El Teatro Campesino: theater in the Chicano movement
Born in 1965 as an organizing tool within Cesar Chavez's United Farm Workers union, El Teatro Campesino became the premier Chicana/o performance ensemble to emerge out of the Chicano movement of the 1960s and 1970s. This pioneering work demythologizes and reinterprets the company's history...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Austin
Univ. of Texas Press
1994
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Born in 1965 as an organizing tool within Cesar Chavez's United Farm Workers union, El Teatro Campesino became the premier Chicana/o performance ensemble to emerge out of the Chicano movement of the 1960s and 1970s. This pioneering work demythologizes and reinterprets the company's history from its origins in California's farm labor struggles to its successes in Europe and on Broadway until the disbanding of the original collective ensemble in 1980 with the subsequent adoption of mainstream production practices. Yolanda Broyles-Gonzalez corrects many of the widely held misconceptions concerning the Teatro's creation and evolution. She draws from a rich storehouse of previously untapped material, such as interviews with numerous ensemble members, production notes, and unpublished diaries, to highlight the reality of the collective creation that characterized the Teatro's work Writing within contemporary cultural studies theory, Broyles-Gonzalez sheds light on class, gender, race, and cultural issues, showing how they traverse and inform the Chicana/o performance aesthetic embodied by El Teatro Campesino. Her work situates the Teatro within working-class Mexican performance history, the Chicano movement, gender relations, and contemporary attempts to mainstream |
| Beschreibung: | Text engl. |
| Beschreibung: | XVIII, 286 S. Ill., graph. Darst. |
| ISBN: | 0292720823 0292708017 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV010177140 | ||
| 003 | DE-604 | ||
| 005 | 20100526 | ||
| 007 | t | ||
| 008 | 950511s1994 ad|| |||| 00||| eng d | ||
| 020 | |a 0292720823 |9 0-292-72082-3 | ||
| 020 | |a 0292708017 |9 0-292-70801-7 | ||
| 035 | |a (OCoLC)29753675 | ||
| 035 | |a (DE-599)BVBBV010177140 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 |a DE-824 |a DE-29 |a DE-355 |a DE-703 |a DE-188 | ||
| 050 | 0 | |a PN3307.U6 | |
| 082 | 0 | |a 792/.022 |2 20 | |
| 084 | |a HU 1727 |0 (DE-625)53760: |2 rvk | ||
| 084 | |a HU 1729 |0 (DE-625)53762: |2 rvk | ||
| 084 | |a HU 1782 |0 (DE-625)53786: |2 rvk | ||
| 100 | 1 | |a Broyles-González, Yolanda |d 1949- |e Verfasser |0 (DE-588)123382068 |4 aut | |
| 245 | 1 | 0 | |a El Teatro Campesino |b theater in the Chicano movement |c by Yolanda Broyles-González |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a Austin |b Univ. of Texas Press |c 1994 | |
| 300 | |a XVIII, 286 S. |b Ill., graph. Darst. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Text engl. | ||
| 520 | 3 | |a Born in 1965 as an organizing tool within Cesar Chavez's United Farm Workers union, El Teatro Campesino became the premier Chicana/o performance ensemble to emerge out of the Chicano movement of the 1960s and 1970s. This pioneering work demythologizes and reinterprets the company's history from its origins in California's farm labor struggles to its successes in Europe and on Broadway until the disbanding of the original collective ensemble in 1980 with the subsequent adoption of mainstream production practices. Yolanda Broyles-Gonzalez corrects many of the widely held misconceptions concerning the Teatro's creation and evolution. She draws from a rich storehouse of previously untapped material, such as interviews with numerous ensemble members, production notes, and unpublished diaries, to highlight the reality of the collective creation that characterized the Teatro's work | |
| 520 | |a Writing within contemporary cultural studies theory, Broyles-Gonzalez sheds light on class, gender, race, and cultural issues, showing how they traverse and inform the Chicana/o performance aesthetic embodied by El Teatro Campesino. Her work situates the Teatro within working-class Mexican performance history, the Chicano movement, gender relations, and contemporary attempts to mainstream | ||
| 610 | 2 | 4 | |a Teatro Campesino (Organization) |x History |
| 610 | 2 | 7 | |a El Teatro Campesino |0 (DE-588)4276133-5 |2 gnd |9 rswk-swf |
| 650 | 7 | |a El Teatro Campesino |2 gtt | |
| 650 | 7 | |a Toneelgezelschappen |2 gtt | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Chicano movement |z California | |
| 650 | 4 | |a Mexican American theater |z California |x History | |
| 650 | 4 | |a Workers' theater |z California |x History | |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geschichte |0 (DE-588)4020517-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Chicanos |0 (DE-588)4069953-5 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a El Teatro Campesino |0 (DE-588)4276133-5 |D b |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Chicanos |0 (DE-588)4069953-5 |D s |
| 689 | 1 | 1 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 1 | 2 | |a Geschichte |0 (DE-588)4020517-4 |D s |
| 689 | 1 | |5 DE-604 | |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006759728&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-006759728 | ||
Datensatz im Suchindex
| _version_ | 1804124574854414336 |
|---|---|
| adam_text | ^Teatro
TheaterX in the Chicano Movement
by Yolanda Broyles-Gonzalez
4mm± University of Texas Press
Austin
Contents
Acknowledgments vii
Introduction xi
1 £1 Teatro Campesino and the Mexican
Popular Performance Tradition 3
Oral Tradition: Human Memory, the Body, Community 7
The Political Economy of Chicana/o Comedy 23
Rasquachi Performance Aesthetic and Historical Memory 35
El Teatro Campesino and Mexican
Sacroprofane Performance Genres 58
Conclusion 74
2 Theater of the Sphere: Toward the Formulation
of a Native Performance Theory and Practice 79
On Formulating an Indigenous Alternative Performance Aesthetic 79
Theater of die Sphere: Affirming die ChicanaA) Axis 84
The Formation of die Spherical Actor:
A New Chicana/o Humanism 90
Theater of the Sphere: The Twenty Steps 95
Theater of the Sphere: The World of Performance 108
Theater of die Sphere: Liberation or Mystification? 119
3 Toward a Re-Vision of Chicana/o Theater History:
The Roles ofWomen in El Teatro Campesino 129
Introduction 129
The Roles of Women in El Teatro Campesino 135
Breaking the Mold: Creating New Padiways 148
An Epilogue: Chicanas Onstage in die 1980s 153
4 El Teatro Campesino: From Alternative
Theater to Mainstream 165
Introduction 165
El Teatro Campesino in die Mainstream 170
Rose of the Rancho: Validating Chicana/o Oppression 174
The New Professionalism: Zoot Suit in die Mainstream 177
Chicanas/os on Broadway: To Be or Not to Be? 205
Zoot Suit: The Film 208
Mainstreaming and die Dissolution
of die Teatro Campesino Ensemble 214
Conclusion: Whidier El Teatro Campesino? 235
Chronology 241
Notes 247
Bibliography 255
Index 267
|
| any_adam_object | 1 |
| author | Broyles-González, Yolanda 1949- |
| author_GND | (DE-588)123382068 |
| author_facet | Broyles-González, Yolanda 1949- |
| author_role | aut |
| author_sort | Broyles-González, Yolanda 1949- |
| author_variant | y b g ybg |
| building | Verbundindex |
| bvnumber | BV010177140 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN3307 |
| callnumber-raw | PN3307.U6 |
| callnumber-search | PN3307.U6 |
| callnumber-sort | PN 43307 U6 |
| callnumber-subject | PN - General Literature |
| classification_rvk | HU 1727 HU 1729 HU 1782 |
| ctrlnum | (OCoLC)29753675 (DE-599)BVBBV010177140 |
| dewey-full | 792/.022 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792/.022 |
| dewey-search | 792/.022 |
| dewey-sort | 3792 222 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| edition | 1. ed. |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03506nam a2200589 c 4500</leader><controlfield tag="001">BV010177140</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20100526 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">950511s1994 ad|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0292720823</subfield><subfield code="9">0-292-72082-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0292708017</subfield><subfield code="9">0-292-70801-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)29753675</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV010177140</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN3307.U6</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792/.022</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1727</subfield><subfield code="0">(DE-625)53760:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1729</subfield><subfield code="0">(DE-625)53762:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1782</subfield><subfield code="0">(DE-625)53786:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Broyles-González, Yolanda</subfield><subfield code="d">1949-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)123382068</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">El Teatro Campesino</subfield><subfield code="b">theater in the Chicano movement</subfield><subfield code="c">by Yolanda Broyles-González</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin</subfield><subfield code="b">Univ. of Texas Press</subfield><subfield code="c">1994</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XVIII, 286 S.</subfield><subfield code="b">Ill., graph. Darst.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Text engl.</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Born in 1965 as an organizing tool within Cesar Chavez's United Farm Workers union, El Teatro Campesino became the premier Chicana/o performance ensemble to emerge out of the Chicano movement of the 1960s and 1970s. This pioneering work demythologizes and reinterprets the company's history from its origins in California's farm labor struggles to its successes in Europe and on Broadway until the disbanding of the original collective ensemble in 1980 with the subsequent adoption of mainstream production practices. Yolanda Broyles-Gonzalez corrects many of the widely held misconceptions concerning the Teatro's creation and evolution. She draws from a rich storehouse of previously untapped material, such as interviews with numerous ensemble members, production notes, and unpublished diaries, to highlight the reality of the collective creation that characterized the Teatro's work</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Writing within contemporary cultural studies theory, Broyles-Gonzalez sheds light on class, gender, race, and cultural issues, showing how they traverse and inform the Chicana/o performance aesthetic embodied by El Teatro Campesino. Her work situates the Teatro within working-class Mexican performance history, the Chicano movement, gender relations, and contemporary attempts to mainstream</subfield></datafield><datafield tag="610" ind1="2" ind2="4"><subfield code="a">Teatro Campesino (Organization)</subfield><subfield code="x">History</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">El Teatro Campesino</subfield><subfield code="0">(DE-588)4276133-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">El Teatro Campesino</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Toneelgezelschappen</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Chicano movement</subfield><subfield code="z">California</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mexican American theater</subfield><subfield code="z">California</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Workers' theater</subfield><subfield code="z">California</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Chicanos</subfield><subfield code="0">(DE-588)4069953-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">El Teatro Campesino</subfield><subfield code="0">(DE-588)4276133-5</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Chicanos</subfield><subfield code="0">(DE-588)4069953-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006759728&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-006759728</subfield></datafield></record></collection> |
| id | DE-604.BV010177140 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:47:50Z |
| institution | BVB |
| isbn | 0292720823 0292708017 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006759728 |
| oclc_num | 29753675 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-824 DE-29 DE-355 DE-BY-UBR DE-703 DE-188 |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-824 DE-29 DE-355 DE-BY-UBR DE-703 DE-188 |
| physical | XVIII, 286 S. Ill., graph. Darst. |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | Univ. of Texas Press |
| record_format | marc |
| spelling | Broyles-González, Yolanda 1949- Verfasser (DE-588)123382068 aut El Teatro Campesino theater in the Chicano movement by Yolanda Broyles-González 1. ed. Austin Univ. of Texas Press 1994 XVIII, 286 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Text engl. Born in 1965 as an organizing tool within Cesar Chavez's United Farm Workers union, El Teatro Campesino became the premier Chicana/o performance ensemble to emerge out of the Chicano movement of the 1960s and 1970s. This pioneering work demythologizes and reinterprets the company's history from its origins in California's farm labor struggles to its successes in Europe and on Broadway until the disbanding of the original collective ensemble in 1980 with the subsequent adoption of mainstream production practices. Yolanda Broyles-Gonzalez corrects many of the widely held misconceptions concerning the Teatro's creation and evolution. She draws from a rich storehouse of previously untapped material, such as interviews with numerous ensemble members, production notes, and unpublished diaries, to highlight the reality of the collective creation that characterized the Teatro's work Writing within contemporary cultural studies theory, Broyles-Gonzalez sheds light on class, gender, race, and cultural issues, showing how they traverse and inform the Chicana/o performance aesthetic embodied by El Teatro Campesino. Her work situates the Teatro within working-class Mexican performance history, the Chicano movement, gender relations, and contemporary attempts to mainstream Teatro Campesino (Organization) History El Teatro Campesino (DE-588)4276133-5 gnd rswk-swf El Teatro Campesino gtt Toneelgezelschappen gtt Geschichte Chicano movement California Mexican American theater California History Workers' theater California History Theater (DE-588)4059702-7 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Chicanos (DE-588)4069953-5 gnd rswk-swf El Teatro Campesino (DE-588)4276133-5 b DE-604 Chicanos (DE-588)4069953-5 s Theater (DE-588)4059702-7 s Geschichte (DE-588)4020517-4 s HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006759728&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Broyles-González, Yolanda 1949- El Teatro Campesino theater in the Chicano movement Teatro Campesino (Organization) History El Teatro Campesino (DE-588)4276133-5 gnd El Teatro Campesino gtt Toneelgezelschappen gtt Geschichte Chicano movement California Mexican American theater California History Workers' theater California History Theater (DE-588)4059702-7 gnd Geschichte (DE-588)4020517-4 gnd Chicanos (DE-588)4069953-5 gnd |
| subject_GND | (DE-588)4276133-5 (DE-588)4059702-7 (DE-588)4020517-4 (DE-588)4069953-5 |
| title | El Teatro Campesino theater in the Chicano movement |
| title_auth | El Teatro Campesino theater in the Chicano movement |
| title_exact_search | El Teatro Campesino theater in the Chicano movement |
| title_full | El Teatro Campesino theater in the Chicano movement by Yolanda Broyles-González |
| title_fullStr | El Teatro Campesino theater in the Chicano movement by Yolanda Broyles-González |
| title_full_unstemmed | El Teatro Campesino theater in the Chicano movement by Yolanda Broyles-González |
| title_short | El Teatro Campesino |
| title_sort | el teatro campesino theater in the chicano movement |
| title_sub | theater in the Chicano movement |
| topic | Teatro Campesino (Organization) History El Teatro Campesino (DE-588)4276133-5 gnd El Teatro Campesino gtt Toneelgezelschappen gtt Geschichte Chicano movement California Mexican American theater California History Workers' theater California History Theater (DE-588)4059702-7 gnd Geschichte (DE-588)4020517-4 gnd Chicanos (DE-588)4069953-5 gnd |
| topic_facet | Teatro Campesino (Organization) History El Teatro Campesino El Teatro Campesino Toneelgezelschappen Geschichte Chicano movement California Mexican American theater California History Workers' theater California History Theater Chicanos |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006759728&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT broylesgonzalezyolanda elteatrocampesinotheaterinthechicanomovement |