Color codes: modern theories of color in philosophy, painting and architecture, literature, music, and psychology
Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hanover [u.a.]
Univ. Press of New England
1995
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating. |
| Beschreibung: | XI, 351 S., [4] Bl. Ill. |
| ISBN: | 0874516714 0874517427 9780874517422 |
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| 520 | 3 | |a Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating. | |
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Datensatz im Suchindex
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| adam_text | Contents Preface / ix I. Introduction: The Palette and the Table II. Color in Philosophy Kant · Goethe Jonathan Westphal Spengler · · Hegel · / · Barthes i 20 Wittgenstein P. M. S. Hacker · · Adorno / · C. L. Hardin · · Derrida III. Color in Painting and Architecture / 70 Painting Monet · Denis · Cézanne · Degas · Whistler · van Gogh Robert and Sonia Delaunay Stanton Macdonald-Wright · Hofmann · Avery • Stella · · · Matisse · Rothko · Lichtenstein Mark Milloff · Nancy Haynes · · · O’Keeffe · Halley · Ryman · Jaime Franco · Albers · Graves ♦ ГѴ. Color in Literature · Charles Clough Gide * Proust · Joyce Hollander · · Trakl Pynchon · · Stirling / 220 H.D. · · Newman Architecture Le Corbusier · Morgan Russell and Kandinsky Louis Gauguin · A. S. Byatt Stevens
Contents VIII V. Color in Music / Wagner · Stockhausen · Schoenberg 2.73 Messiaen · VI. Color in Psychology Kohler · Arnheim · Freud / Notes / 321 329 Bibliography / 339 Index / 343 Slawson 298 * Jung * • Oliver Sacks Contemporary Issues in Color Psychology Glossary / ·
|
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| author | Riley, Charles A. II. 1958- |
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| spelling | Riley, Charles A. II. 1958- Verfasser (DE-588)1137636076 aut Color codes modern theories of color in philosophy, painting and architecture, literature, music, and psychology Charles A. Riley II Hanover [u.a.] Univ. Press of New England 1995 XI, 351 S., [4] Bl. Ill. txt rdacontent n rdamedia nc rdacarrier Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating. Geschichte 1500-2000 gnd rswk-swf Filosofie gtt Kleuren gtt Kleurtheorie gtt Kunst gtt Letterkunde gtt Psychologie gtt Literatur Philosophie Psychologie Arts Color (Philosophy) Color in art Color Psychological aspects Farbenpsychologie (DE-588)4016453-6 gnd rswk-swf Theorie (DE-588)4059787-8 gnd rswk-swf Farbe (DE-588)4016443-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Farbenlehre (DE-588)4113517-9 gnd rswk-swf Farbe (DE-588)4016443-3 s Ästhetik (DE-588)4000626-8 s Theorie (DE-588)4059787-8 s DE-604 Farbenpsychologie (DE-588)4016453-6 s Farbenlehre (DE-588)4113517-9 s Geschichte 1500-2000 z Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006782151&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Riley, Charles A. II. 1958- Color codes modern theories of color in philosophy, painting and architecture, literature, music, and psychology Filosofie gtt Kleuren gtt Kleurtheorie gtt Kunst gtt Letterkunde gtt Psychologie gtt Literatur Philosophie Psychologie Arts Color (Philosophy) Color in art Color Psychological aspects Farbenpsychologie (DE-588)4016453-6 gnd Theorie (DE-588)4059787-8 gnd Farbe (DE-588)4016443-3 gnd Ästhetik (DE-588)4000626-8 gnd Farbenlehre (DE-588)4113517-9 gnd |
| subject_GND | (DE-588)4016453-6 (DE-588)4059787-8 (DE-588)4016443-3 (DE-588)4000626-8 (DE-588)4113517-9 |
| title | Color codes modern theories of color in philosophy, painting and architecture, literature, music, and psychology |
| title_auth | Color codes modern theories of color in philosophy, painting and architecture, literature, music, and psychology |
| title_exact_search | Color codes modern theories of color in philosophy, painting and architecture, literature, music, and psychology |
| title_full | Color codes modern theories of color in philosophy, painting and architecture, literature, music, and psychology Charles A. Riley II |
| title_fullStr | Color codes modern theories of color in philosophy, painting and architecture, literature, music, and psychology Charles A. Riley II |
| title_full_unstemmed | Color codes modern theories of color in philosophy, painting and architecture, literature, music, and psychology Charles A. Riley II |
| title_short | Color codes |
| title_sort | color codes modern theories of color in philosophy painting and architecture literature music and psychology |
| title_sub | modern theories of color in philosophy, painting and architecture, literature, music, and psychology |
| topic | Filosofie gtt Kleuren gtt Kleurtheorie gtt Kunst gtt Letterkunde gtt Psychologie gtt Literatur Philosophie Psychologie Arts Color (Philosophy) Color in art Color Psychological aspects Farbenpsychologie (DE-588)4016453-6 gnd Theorie (DE-588)4059787-8 gnd Farbe (DE-588)4016443-3 gnd Ästhetik (DE-588)4000626-8 gnd Farbenlehre (DE-588)4113517-9 gnd |
| topic_facet | Filosofie Kleuren Kleurtheorie Kunst Letterkunde Psychologie Literatur Philosophie Arts Color (Philosophy) Color in art Color Psychological aspects Farbenpsychologie Theorie Farbe Ästhetik Farbenlehre |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006782151&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rileycharlesaii colorcodesmoderntheoriesofcolorinphilosophypaintingandarchitectureliteraturemusicandpsychology |