Wordsworthian errancies: the poetics of cultural dismemberment
According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordswor...
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| Format: | Buch |
| Sprache: | English |
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Baltimore [u.a.]
Johns Hopkins Univ. Press
1994
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster. |
| Beschreibung: | XII, 287 S. |
| ISBN: | 0801848482 |
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| 520 | 3 | |a According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster. | |
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Datensatz im Suchindex
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| adam_text | Wordsworthian Errancies
The Poetics of Cultural Dismemberment
DAVID COLLINGS
The Johns Hopkins University Press • Baltimore and London
Contents
Acknowledgments xi
Introduction i
1 All Track Quite Lost:
Errancy in the Salisbury Plain Poems 18
2 Passing beyond the Visible World:
Self-wounding in The Borderers 50
3 Oh misery! oh misery!:
Masochistic Repetition in Incipient Madness,
The Ruined Cottage, and The Thorn 69
4 Ghastly Mildness:
Reconfiguring Errancy in The Discharged
Soldier, The Old Cumberland Beggar, and
The Ruined Cottage 100
5 Characters of Danger and Desire:
Deviant Authorship in the 1799 Prelude, Part One 118
6 Unfinished Covenant:
The Disruption of Tradition in Michael 157
7 Destruction by Deluge:
Nature against Itself in The Prelude 180
8 A Mockery of History:
Unreadable Revolution 207
Notes 237
Works Cited 269
Index 279
|
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| spelling | Collings, David Verfasser aut Wordsworthian errancies the poetics of cultural dismemberment David Collings Baltimore [u.a.] Johns Hopkins Univ. Press 1994 XII, 287 S. txt rdacontent n rdamedia nc rdacarrier According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster. Wordsworth, William <1770-1850> - Critique et interprétation Wordsworth, William <1770-1850> Criticism and interpretation Wordsworth, William 1770-1850 (DE-588)118635212 gnd rswk-swf Geschichte 1800-1900 Culture dans la littérature Cultuur gtt Littérature et société - Angleterre - Histoire - 19e siècle Psychanalyse et littérature Geschichte Kultur Psychologie Culture in literature Literature and society England History 19th century Poetry Psychological aspects Psychoanalysis and literature England Französische Revolution (DE-588)4018183-2 gnd rswk-swf Kulturkrise (DE-588)4165981-8 gnd rswk-swf Psychoanalyse (DE-588)4047689-3 gnd rswk-swf Wordsworth, William 1770-1850 (DE-588)118635212 p Französische Revolution (DE-588)4018183-2 s DE-604 Kulturkrise (DE-588)4165981-8 s Psychoanalyse (DE-588)4047689-3 s HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006617138&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Collings, David Wordsworthian errancies the poetics of cultural dismemberment Wordsworth, William <1770-1850> - Critique et interprétation Wordsworth, William <1770-1850> Criticism and interpretation Wordsworth, William 1770-1850 (DE-588)118635212 gnd Culture dans la littérature Cultuur gtt Littérature et société - Angleterre - Histoire - 19e siècle Psychanalyse et littérature Geschichte Kultur Psychologie Culture in literature Literature and society England History 19th century Poetry Psychological aspects Psychoanalysis and literature England Französische Revolution (DE-588)4018183-2 gnd Kulturkrise (DE-588)4165981-8 gnd Psychoanalyse (DE-588)4047689-3 gnd |
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| title | Wordsworthian errancies the poetics of cultural dismemberment |
| title_auth | Wordsworthian errancies the poetics of cultural dismemberment |
| title_exact_search | Wordsworthian errancies the poetics of cultural dismemberment |
| title_full | Wordsworthian errancies the poetics of cultural dismemberment David Collings |
| title_fullStr | Wordsworthian errancies the poetics of cultural dismemberment David Collings |
| title_full_unstemmed | Wordsworthian errancies the poetics of cultural dismemberment David Collings |
| title_short | Wordsworthian errancies |
| title_sort | wordsworthian errancies the poetics of cultural dismemberment |
| title_sub | the poetics of cultural dismemberment |
| topic | Wordsworth, William <1770-1850> - Critique et interprétation Wordsworth, William <1770-1850> Criticism and interpretation Wordsworth, William 1770-1850 (DE-588)118635212 gnd Culture dans la littérature Cultuur gtt Littérature et société - Angleterre - Histoire - 19e siècle Psychanalyse et littérature Geschichte Kultur Psychologie Culture in literature Literature and society England History 19th century Poetry Psychological aspects Psychoanalysis and literature England Französische Revolution (DE-588)4018183-2 gnd Kulturkrise (DE-588)4165981-8 gnd Psychoanalyse (DE-588)4047689-3 gnd |
| topic_facet | Wordsworth, William <1770-1850> - Critique et interprétation Wordsworth, William <1770-1850> Criticism and interpretation Wordsworth, William 1770-1850 Culture dans la littérature Cultuur Littérature et société - Angleterre - Histoire - 19e siècle Psychanalyse et littérature Geschichte Kultur Psychologie Culture in literature Literature and society England History 19th century Poetry Psychological aspects Psychoanalysis and literature England Französische Revolution Kulturkrise Psychoanalyse |
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