The making of Rubens:
Rubens has long been considered a remarkably successful, prolific, and fleshly painter, a frequenter of the courts of the great. He is more admired than loved in our time, in contrast to the troubled figure of Rembrandt. This book takes up basic questions about Rubens's art and life, studies tw...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven [u.a.]
Yale Univ. Press
1995
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Rubens has long been considered a remarkably successful, prolific, and fleshly painter, a frequenter of the courts of the great. He is more admired than loved in our time, in contrast to the troubled figure of Rembrandt. This book takes up basic questions about Rubens's art and life, studies two of his bacchic paintings in detail, and discovers him in a less easy and more identifiably modern predicament. The first problem Alpers addresses is one of the relationship between making art and national consciousness. Why and how did Rubens paint the revelling Flemish peasants in the great Louvre Kermis? The circumstances, tone, and feeling of this picture are investigated and found to involve deep ambivalences that are political, social, and aesthetic. The second problem is that of art and its consumption. Beginning with Watteau, the making of a Rubensian art is traced in the taste for Rubens in the eighteenth century in France, where many of the pictures he had kept for his own collection had found their way. In the writings of Roger de Piles and in the work of the painters to follow, art is made out of the viewing and discussing of art. A binary system of taste emerged for Rubens as contrasted with Poussin, and critical distinctions came to be fashioned in the binary terms of gender. Finally, Alpers considers creativity itself and how, as a man and as a painter, Rubens could have viewed his own generative talent. An analysis of his Munich Silenus - fleshy, intoxicated, and, following Virgil's account, disempowered as a condition of producing his songs - reveals a sense of the creative gift as humanly indeterminate and equivocal. Fully illustrated with many drawings and paintings in color, this book complicates and deepens the interest of Rubens and of his works. |
| Beschreibung: | VIII, 178 S. zahlr. Ill. |
| ISBN: | 0300060106 0300067445 |
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| 520 | 3 | |a Rubens has long been considered a remarkably successful, prolific, and fleshly painter, a frequenter of the courts of the great. He is more admired than loved in our time, in contrast to the troubled figure of Rembrandt. This book takes up basic questions about Rubens's art and life, studies two of his bacchic paintings in detail, and discovers him in a less easy and more identifiably modern predicament. The first problem Alpers addresses is one of the relationship between making art and national consciousness. Why and how did Rubens paint the revelling Flemish peasants in the great Louvre Kermis? The circumstances, tone, and feeling of this picture are investigated and found to involve deep ambivalences that are political, social, and aesthetic. The second problem is that of art and its consumption. Beginning with Watteau, the making of a Rubensian art is traced in the taste for Rubens in the eighteenth century in France, where many of the pictures he had kept for his own collection had found their way. In the writings of Roger de Piles and in the work of the painters to follow, art is made out of the viewing and discussing of art. A binary system of taste emerged for Rubens as contrasted with Poussin, and critical distinctions came to be fashioned in the binary terms of gender. Finally, Alpers considers creativity itself and how, as a man and as a painter, Rubens could have viewed his own generative talent. An analysis of his Munich Silenus - fleshy, intoxicated, and, following Virgil's account, disempowered as a condition of producing his songs - reveals a sense of the creative gift as humanly indeterminate and equivocal. Fully illustrated with many drawings and paintings in color, this book complicates and deepens the interest of Rubens and of his works. | |
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Datensatz im Suchindex
| _version_ | 1804124588123095040 |
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| adam_text | Titel: The making of Rubens
Autor: Alpers, Svetlana
Jahr: 1995
Contents Preface vii Introduction 1 1 Painting in Flemish: The Peasant Kermis 5 2 Making a Taste for Rubens 65 3 Creativity in the Flesh: The Drunken Silenus 101 Notes 158 Index 175 Photograph Credits 178
|
| any_adam_object | 1 |
| author | Alpers, Svetlana 1936- |
| author_GND | (DE-588)124576842 (DE-588)11860354X |
| author_facet | Alpers, Svetlana 1936- |
| author_role | aut |
| author_sort | Alpers, Svetlana 1936- |
| author_variant | s a sa |
| building | Verbundindex |
| bvnumber | BV010187136 |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND673 |
| callnumber-raw | ND673.R9 |
| callnumber-search | ND673.R9 |
| callnumber-sort | ND 3673 R9 |
| callnumber-subject | ND - Painting |
| classification_rvk | LI 75903 LI 75905 LI 75906 |
| ctrlnum | (OCoLC)30971197 (DE-599)BVBBV010187136 |
| dewey-full | 759.9493 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.9493 |
| dewey-search | 759.9493 |
| dewey-sort | 3759.9493 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | Geschichte 1500-2000 gnd Geschichte 1600-1800 gnd |
| era_facet | Geschichte 1500-2000 Geschichte 1600-1800 |
| format | Book |
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| spelling | Alpers, Svetlana 1936- Verfasser (DE-588)124576842 aut The making of Rubens Svetlana Alpers New Haven [u.a.] Yale Univ. Press 1995 VIII, 178 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Rubens has long been considered a remarkably successful, prolific, and fleshly painter, a frequenter of the courts of the great. He is more admired than loved in our time, in contrast to the troubled figure of Rembrandt. This book takes up basic questions about Rubens's art and life, studies two of his bacchic paintings in detail, and discovers him in a less easy and more identifiably modern predicament. The first problem Alpers addresses is one of the relationship between making art and national consciousness. Why and how did Rubens paint the revelling Flemish peasants in the great Louvre Kermis? The circumstances, tone, and feeling of this picture are investigated and found to involve deep ambivalences that are political, social, and aesthetic. The second problem is that of art and its consumption. Beginning with Watteau, the making of a Rubensian art is traced in the taste for Rubens in the eighteenth century in France, where many of the pictures he had kept for his own collection had found their way. In the writings of Roger de Piles and in the work of the painters to follow, art is made out of the viewing and discussing of art. A binary system of taste emerged for Rubens as contrasted with Poussin, and critical distinctions came to be fashioned in the binary terms of gender. Finally, Alpers considers creativity itself and how, as a man and as a painter, Rubens could have viewed his own generative talent. An analysis of his Munich Silenus - fleshy, intoxicated, and, following Virgil's account, disempowered as a condition of producing his songs - reveals a sense of the creative gift as humanly indeterminate and equivocal. Fully illustrated with many drawings and paintings in color, this book complicates and deepens the interest of Rubens and of his works. Rubens, Peter Paul <1577-1640> - Criticism and interpretation Rubens, Peter Paul <Sir, 1577-1640> Criticism and interpretation Rubens, Peter Paul 1577-1640 (DE-588)11860354X gnd rswk-swf Bacchus (DE-588)118651439 gnd rswk-swf Geschichte 1500-2000 gnd rswk-swf Geschichte 1600-1800 gnd rswk-swf Kunstreceptie gtt Schilderijen gtt Malerei Volksfest Motiv (DE-588)4443071-1 gnd rswk-swf Ikonographie (DE-588)4026535-3 gnd rswk-swf Beneluxländer (DE-588)4005490-1 gnd rswk-swf Rubens, Peter Paul 1577-1640 (DE-588)11860354X p DE-604 Bacchus (DE-588)118651439 p Ikonographie (DE-588)4026535-3 s Geschichte 1600-1800 z Beneluxländer (DE-588)4005490-1 g Volksfest Motiv (DE-588)4443071-1 s Geschichte 1500-2000 z Rubens, Peter Paul 1577-1640 Sonstige (DE-588)11860354X oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006767798&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Alpers, Svetlana 1936- The making of Rubens Rubens, Peter Paul <1577-1640> - Criticism and interpretation Rubens, Peter Paul <Sir, 1577-1640> Criticism and interpretation Rubens, Peter Paul 1577-1640 (DE-588)11860354X gnd Bacchus (DE-588)118651439 gnd Kunstreceptie gtt Schilderijen gtt Malerei Volksfest Motiv (DE-588)4443071-1 gnd Ikonographie (DE-588)4026535-3 gnd |
| subject_GND | (DE-588)11860354X (DE-588)118651439 (DE-588)4443071-1 (DE-588)4026535-3 (DE-588)4005490-1 |
| title | The making of Rubens |
| title_auth | The making of Rubens |
| title_exact_search | The making of Rubens |
| title_full | The making of Rubens Svetlana Alpers |
| title_fullStr | The making of Rubens Svetlana Alpers |
| title_full_unstemmed | The making of Rubens Svetlana Alpers |
| title_short | The making of Rubens |
| title_sort | the making of rubens |
| topic | Rubens, Peter Paul <1577-1640> - Criticism and interpretation Rubens, Peter Paul <Sir, 1577-1640> Criticism and interpretation Rubens, Peter Paul 1577-1640 (DE-588)11860354X gnd Bacchus (DE-588)118651439 gnd Kunstreceptie gtt Schilderijen gtt Malerei Volksfest Motiv (DE-588)4443071-1 gnd Ikonographie (DE-588)4026535-3 gnd |
| topic_facet | Rubens, Peter Paul <1577-1640> - Criticism and interpretation Rubens, Peter Paul <Sir, 1577-1640> Criticism and interpretation Rubens, Peter Paul 1577-1640 Bacchus Kunstreceptie Schilderijen Malerei Volksfest Motiv Ikonographie Beneluxländer |
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