Horton Foote's three trips to Bountiful:
The acclaimed playwright and screenwriter Horton Foote wrote The Trip to Bountiful for "Philco/Goodyear Television Playhouse" in 1953, during the golden age of live television drama. The teleplay was so successful that an expanded version opened on the Broadway stage eight months later sta...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Dallas
Southern Methodist Univ. Press
1993
|
Schlagworte: | |
Zusammenfassung: | The acclaimed playwright and screenwriter Horton Foote wrote The Trip to Bountiful for "Philco/Goodyear Television Playhouse" in 1953, during the golden age of live television drama. The teleplay was so successful that an expanded version opened on the Broadway stage eight months later starring the same leading lady, Lillian Gish. Over thirty years later, Foote converted the play into a screenplay that became the vehicle for Geraldine Page's Oscar-winning performance as Carrie Watts, the aging widow who yearns to return to her home-place, to the vanished Texas town of Bountiful. This volume is a comparative media study that collects the three scripts and examines the way Horton Foote's words and vision make the transition from television screen to stage to film. Moore and Yellin show Foote to be a preservationist, making minimal changes as he adjusts for the restrictions of time and technology in each medium In a general introduction the editors discuss Foote's themes - going away and coming home again, the need for a sense of continuity with the past - and define his typical characters - small-town simple folk who face the knowledge that their straitened lives probably will not improve. Moore and Yellin briefly analyze the differences and similarities among the three versions of the play, demonstrating the necessity for each to meet the demands of a profit-making business. Preceding each script the editors discuss the circumstances surrounding the production - the technical and aesthetic limitations influencing and shaping the performance. This volume also includes four interviews - with Horton Foote; with the film's co-producer, Sterling VanWagenen; with Peter Masterson, its director; and with Carlin Glynn, who played the supporting role of Jessie Mae in the film What ultimately emerges from the discussion of the three versions is a glimpse into the way a writer can function within the structure of the entertainment industry, respond to the limitations of the various media, share the creative process with co-workers, and yet remain true to an original vision |
Beschreibung: | X, 259 S. Ill. |
ISBN: | 0870743260 0870743279 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV010028444 | ||
003 | DE-604 | ||
005 | 19950208 | ||
007 | t | ||
008 | 950207s1993 a||| |||| 00||| eng d | ||
020 | |a 0870743260 |9 0-87074-326-0 | ||
020 | |a 0870743279 |9 0-87074-327-9 | ||
035 | |a (OCoLC)24108012 | ||
035 | |a (DE-599)BVBBV010028444 | ||
040 | |a DE-604 |b ger |e rakddb | ||
041 | 0 | |a eng | |
049 | |a DE-19 | ||
050 | 0 | |a PS3511.O344 | |
082 | 0 | |a 812/.54 |2 20 | |
100 | 1 | |a Foote, Horton |d 1916-2009 |e Verfasser |0 (DE-588)119150786 |4 aut | |
245 | 1 | 0 | |a Horton Foote's three trips to Bountiful |c ed. by Barbara Moore ... |
246 | 1 | 3 | |a Three trips to Bountiful |
264 | 1 | |a Dallas |b Southern Methodist Univ. Press |c 1993 | |
300 | |a X, 259 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a The acclaimed playwright and screenwriter Horton Foote wrote The Trip to Bountiful for "Philco/Goodyear Television Playhouse" in 1953, during the golden age of live television drama. The teleplay was so successful that an expanded version opened on the Broadway stage eight months later starring the same leading lady, Lillian Gish. Over thirty years later, Foote converted the play into a screenplay that became the vehicle for Geraldine Page's Oscar-winning performance as Carrie Watts, the aging widow who yearns to return to her home-place, to the vanished Texas town of Bountiful. This volume is a comparative media study that collects the three scripts and examines the way Horton Foote's words and vision make the transition from television screen to stage to film. Moore and Yellin show Foote to be a preservationist, making minimal changes as he adjusts for the restrictions of time and technology in each medium | |
520 | |a In a general introduction the editors discuss Foote's themes - going away and coming home again, the need for a sense of continuity with the past - and define his typical characters - small-town simple folk who face the knowledge that their straitened lives probably will not improve. Moore and Yellin briefly analyze the differences and similarities among the three versions of the play, demonstrating the necessity for each to meet the demands of a profit-making business. Preceding each script the editors discuss the circumstances surrounding the production - the technical and aesthetic limitations influencing and shaping the performance. This volume also includes four interviews - with Horton Foote; with the film's co-producer, Sterling VanWagenen; with Peter Masterson, its director; and with Carlin Glynn, who played the supporting role of Jessie Mae in the film | ||
520 | |a What ultimately emerges from the discussion of the three versions is a glimpse into the way a writer can function within the structure of the entertainment industry, respond to the limitations of the various media, share the creative process with co-workers, and yet remain true to an original vision | ||
600 | 1 | 4 | |a Foote, Horton |v Film and video adaptations |
700 | 1 | |a Moore, Barbara |e Sonstige |4 oth | |
999 | |a oai:aleph.bib-bvb.de:BVB01-006650110 |
Datensatz im Suchindex
_version_ | 1804124409737248768 |
---|---|
any_adam_object | |
author | Foote, Horton 1916-2009 |
author_GND | (DE-588)119150786 |
author_facet | Foote, Horton 1916-2009 |
author_role | aut |
author_sort | Foote, Horton 1916-2009 |
author_variant | h f hf |
building | Verbundindex |
bvnumber | BV010028444 |
callnumber-first | P - Language and Literature |
callnumber-label | PS3511 |
callnumber-raw | PS3511.O344 |
callnumber-search | PS3511.O344 |
callnumber-sort | PS 43511 O344 |
callnumber-subject | PS - American Literature |
ctrlnum | (OCoLC)24108012 (DE-599)BVBBV010028444 |
dewey-full | 812/.54 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 812 - American drama in English |
dewey-raw | 812/.54 |
dewey-search | 812/.54 |
dewey-sort | 3812 254 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03139nam a2200361 c 4500</leader><controlfield tag="001">BV010028444</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">19950208 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">950207s1993 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0870743260</subfield><subfield code="9">0-87074-326-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0870743279</subfield><subfield code="9">0-87074-327-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)24108012</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV010028444</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PS3511.O344</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">812/.54</subfield><subfield code="2">20</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Foote, Horton</subfield><subfield code="d">1916-2009</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)119150786</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Horton Foote's three trips to Bountiful</subfield><subfield code="c">ed. by Barbara Moore ...</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Three trips to Bountiful</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Dallas</subfield><subfield code="b">Southern Methodist Univ. Press</subfield><subfield code="c">1993</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">X, 259 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The acclaimed playwright and screenwriter Horton Foote wrote The Trip to Bountiful for "Philco/Goodyear Television Playhouse" in 1953, during the golden age of live television drama. The teleplay was so successful that an expanded version opened on the Broadway stage eight months later starring the same leading lady, Lillian Gish. Over thirty years later, Foote converted the play into a screenplay that became the vehicle for Geraldine Page's Oscar-winning performance as Carrie Watts, the aging widow who yearns to return to her home-place, to the vanished Texas town of Bountiful. This volume is a comparative media study that collects the three scripts and examines the way Horton Foote's words and vision make the transition from television screen to stage to film. Moore and Yellin show Foote to be a preservationist, making minimal changes as he adjusts for the restrictions of time and technology in each medium</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In a general introduction the editors discuss Foote's themes - going away and coming home again, the need for a sense of continuity with the past - and define his typical characters - small-town simple folk who face the knowledge that their straitened lives probably will not improve. Moore and Yellin briefly analyze the differences and similarities among the three versions of the play, demonstrating the necessity for each to meet the demands of a profit-making business. Preceding each script the editors discuss the circumstances surrounding the production - the technical and aesthetic limitations influencing and shaping the performance. This volume also includes four interviews - with Horton Foote; with the film's co-producer, Sterling VanWagenen; with Peter Masterson, its director; and with Carlin Glynn, who played the supporting role of Jessie Mae in the film</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">What ultimately emerges from the discussion of the three versions is a glimpse into the way a writer can function within the structure of the entertainment industry, respond to the limitations of the various media, share the creative process with co-workers, and yet remain true to an original vision</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Foote, Horton</subfield><subfield code="v">Film and video adaptations</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Moore, Barbara</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-006650110</subfield></datafield></record></collection> |
id | DE-604.BV010028444 |
illustrated | Illustrated |
indexdate | 2024-07-09T17:45:13Z |
institution | BVB |
isbn | 0870743260 0870743279 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006650110 |
oclc_num | 24108012 |
open_access_boolean | |
owner | DE-19 DE-BY-UBM |
owner_facet | DE-19 DE-BY-UBM |
physical | X, 259 S. Ill. |
publishDate | 1993 |
publishDateSearch | 1993 |
publishDateSort | 1993 |
publisher | Southern Methodist Univ. Press |
record_format | marc |
spelling | Foote, Horton 1916-2009 Verfasser (DE-588)119150786 aut Horton Foote's three trips to Bountiful ed. by Barbara Moore ... Three trips to Bountiful Dallas Southern Methodist Univ. Press 1993 X, 259 S. Ill. txt rdacontent n rdamedia nc rdacarrier The acclaimed playwright and screenwriter Horton Foote wrote The Trip to Bountiful for "Philco/Goodyear Television Playhouse" in 1953, during the golden age of live television drama. The teleplay was so successful that an expanded version opened on the Broadway stage eight months later starring the same leading lady, Lillian Gish. Over thirty years later, Foote converted the play into a screenplay that became the vehicle for Geraldine Page's Oscar-winning performance as Carrie Watts, the aging widow who yearns to return to her home-place, to the vanished Texas town of Bountiful. This volume is a comparative media study that collects the three scripts and examines the way Horton Foote's words and vision make the transition from television screen to stage to film. Moore and Yellin show Foote to be a preservationist, making minimal changes as he adjusts for the restrictions of time and technology in each medium In a general introduction the editors discuss Foote's themes - going away and coming home again, the need for a sense of continuity with the past - and define his typical characters - small-town simple folk who face the knowledge that their straitened lives probably will not improve. Moore and Yellin briefly analyze the differences and similarities among the three versions of the play, demonstrating the necessity for each to meet the demands of a profit-making business. Preceding each script the editors discuss the circumstances surrounding the production - the technical and aesthetic limitations influencing and shaping the performance. This volume also includes four interviews - with Horton Foote; with the film's co-producer, Sterling VanWagenen; with Peter Masterson, its director; and with Carlin Glynn, who played the supporting role of Jessie Mae in the film What ultimately emerges from the discussion of the three versions is a glimpse into the way a writer can function within the structure of the entertainment industry, respond to the limitations of the various media, share the creative process with co-workers, and yet remain true to an original vision Foote, Horton Film and video adaptations Moore, Barbara Sonstige oth |
spellingShingle | Foote, Horton 1916-2009 Horton Foote's three trips to Bountiful Foote, Horton Film and video adaptations |
title | Horton Foote's three trips to Bountiful |
title_alt | Three trips to Bountiful |
title_auth | Horton Foote's three trips to Bountiful |
title_exact_search | Horton Foote's three trips to Bountiful |
title_full | Horton Foote's three trips to Bountiful ed. by Barbara Moore ... |
title_fullStr | Horton Foote's three trips to Bountiful ed. by Barbara Moore ... |
title_full_unstemmed | Horton Foote's three trips to Bountiful ed. by Barbara Moore ... |
title_short | Horton Foote's three trips to Bountiful |
title_sort | horton foote s three trips to bountiful |
topic | Foote, Horton Film and video adaptations |
topic_facet | Foote, Horton Film and video adaptations |
work_keys_str_mv | AT footehorton hortonfootesthreetripstobountiful AT moorebarbara hortonfootesthreetripstobountiful AT footehorton threetripstobountiful AT moorebarbara threetripstobountiful |