Clarinet acoustics:
Most symphonic instruments were standardized in the eighteenth and nineteenth centuries, but the design of the clarinet is still changing. O. Lee Gibson begins this first complete study of its acoustical principles with a history of the clarinet, a survey of the instruments of famous clarinetists, a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington u.a.
Indiana Univ. Press
1994
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| Schlagworte: | |
| Zusammenfassung: | Most symphonic instruments were standardized in the eighteenth and nineteenth centuries, but the design of the clarinet is still changing. O. Lee Gibson begins this first complete study of its acoustical principles with a history of the clarinet, a survey of the instruments of famous clarinetists, and the characteristics of the national schools of clarinet manufacture. He then describes the modal frequency ratios of a clarinet and the timbres of its tones, as well as its dynamic range, stability, flexibility, and responsiveness. He stresses that all the dimensions of a wind instrument - length, volume, size, weight, and material - are interrelated. He concludes with a discussion of existing but rarely available mechanical improvements and suggests other acoustical enhancements that have not been fully utilized. |
| Beschreibung: | VII, 84 S. |
| ISBN: | 0253325765 |
Internformat
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| 520 | 3 | |a Most symphonic instruments were standardized in the eighteenth and nineteenth centuries, but the design of the clarinet is still changing. O. Lee Gibson begins this first complete study of its acoustical principles with a history of the clarinet, a survey of the instruments of famous clarinetists, and the characteristics of the national schools of clarinet manufacture. He then describes the modal frequency ratios of a clarinet and the timbres of its tones, as well as its dynamic range, stability, flexibility, and responsiveness. He stresses that all the dimensions of a wind instrument - length, volume, size, weight, and material - are interrelated. He concludes with a discussion of existing but rarely available mechanical improvements and suggests other acoustical enhancements that have not been fully utilized. | |
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Datensatz im Suchindex
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| author | Gibson, O. L. |
| author_facet | Gibson, O. L. |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 788 - Wind instruments (Aerophones) |
| dewey-raw | 788.6/21923 |
| dewey-search | 788.6/21923 |
| dewey-sort | 3788.6 521923 |
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| discipline | Musikwissenschaft |
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| id | DE-604.BV010180139 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T17:47:54Z |
| institution | BVB |
| isbn | 0253325765 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006762325 |
| oclc_num | 29702397 |
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| physical | VII, 84 S. |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | Indiana Univ. Press |
| record_format | marc |
| spelling | Gibson, O. L. Verfasser aut Clarinet acoustics O. Lee Gibson Bloomington u.a. Indiana Univ. Press 1994 VII, 84 S. txt rdacontent n rdamedia nc rdacarrier Most symphonic instruments were standardized in the eighteenth and nineteenth centuries, but the design of the clarinet is still changing. O. Lee Gibson begins this first complete study of its acoustical principles with a history of the clarinet, a survey of the instruments of famous clarinetists, and the characteristics of the national schools of clarinet manufacture. He then describes the modal frequency ratios of a clarinet and the timbres of its tones, as well as its dynamic range, stability, flexibility, and responsiveness. He stresses that all the dimensions of a wind instrument - length, volume, size, weight, and material - are interrelated. He concludes with a discussion of existing but rarely available mechanical improvements and suggests other acoustical enhancements that have not been fully utilized. Akoestiek gtt Klarinetten gtt Musik Clarinet Construction Music Acoustics and physics Akustik (DE-588)4000988-9 gnd rswk-swf Klarinette (DE-588)4030938-1 gnd rswk-swf Klarinette (DE-588)4030938-1 s Akustik (DE-588)4000988-9 s DE-604 |
| spellingShingle | Gibson, O. L. Clarinet acoustics Akoestiek gtt Klarinetten gtt Musik Clarinet Construction Music Acoustics and physics Akustik (DE-588)4000988-9 gnd Klarinette (DE-588)4030938-1 gnd |
| subject_GND | (DE-588)4000988-9 (DE-588)4030938-1 |
| title | Clarinet acoustics |
| title_auth | Clarinet acoustics |
| title_exact_search | Clarinet acoustics |
| title_full | Clarinet acoustics O. Lee Gibson |
| title_fullStr | Clarinet acoustics O. Lee Gibson |
| title_full_unstemmed | Clarinet acoustics O. Lee Gibson |
| title_short | Clarinet acoustics |
| title_sort | clarinet acoustics |
| topic | Akoestiek gtt Klarinetten gtt Musik Clarinet Construction Music Acoustics and physics Akustik (DE-588)4000988-9 gnd Klarinette (DE-588)4030938-1 gnd |
| topic_facet | Akoestiek Klarinetten Musik Clarinet Construction Music Acoustics and physics Akustik Klarinette |
| work_keys_str_mv | AT gibsonol clarinetacoustics |