African vodun: art, psychology, and power
"This book will be of critical importance not only to those concerned with African, African American, and Caribbean art, but also to anthropologists, scholars of the African diaspora, students of comparative religion and comparative psychology, and anyone fascinated by the traditions of vodou a...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chicago u.a.
Univ. of Chicago Press
1995
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Schlagworte: | |
Zusammenfassung: | "This book will be of critical importance not only to those concerned with African, African American, and Caribbean art, but also to anthropologists, scholars of the African diaspora, students of comparative religion and comparative psychology, and anyone fascinated by the traditions of vodou and vodun."--BOOK JACKET. "In this first major study of its kind, Suzanne Preston Blier examines the artworks of the contemporary vodun cultures of southern Benin and Togo in West Africa as well as the related vodou traditions of Haiti, New Orleans, and historic Salem, Massachusetts. Comprised of beads, bones, rags, straw, leather, pottery, fur, feathers, and blood, and often tightly bound with cords, vodun artworks yield a wide range of insights into the provocative workings of emotional expression, power, and artistic representation. The power of these objects, which can be either figural sculptures, [actual symbol not reproducible], or nonfigural works known as bo, lies not only in their aesthetic, and counteraesthetic, appeal but also in their psychological and emotional effect. As objects of fury and force, these works are intended to protect and empower people and cultures that, in both precolonial and postcolonial periods, have long lived in threat of war, enslavement, disease, malnutrition, and violent death." "Blier employs a variety of theoretically sophisticated psychological, anthropological, and art historical approaches to explore the contrasts inherent in the vodun arts - commoners versus royalty, popular versus elite, "low" art versus "high." She examines the relation between art and the slave trade, the psychological dynamics of artistic expression, the significance of the body in sculptural expression, and indigenous perceptions of the psyche and its corollaries in art. Throughout, Blier pushes African art history to a new height of cultural awareness that recognizes the complexity of traditional African societies as it acknowledges the role of social power in shaping aesthetics and meaning generally.". |
Beschreibung: | XI, 476 S. Ill., Kt. |
ISBN: | 0226058581 |
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520 | |a "This book will be of critical importance not only to those concerned with African, African American, and Caribbean art, but also to anthropologists, scholars of the African diaspora, students of comparative religion and comparative psychology, and anyone fascinated by the traditions of vodou and vodun."--BOOK JACKET. | ||
520 | 1 | |a "In this first major study of its kind, Suzanne Preston Blier examines the artworks of the contemporary vodun cultures of southern Benin and Togo in West Africa as well as the related vodou traditions of Haiti, New Orleans, and historic Salem, Massachusetts. Comprised of beads, bones, rags, straw, leather, pottery, fur, feathers, and blood, and often tightly bound with cords, vodun artworks yield a wide range of insights into the provocative workings of emotional expression, power, and artistic representation. The power of these objects, which can be either figural sculptures, [actual symbol not reproducible], or nonfigural works known as bo, lies not only in their aesthetic, and counteraesthetic, appeal but also in their psychological and emotional effect. As objects of fury and force, these works are intended to protect and empower people and cultures that, in both precolonial and postcolonial periods, have long lived in threat of war, enslavement, disease, malnutrition, and violent death." "Blier employs a variety of theoretically sophisticated psychological, anthropological, and art historical approaches to explore the contrasts inherent in the vodun arts - commoners versus royalty, popular versus elite, "low" art versus "high." She examines the relation between art and the slave trade, the psychological dynamics of artistic expression, the significance of the body in sculptural expression, and indigenous perceptions of the psyche and its corollaries in art. Throughout, Blier pushes African art history to a new height of cultural awareness that recognizes the complexity of traditional African societies as it acknowledges the role of social power in shaping aesthetics and meaning generally.". | |
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Datensatz im Suchindex
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---|---|
adam_text | |
any_adam_object | |
author | Blier, Suzanne Preston |
author_GND | (DE-588)132481480 |
author_facet | Blier, Suzanne Preston |
author_role | aut |
author_sort | Blier, Suzanne Preston |
author_variant | s p b sp spb |
building | Verbundindex |
bvnumber | BV010216346 |
callnumber-first | N - Fine Arts |
callnumber-label | NB1910 |
callnumber-raw | NB1910 |
callnumber-search | NB1910 |
callnumber-sort | NB 41910 |
callnumber-subject | NB - Sculpture |
classification_rvk | LB 85520 LC 85528 LC 93525 |
ctrlnum | (OCoLC)29845439 (DE-599)BVBBV010216346 |
dewey-full | 730/.09668 |
dewey-hundreds | 700 - The arts |
dewey-ones | 730 - Sculpture and related arts |
dewey-raw | 730/.09668 |
dewey-search | 730/.09668 |
dewey-sort | 3730 49668 |
dewey-tens | 730 - Sculpture and related arts |
discipline | Kunstgeschichte Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
format | Book |
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geographic_facet | Benin Togo |
id | DE-604.BV010216346 |
illustrated | Illustrated |
indexdate | 2024-08-10T01:01:13Z |
institution | BVB |
isbn | 0226058581 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006789206 |
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physical | XI, 476 S. Ill., Kt. |
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publisher | Univ. of Chicago Press |
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spelling | Blier, Suzanne Preston Verfasser (DE-588)132481480 aut African vodun art, psychology, and power Suzanne Preston Blier Chicago u.a. Univ. of Chicago Press 1995 XI, 476 S. Ill., Kt. txt rdacontent n rdamedia nc rdacarrier "This book will be of critical importance not only to those concerned with African, African American, and Caribbean art, but also to anthropologists, scholars of the African diaspora, students of comparative religion and comparative psychology, and anyone fascinated by the traditions of vodou and vodun."--BOOK JACKET. "In this first major study of its kind, Suzanne Preston Blier examines the artworks of the contemporary vodun cultures of southern Benin and Togo in West Africa as well as the related vodou traditions of Haiti, New Orleans, and historic Salem, Massachusetts. Comprised of beads, bones, rags, straw, leather, pottery, fur, feathers, and blood, and often tightly bound with cords, vodun artworks yield a wide range of insights into the provocative workings of emotional expression, power, and artistic representation. The power of these objects, which can be either figural sculptures, [actual symbol not reproducible], or nonfigural works known as bo, lies not only in their aesthetic, and counteraesthetic, appeal but also in their psychological and emotional effect. As objects of fury and force, these works are intended to protect and empower people and cultures that, in both precolonial and postcolonial periods, have long lived in threat of war, enslavement, disease, malnutrition, and violent death." "Blier employs a variety of theoretically sophisticated psychological, anthropological, and art historical approaches to explore the contrasts inherent in the vodun arts - commoners versus royalty, popular versus elite, "low" art versus "high." She examines the relation between art and the slave trade, the psychological dynamics of artistic expression, the significance of the body in sculptural expression, and indigenous perceptions of the psyche and its corollaries in art. Throughout, Blier pushes African art history to a new height of cultural awareness that recognizes the complexity of traditional African societies as it acknowledges the role of social power in shaping aesthetics and meaning generally.". Art - Bénin ram Art - Togo ram Plastieken gtt Sculpture - Afrique noire - Bénin ram Sculpture - Afrique noire - Togo ram Sculpture - Aspect religieux - Bénin Sculpture - Aspect religieux - Bénin ram Sculpture - Aspect religieux - Togo Sculpture - Aspect religieux - Togo ram Sculpture - Bénin Sculpture - Bénin ram Sculpture - Togo Sculpture noire - Bénin Sculpture noire - Togo Sculpture primitive - Bénin Sculpture primitive - Bénin ram Sculpture primitive - Togo Voodoo gtt Kunst Religion Sculpture Religious aspects Benin Sculpture Religious aspects Togo Sculpture Benin Sculpture Togo Sculpture, Black Benin Sculpture, Black Togo Religion (DE-588)4049396-9 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Benin (DE-588)4005503-6 gnd rswk-swf Togo (DE-588)4060344-1 gnd rswk-swf Benin (DE-588)4005503-6 g Plastik (DE-588)4046277-8 s Religion (DE-588)4049396-9 s DE-604 Togo (DE-588)4060344-1 g |
spellingShingle | Blier, Suzanne Preston African vodun art, psychology, and power Art - Bénin ram Art - Togo ram Plastieken gtt Sculpture - Afrique noire - Bénin ram Sculpture - Afrique noire - Togo ram Sculpture - Aspect religieux - Bénin Sculpture - Aspect religieux - Bénin ram Sculpture - Aspect religieux - Togo Sculpture - Aspect religieux - Togo ram Sculpture - Bénin Sculpture - Bénin ram Sculpture - Togo Sculpture noire - Bénin Sculpture noire - Togo Sculpture primitive - Bénin Sculpture primitive - Bénin ram Sculpture primitive - Togo Voodoo gtt Kunst Religion Sculpture Religious aspects Benin Sculpture Religious aspects Togo Sculpture Benin Sculpture Togo Sculpture, Black Benin Sculpture, Black Togo Religion (DE-588)4049396-9 gnd Plastik (DE-588)4046277-8 gnd |
subject_GND | (DE-588)4049396-9 (DE-588)4046277-8 (DE-588)4005503-6 (DE-588)4060344-1 |
title | African vodun art, psychology, and power |
title_auth | African vodun art, psychology, and power |
title_exact_search | African vodun art, psychology, and power |
title_full | African vodun art, psychology, and power Suzanne Preston Blier |
title_fullStr | African vodun art, psychology, and power Suzanne Preston Blier |
title_full_unstemmed | African vodun art, psychology, and power Suzanne Preston Blier |
title_short | African vodun |
title_sort | african vodun art psychology and power |
title_sub | art, psychology, and power |
topic | Art - Bénin ram Art - Togo ram Plastieken gtt Sculpture - Afrique noire - Bénin ram Sculpture - Afrique noire - Togo ram Sculpture - Aspect religieux - Bénin Sculpture - Aspect religieux - Bénin ram Sculpture - Aspect religieux - Togo Sculpture - Aspect religieux - Togo ram Sculpture - Bénin Sculpture - Bénin ram Sculpture - Togo Sculpture noire - Bénin Sculpture noire - Togo Sculpture primitive - Bénin Sculpture primitive - Bénin ram Sculpture primitive - Togo Voodoo gtt Kunst Religion Sculpture Religious aspects Benin Sculpture Religious aspects Togo Sculpture Benin Sculpture Togo Sculpture, Black Benin Sculpture, Black Togo Religion (DE-588)4049396-9 gnd Plastik (DE-588)4046277-8 gnd |
topic_facet | Art - Bénin Art - Togo Plastieken Sculpture - Afrique noire - Bénin Sculpture - Afrique noire - Togo Sculpture - Aspect religieux - Bénin Sculpture - Aspect religieux - Togo Sculpture - Bénin Sculpture - Togo Sculpture noire - Bénin Sculpture noire - Togo Sculpture primitive - Bénin Sculpture primitive - Togo Voodoo Kunst Religion Sculpture Religious aspects Benin Sculpture Religious aspects Togo Sculpture Benin Sculpture Togo Sculpture, Black Benin Sculpture, Black Togo Plastik Benin Togo |
work_keys_str_mv | AT bliersuzannepreston africanvodunartpsychologyandpower |