Eliot, George <1819-1880> Daniel Deronda Conrad, Joseph <1857-1924> Criticism and interpretation Joyce, James <1882-1941> Criticism and interpretation Woolf, Virginia <1882-1941> Criticism and interpretation Eliot, George 1819-1880 Daniel Deronda (DE-588)4376153-7 gnd rswk-swf Conrad, Joseph 1857-1924 (DE-588)118521861 gnd rswk-swf Joyce, James 1882-1941 (DE-588)118558501 gnd rswk-swf Joyce, James 1882-1941 Ulysses (DE-588)4099246-9 gnd rswk-swf Eliot, George 1819-1880 (DE-588)118529846 gnd rswk-swf Woolf, Virginia 1882-1941 (DE-588)118635174 gnd rswk-swf Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1850-1945 gnd rswk-swf Letterkunde gtt Modernisme (Littérature) - Grande-Bretagne Modernisme (cultuur) gtt Narration Psychanalyse et littérature Roman anglais - 19e siècle - Histoire et critique Roman anglais - 20e siècle - Histoire et critique Réalisme dans la littérature Geschichte Literatur English fiction 20th century History and criticism Modernism (Literature) Great Britain Narration (Rhetoric) History 19th century Narration (Rhetoric) History 20th century Psychoanalysis and literature England Psychoanalysis and literature Ireland Psychological fiction, English History and criticism Realism in literature Moderne (DE-588)4039827-4 gnd rswk-swf Selbst (DE-588)4121653-2 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Selbst Motiv (DE-588)4399198-1 gnd rswk-swf Realismus (DE-588)4048680-1 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Großbritannien Irland (DE-588)4113937-9 Hochschulschrift gnd-content Conrad, Joseph 1857-1924 (DE-588)118521861 p Selbst (DE-588)4121653-2 s DE-604 Woolf, Virginia 1882-1941 (DE-588)118635174 p Joyce, James 1882-1941 Ulysses (DE-588)4099246-9 u Eliot, George 1819-1880 Daniel Deronda (DE-588)4376153-7 u Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Geschichte 1850-1945 z Eliot, George 1819-1880 (DE-588)118529846 p Selbst Motiv (DE-588)4399198-1 s Realismus (DE-588)4048680-1 s Moderne (DE-588)4039827-4 s DE-188 Joyce, James 1882-1941 (DE-588)118558501 p |
| spellingShingle | Jackson, Tony E. The subject of modernism narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce Conrad, Joseph <1857-1924> - Critique et interprétation Eliot, George <1819-1880> / Daniel Deronda Joyce, James <1882-1941> - Critique et interprétation Woolf, Virginia <1882-1941> - Critique et interprétation Eliot, George <1819-1880> Daniel Deronda Conrad, Joseph <1857-1924> Criticism and interpretation Joyce, James <1882-1941> Criticism and interpretation Woolf, Virginia <1882-1941> Criticism and interpretation Eliot, George 1819-1880 Daniel Deronda (DE-588)4376153-7 gnd Conrad, Joseph 1857-1924 (DE-588)118521861 gnd Joyce, James 1882-1941 (DE-588)118558501 gnd Joyce, James 1882-1941 Ulysses (DE-588)4099246-9 gnd Eliot, George 1819-1880 (DE-588)118529846 gnd Woolf, Virginia 1882-1941 (DE-588)118635174 gnd Letterkunde gtt Modernisme (Littérature) - Grande-Bretagne Modernisme (cultuur) gtt Narration Psychanalyse et littérature Roman anglais - 19e siècle - Histoire et critique Roman anglais - 20e siècle - Histoire et critique Réalisme dans la littérature Geschichte Literatur English fiction 20th century History and criticism Modernism (Literature) Great Britain Narration (Rhetoric) History 19th century Narration (Rhetoric) History 20th century Psychoanalysis and literature England Psychoanalysis and literature Ireland Psychological fiction, English History and criticism Realism in literature Moderne (DE-588)4039827-4 gnd Selbst (DE-588)4121653-2 gnd Literatur (DE-588)4035964-5 gnd Selbst Motiv (DE-588)4399198-1 gnd Realismus (DE-588)4048680-1 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4376153-7 (DE-588)118521861 (DE-588)118558501 (DE-588)4099246-9 (DE-588)118529846 (DE-588)118635174 (DE-588)4039827-4 (DE-588)4121653-2 (DE-588)4035964-5 (DE-588)4399198-1 (DE-588)4048680-1 (DE-588)4014777-0 (DE-588)4113937-9 |
| title | The subject of modernism narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce |
| title_auth | The subject of modernism narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce |
| title_exact_search | The subject of modernism narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce |
| title_full | The subject of modernism narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce Tony E. Jackson |
| title_fullStr | The subject of modernism narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce Tony E. Jackson |
| title_full_unstemmed | The subject of modernism narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce Tony E. Jackson |
| title_short | The subject of modernism |
| title_sort | the subject of modernism narrative alterations in the fiction of eliot conrad woolf and joyce |
| title_sub | narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce |
| topic | Conrad, Joseph <1857-1924> - Critique et interprétation Eliot, George <1819-1880> / Daniel Deronda Joyce, James <1882-1941> - Critique et interprétation Woolf, Virginia <1882-1941> - Critique et interprétation Eliot, George <1819-1880> Daniel Deronda Conrad, Joseph <1857-1924> Criticism and interpretation Joyce, James <1882-1941> Criticism and interpretation Woolf, Virginia <1882-1941> Criticism and interpretation Eliot, George 1819-1880 Daniel Deronda (DE-588)4376153-7 gnd Conrad, Joseph 1857-1924 (DE-588)118521861 gnd Joyce, James 1882-1941 (DE-588)118558501 gnd Joyce, James 1882-1941 Ulysses (DE-588)4099246-9 gnd Eliot, George 1819-1880 (DE-588)118529846 gnd Woolf, Virginia 1882-1941 (DE-588)118635174 gnd Letterkunde gtt Modernisme (Littérature) - Grande-Bretagne Modernisme (cultuur) gtt Narration Psychanalyse et littérature Roman anglais - 19e siècle - Histoire et critique Roman anglais - 20e siècle - Histoire et critique Réalisme dans la littérature Geschichte Literatur English fiction 20th century History and criticism Modernism (Literature) Great Britain Narration (Rhetoric) History 19th century Narration (Rhetoric) History 20th century Psychoanalysis and literature England Psychoanalysis and literature Ireland Psychological fiction, English History and criticism Realism in literature Moderne (DE-588)4039827-4 gnd Selbst (DE-588)4121653-2 gnd Literatur (DE-588)4035964-5 gnd Selbst Motiv (DE-588)4399198-1 gnd Realismus (DE-588)4048680-1 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Conrad, Joseph <1857-1924> - Critique et interprétation Eliot, George <1819-1880> / Daniel Deronda Joyce, James <1882-1941> - Critique et interprétation Woolf, Virginia <1882-1941> - Critique et interprétation Eliot, George <1819-1880> Daniel Deronda Conrad, Joseph <1857-1924> Criticism and interpretation Joyce, James <1882-1941> Criticism and interpretation Woolf, Virginia <1882-1941> Criticism and interpretation Eliot, George 1819-1880 Daniel Deronda Conrad, Joseph 1857-1924 Joyce, James 1882-1941 Joyce, James 1882-1941 Ulysses Eliot, George 1819-1880 Woolf, Virginia 1882-1941 Letterkunde Modernisme (Littérature) - Grande-Bretagne Modernisme (cultuur) Narration Psychanalyse et littérature Roman anglais - 19e siècle - Histoire et critique Roman anglais - 20e siècle - Histoire et critique Réalisme dans la littérature Geschichte Literatur English fiction 20th century History and criticism Modernism (Literature) Great Britain Narration (Rhetoric) History 19th century Narration (Rhetoric) History 20th century Psychoanalysis and literature England Psychoanalysis and literature Ireland Psychological fiction, English History and criticism Realism in literature Moderne Selbst Selbst Motiv Realismus Englisch Großbritannien Irland Hochschulschrift |
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