Overtones and undertones: reading film music
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. [u.a.]
Univ. of California Press
1994
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Discogr. S. 367-372. - Bibliogr. S. 373-378 Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | X, 396 S. Ill., Notenbeisp. |
| ISBN: | 9780520085442 0520085442 0520083202 |
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Datensatz im Suchindex
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| adam_text | OVERTONES AND UNDERTONES READING FILM MUSIC ROYAL S. BROWN UNIVERSITY OL
CALIFORNIA I REEE BERKELEY / LOS ANGELES / LONDI IN CONTENTS
ACKNOWLEDGMENTS IX INTRODUCTION 1 1 NARRATIVE/FILM/MUSIC 12 2
ACTIONS/INTERACTIONS: CLASSICAL MUSIC 38 3 ACTIONS/INTERACTIONS:
HISTORICAL OVERVIEW 50 4 ACTIONS/INTERACTIONS: THE SOURCE BEYOND THE
SOURCE 67 5 STYLES AND INTERACTIONS: BEYOND THE DIEGESIS 92 INTERLUDE I:
ERICH WOLFGANG KORNGOLD: THE SEA HAWK (1940) 97 INTERLUDE II: MIKLOES
ROEZSA: DOUBLE INDEMNITY (1944) 120 INTERLUDE III: THE
EISENSTEIN/PROKOFIEV PHENOMENON 134 6 HERRMANN, HITCHCOCK, AND THE MUSIC
OF THE IRRATIONAL 148 7 NEW STYLES, NEW GENRES, NEW INTERACTIONS 175
INTERLUDE IV: JEAN-LUC GODARD: VIVRE SA VIE (1962) 188 INTERLUDE V:
JEAN-LUC GODARD: PIERROT LEFOU (1965) 200 VI I VIII CONTENTS 8 MUSIC AS
IMAGE AS MUSIC: A POSTMODERN PERSPECTIVE 235 A BRIEF (POSTMODERN)
CONCLUSION 264 INTERVIEWS 269 MIKLOESROEZSA 271 DAVID RAKSIN 281 BERNARD
HERRMANN 289 HENRY MANCINI 294 MAURICE JARRE 305 LALOSCHIFRIN 314 JOHN
BARRY 322 HOWARD SHORE 334 APPENDIX: HOW TO HEAR A MOVIE: AN OUTLINE 343
NOTES 353 DISCOGRAPHY 367 BIBLIOGRAPHY 373 INDEX 379
|
| any_adam_object | 1 |
| author | Brown, Royal S. |
| author_facet | Brown, Royal S. |
| author_role | aut |
| author_sort | Brown, Royal S. |
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| building | Verbundindex |
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| dewey-full | 781.54209 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.54209 |
| dewey-search | 781.54209 |
| dewey-sort | 3781.54209 |
| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
| format | Book |
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| language | English |
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| spelling | Brown, Royal S. Verfasser aut Overtones and undertones reading film music Royal S. Brown Berkeley, Calif. [u.a.] Univ. of California Press 1994 X, 396 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Discogr. S. 367-372. - Bibliogr. S. 373-378 Hier auch später erschienene, unveränderte Nachdrucke Filmmusik (DE-588)4017129-2 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Filmmusik (DE-588)4017129-2 s DE-604 Geschichte (DE-588)4020517-4 s GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006743240&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Brown, Royal S. Overtones and undertones reading film music Filmmusik (DE-588)4017129-2 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4020517-4 |
| title | Overtones and undertones reading film music |
| title_auth | Overtones and undertones reading film music |
| title_exact_search | Overtones and undertones reading film music |
| title_full | Overtones and undertones reading film music Royal S. Brown |
| title_fullStr | Overtones and undertones reading film music Royal S. Brown |
| title_full_unstemmed | Overtones and undertones reading film music Royal S. Brown |
| title_short | Overtones and undertones |
| title_sort | overtones and undertones reading film music |
| title_sub | reading film music |
| topic | Filmmusik (DE-588)4017129-2 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Filmmusik Geschichte |
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