Venetian instrumental music from Gabrieli to Vivaldi:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Dover Publ.
1994
|
| Ausgabe: | 3., rev. ed. |
| Schriftenreihe: | Dover books on music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXVI, 411 S. Ill., Notenbeisp. |
| ISBN: | 0486281515 |
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| 245 | 1 | 0 | |a Venetian instrumental music from Gabrieli to Vivaldi |c Eleanor Selfridge-Field |
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Datensatz im Suchindex
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| adam_text |
Contents
Musical Examples xi
Ulustrations xvii
Maps xix
Abbreviations xxi
Preface xxiii
Preface to thè Dover Edition xxv
Part One: A Documentart History
I. Instrumental Music at San Marco 3
Organisation of tbe Cappella 5
Organs and Organists 8
The Instrumental Ensemble 13
II. Instrumental Music Elsewhere in Venice 26
Parish and Monastic Churches 26
Confraternities 33
Theatres 37
Orphanage-Conservatories 42
Academies 47
Homes and Palaces 49
Dances 51
Musical Commerce j3
Part TVo: A Histort of Musical Style
III. Venctian Instrumental Music Before Gabrieli 59
Tbe Ricercar 59
Tbe Fantasia and Capriccio g4
Tbe Cannona and Battaglia 6 j
Tbe Toccata and Intonation gg
Dame Musie gg
Treatises and Tutors ^
vm Contents
IV. Giovanni Gabrieli 80
The Toccatas and Intonations 83
The Ricercars, Fugues and Fantasias 84
The Kejboard Can^pnas 86
The Early Ensemble Can^pnas 88
The hater Ensemble Can^pnas 92
Thè Sonatas 95
Gabrieli and History 98
V. The Ensemble Canzona from 1600 to 162J 102
Francesco Usper 103
Grillo 107
Priuli 108
Riccio 109
Picchi 112
O/iw Contemporaries 116
VI. The Sonata from 1615 to 1630 119
Monteverdi and thè Sonata 119
. Gabrieli]sper 12j
Marini: The Instrumental Works to 1630 127
Castello 132
Rovetta 138
Scarani 140
VII. The Sonata and Dance from 1630 to 1656 142
Pesenti 144
iVun I46
Marini : Later Instrumental Works 152
Cavalli !j6
Vili. Instrumental Music from 1656 to 1690 160
Opera and Instrumental Music 161
Legreny t64
Other Chamber Sonata and Dance Composers 169
The Zianis: Pietr'Andrea, Marc'Antonio and
Alessandro !yi
Fedeli I?6
IX. The Sonata from 1690 to 1710 170 *
Corelli and thè Sonata in Venice 179
Caldara j$2
Cmtents ix
Gentili 188
Other Composers in Venice 152
Dalla Bella and Other Proemiai Composers 195
X. Albinoni 199
The Church Sonatas 200
The Chamber Sonatas 203
The Suites 205
The Origins of thè Venetian Concerto 207
Albinoni's StringConcertos 210
The Wind Concertos 213
The Sinfonias 216
Albinoni and History 216
XI. Vivaldi 219
Literature and Source Material 223
The Sonatas 225
The Chamber Concertos 231
The Ripieno Concertos and Sinfonias z}z
The Concertos of Opp. 3, 4, 6 andj 233
The Concertos of Opp. 8-12 241
Other Concertos f or Strings 248
Wind and Brass Concertos 2 5 3
Concertosfor Large, Varied Ensembles 259
Vivaldi and History 261
XII. The Marcellos 264
General Trends from 1710 to 1J40 264
Alessandro Marnilo 267
Benedetto Marcello 271
Tessarini and Others 279
XIII. Retrospect and Prospect 283
Beyond Vivaldi 286
Beyond Venice z87
XIV Addenda to thè Text 292
PART ONE:
I. Instrumental Musical San Marco 29*
IL Instrumental Music Elsewhere in Venice 296
a Contents
Part Two: 307
III. Instrumental Music before Gabrieli 307
IV Giovanni Gabrieli 309
V VI. The Canzona and Sonata fror» 1600 to 1630 311
VII, VIII. The Sonata from 1630 to 1690 314
IX. The Sonata from 1690 to ijio 316
X. Albinoni 318
XL Vivaldi 319
XII. The Marcellos 323
XIII. Retrospect and Prospect 326
Appendix: Musical Staff of the Basilica of San Marco 330
Additions to Appendixes E and F 347
Appendix G: The Doge's Piffari 347
Glossary: Musical Instruments and Instrumental Terms 349
Bibliography 356
Additional Bibliography 373
Index 386
Supplementary Index 405
i
1
Musical Examplcs
1 Tour ung plaisir' as treated in Crequillon's chanson,
A. Gabrieü's canzona and A. Gabrieli's ricercar 63
2 G. Bassano: contrapuntal procedure in the Fantasia
No 13 (1585) 64
3 Merulo: organ and ensemble versions of 'La Bovia' 68
4 Ganassi: methods of division on the natural hexachord
(X535) 77
5 Ct. Bassano: cadential division (1586) 78
6 Diruta: g-oppo and tremoli Ornaments (1593) 79
7 G. Gabriel!: opening of the 'Ricercar on Three Sub-
jects', Ki 5 85
8 G. Gabrieli: orchestral elements in the keyboard
canzonas K49 and K43 87
9 G. Gabrieli: tutti ritorneÜo from the canzona a 10 K60
(J597) 9i
10 G. Gabrieli: two duets from the canzona K60 92
11 G. Gabrieli: thematic treatment in the Canzona
No. 17* 7.2, K85 (1615) 94
12 G. Gabrieli: duet from the Canzona No. nag, K79
(1615) 94
*3 G. Gabrieli: thematic procedure in the Sonata No. 18
*/*,K86(i6i5) 97
*4 F. Usper: tutti ritornello from the Sinfonia No. laS
(1619) IOJ
:5 F. Usper: thematic treatment in the chain canzona
No. 1 a 8 (1619) . xo6
*6 Grillo: thematic treatment in the 'Canzon pian e
forte' (16x8) io8
X7 Priuli: thematic treatment in the echo canzona a 12
(1620) »°
X8 Priuli: thematic treatment in the Canzona No. 1 a 6
(1619) n°
xii Musical Exampks
19 Riccio: final cadence of the first canzona a 2 (1612) 112
20 Riccio: tremolo passage from the canzona 'La Picfcjhi'
(1621) 113
21 Picchi: concertino-cadenza from the Canzona No. 12
0^(1625) 116
22 Seconda prattica word settings by Fillago and Rovetta 120
23 Negri: cadence of the Sonata No. 3 (1611) 121
24 G. Usper: tonic-dominant modulation in the sonata
a 3 (1619) 126
25 G. Usper: imitation of a bagpipe in the sonata a3 126
26 Marini: theme of the sinfonia 'La Cafldela', Op. 1
(1618) 131
27 Castello: bassoon cadenza from the Sonata No. 9
(1621) 135
28 Castello: opening of the Sonata No. 11 (1629) X3^
29 Castello: violin solo from the Sonata No. 17 (1629) 137
30 Castello: thematic treatment in the Sonata No. 17 138
31 Rovetta: string scoring in the Canzona No. 1 (1627) 140
32 Rovetta: unusual harmonic progressions in the
Canzona No. 1 140
33 Scarani: cantus firmus usage in the Sonata No. 13 a }
(1630) 141
34 Pesenti: simple and spe^ate versions of the corrente
'La Morosina' (1630) 145
35 Neri: slow movement of the Sonata Op. 2, No. 3 a 3
(1651) 148
36 Neri: concertino for two cornetts and bassoon from
the Sonata Op. z, No. 11 a p 150
37 Neri: concertino for two theorbos from the Sonata
Op. 2, No. 10 a 8 150
38 Neri: thematic treatment in the Sonata Op. 2, No. 14
a 12 151
39 Marini: thematic treatment in the Sonata for Two
Violins, Op. 22 (1655) 153
40 Marini: opening of the Sonata a } on 'Fuggi dolente
core', Op. 22 154
41 Cavalli: statt of the double-subject fugue in the
sonata a 12 (1656) 157
42 Cavalli: ostinato bass in the canzona a3 (1656) 158
43 Sartorio: sinfonia to Adelaide (1672) 162
44 P. A. Ziani: tremolo-style orchestration iß the Sonata
Op. 7, No. 17 a j (1668) 172
Musical Examples xiii
45 M. A. Ziani: slow movement from the sonata in
Bodleian MS diz% 174
46 Alessandro Ziani: slow movement from the Sonata
Op. i.No. 7*^(1683) 175
47 Fedeli: quotation from the Sonata Op. i, No. 7 a 3
(1685) 177
48 Fedeli: concetted passage from the Sonata Op. 1,
No. 7 177
49 Fedeli: close of the cello solo in the Sonata Op. 1,
No. 9 177
50 Caldara: dissonant passage from the church sonata
Sp. i, No. 12 (1693) 186
ara: opening of the keyboard fugue No. 16 in
West Berlin MS 2785 187
52 Gentili: opening of the Suite Op. 2, No. 9 (1702) 190
53 Gentili: opening of the Suite Op. 2, No. 5 190
54 Tonini: episodic material in the church sonata Op. 2,
No. 8 (1697) 193
55 Dalla Bella: implied crescendo in the church sonata
Op. 1, No. 4 (1706) 196
56 Dalla Bella: double-subject fugue from the church
sonata Op. 1, No. 10 *97
57 Albinoni: theme from the Sonata No. 4 of Op. 2
(1700) 201
5 8 Albinoni: opening of the violin sonata No. 3 in Roger
print No. 439 (c. 1718) 2O3
59 Albinoni: quotation from the violin sonata Op. 6,
No. 10 (c. 1708-12) 2°4
60 Albinoni: theme from the chamber sonata No. 3 of
Op. 8 (c. 1721-22) 2°5
61 Albinoni: opening of the Concerto No. 1 of Op. 2
(1700) 2"
62 Albinoni (attributed): Start of the last movement 01
the trumpet 'Sonata di concerto' a 7 2I4
63 Albinoni: ritornello from the oboe concerto Op. 7,
No. 6 (i7I5) 2I«
64 Albinoni: thematic relationships in the Concerto Op. 7,
No. n for two oboes 2I'
65 Vivaldi: opening of the chamber sonata Op. 1, No. 2
(1705) "6
66 Vivaldi: Allemande from the Sonata Op. 1, No. 1 "7
67 Vivaldi: cadential use of the diminished seventh in the
violin sonata Op. 2, No. 2 (1709) "
^, Musical tLxamples
68 Vivaldi: chromatic bass in the third movement of the
cello sonata RV 43 (c. 1740) 229
69 Vivaldi: rhapsodic passage from the violin sonata
RV 26 230
70 Similar fogal subjects from B. Marcello's Concerto
Op. 1, No. 2 (1708) and Vivaldi's Concerto Op. 3,
No. 11 (1711) 235
71 Vivaldi: chromatic bass in the last movement of the
Concerto Op. 3, No. 11 236
72 Vivaldi: motivic elaboration in the violin concerto
Op. 4, No. 1 (c. 1712-15) 239
73 Vivaldi: songs of the cuckoo, turtledove and bull-
finch in the 'Summer' concerto, Op. 8, No. 2 (1725) 242
74 Vivaldi: portrayal of drunken stupor in the 'Autumn'
concerto, Op. 8, No. 3 243
75 Vivaldi: Imitation of hunting horns in the violin
concerto Op. 8, No. 10 243
76 Vivaldi: pizzicato accompaniment in the slow move¬
ment of the violin concerto Op. 9, No. 10 (1727) 245
77 Vivaldi: folksong-like theme from the flute concerto
Op. 10, No. 5 (c. 1728) 246
78 Vivaldi: thematic relationships in the violin concerto
Op. 12, No. 4 (1729) 247
79 Vivaldi: technical demands in the violin concerto
RV 513 (f. 1736) 248
80 Vivaldi: modal contradiction between antecedent and
consequent in the violin concerto RV 292 250
81 Vivaldi: doubling of string and woodwind parts in
the concerto RV 560 257
82 Vivaldi: fugal subject from the 'Funeral' concerto,
RV579 259
83 Similar opening themes used by Fedeli, Albinoni and
Vivaldi 261
84 F. Gasparini: division on a basso continuo (1708) 266
85 A. Marcello: thematic relationships in the oboe con¬
certo (c. 1717) 270
86 A. Marcello: quotation from the MS chamber con¬
certo for seven recorders 271
87 B. Marcello: theme from the violin concerto Op. 1,
No. 4 (1708) 273
88 B. Marcello: third movement of the cello sonata No. 3
(1732) *7J
Musical Examples xv
89 B. Marcello: stile concitato passage from the 'Paris'
harpsichord sonata No. 12 277
90 Harmonically similar 'arpeggio' passages from harpsi¬
chord works by Caldara and B. Marcello 278
91 B. Marcello: two variations on a chaconne for harpsi¬
chord 278 |
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| series2 | Dover books on music |
| spelling | Selfridge-Field, Eleanor 1940- Verfasser (DE-588)131205579 aut Venetian instrumental music from Gabrieli to Vivaldi Eleanor Selfridge-Field 3., rev. ed. New York Dover Publ. 1994 XXVI, 411 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Dover books on music Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1500-1800 gnd rswk-swf Geschichte 1600-1750 gnd rswk-swf Musik Music Italy Venice 17th century History and criticism Music Italy Venice 18th century History and criticism Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Italien Venedig (DE-588)4062501-1 gnd rswk-swf Venedig (DE-588)4062501-1 g Instrumentalmusik (DE-588)4129951-6 s Geschichte 1600-1750 z DE-604 Geschichte 1500-1800 z 1\p DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006758402&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Selfridge-Field, Eleanor 1940- Venetian instrumental music from Gabrieli to Vivaldi Musik Music Italy Venice 17th century History and criticism Music Italy Venice 18th century History and criticism Instrumentalmusik (DE-588)4129951-6 gnd |
| subject_GND | (DE-588)4129951-6 (DE-588)4062501-1 |
| title | Venetian instrumental music from Gabrieli to Vivaldi |
| title_auth | Venetian instrumental music from Gabrieli to Vivaldi |
| title_exact_search | Venetian instrumental music from Gabrieli to Vivaldi |
| title_full | Venetian instrumental music from Gabrieli to Vivaldi Eleanor Selfridge-Field |
| title_fullStr | Venetian instrumental music from Gabrieli to Vivaldi Eleanor Selfridge-Field |
| title_full_unstemmed | Venetian instrumental music from Gabrieli to Vivaldi Eleanor Selfridge-Field |
| title_short | Venetian instrumental music from Gabrieli to Vivaldi |
| title_sort | venetian instrumental music from gabrieli to vivaldi |
| topic | Musik Music Italy Venice 17th century History and criticism Music Italy Venice 18th century History and criticism Instrumentalmusik (DE-588)4129951-6 gnd |
| topic_facet | Musik Music Italy Venice 17th century History and criticism Music Italy Venice 18th century History and criticism Instrumentalmusik Italien Venedig |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006758402&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT selfridgefieldeleanor venetianinstrumentalmusicfromgabrielitovivaldi |