The photographic experience: 1839 - 1914 ; images and attitudes
Eighteen thirty-nine was the miraculous year in which the two principal inventors of photography - Daguerre in France and Fox Talbot in Great Britain - made their discoveries known to an eager and receptive public. News of the process flashed around the globe, and in no time, enthusiastic pioneers f...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
University Park, Pa.
Pennsylvania State Univ. Press
1994
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| Schlagworte: | |
| Zusammenfassung: | Eighteen thirty-nine was the miraculous year in which the two principal inventors of photography - Daguerre in France and Fox Talbot in Great Britain - made their discoveries known to an eager and receptive public. News of the process flashed around the globe, and in no time, enthusiastic pioneers from Auckland to Zanzibar were trying the new invention. Photography took root and flourished. It has since been used in a thousand ways and has changed our modes of perception in many more. The Photographic Experience deals with episodes and issues relating to the spread and practice of photography from its beginnings to World War I. Bridget and Heinz Henisch concern themselves with the reception accorded to the new art by professionals, amateurs, and the general public. They examine reactions to the new invention in the press, literature, poetry, music, and fashion; the response of intellectuals and painters; and the beliefs held by prominent photographers concerning the nature of the medium and its mission. With a wide array of images - many never before published - they illustrate the photograph's use as a record of public and private moments in life. Photography became quickly and thoroughly interwoven with the fabric of society and human experience, and its history comprises much more than the story of photographic art and its creators. The authors examine photographic ephemera and humor, photography and the law, the photographic studio experience, photography and travel, photography and journalism with special attention to advertising and war, the role of photography in politics, photographically illustrated books, the practice of overpainting, photography in the hands of the scholar, and the presentation and use of photographs in their social milieu. |
| Beschreibung: | X, 462 S. zahlr. Ill. |
| ISBN: | 0271009306 |
Internformat
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| 264 | 1 | |a University Park, Pa. |b Pennsylvania State Univ. Press |c 1994 | |
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| 520 | 3 | |a Eighteen thirty-nine was the miraculous year in which the two principal inventors of photography - Daguerre in France and Fox Talbot in Great Britain - made their discoveries known to an eager and receptive public. News of the process flashed around the globe, and in no time, enthusiastic pioneers from Auckland to Zanzibar were trying the new invention. Photography took root and flourished. It has since been used in a thousand ways and has changed our modes of perception in many more. The Photographic Experience deals with episodes and issues relating to the spread and practice of photography from its beginnings to World War I. Bridget and Heinz Henisch concern themselves with the reception accorded to the new art by professionals, amateurs, and the general public. They examine reactions to the new invention in the press, literature, poetry, music, and fashion; the response of intellectuals and painters; and the beliefs held by prominent photographers concerning the nature of the medium and its mission. With a wide array of images - many never before published - they illustrate the photograph's use as a record of public and private moments in life. Photography became quickly and thoroughly interwoven with the fabric of society and human experience, and its history comprises much more than the story of photographic art and its creators. The authors examine photographic ephemera and humor, photography and the law, the photographic studio experience, photography and travel, photography and journalism with special attention to advertising and war, the role of photography in politics, photographically illustrated books, the practice of overpainting, photography in the hands of the scholar, and the presentation and use of photographs in their social milieu. | |
| 648 | 7 | |a Geschichte 1839-1914 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Fotografie |2 gtt | |
| 650 | 4 | |a Photographie - Histoire | |
| 650 | 4 | |a Portraits (Photographie) - Histoire | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Photography |x History | |
| 650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
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| 689 | 0 | 1 | |a Geschichte 1839-1914 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Henisch, Bridget Ann |e Verfasser |4 aut | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-006591035 | ||
Datensatz im Suchindex
| _version_ | 1804124316685565952 |
|---|---|
| any_adam_object | |
| author | Henisch, Heinz K. 1922-2006 Henisch, Bridget Ann |
| author_GND | (DE-588)119489821 |
| author_facet | Henisch, Heinz K. 1922-2006 Henisch, Bridget Ann |
| author_role | aut aut |
| author_sort | Henisch, Heinz K. 1922-2006 |
| author_variant | h k h hk hkh b a h ba bah |
| building | Verbundindex |
| bvnumber | BV009947923 |
| callnumber-first | T - Technology |
| callnumber-label | TR15 |
| callnumber-raw | TR15 |
| callnumber-search | TR15 |
| callnumber-sort | TR 215 |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 94300 |
| ctrlnum | (OCoLC)26810350 (DE-599)BVBBV009947923 |
| dewey-full | 770/.9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770/.9 |
| dewey-search | 770/.9 |
| dewey-sort | 3770 19 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| era | Geschichte 1839-1914 gnd |
| era_facet | Geschichte 1839-1914 |
| format | Book |
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| id | DE-604.BV009947923 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:43:44Z |
| institution | BVB |
| isbn | 0271009306 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006591035 |
| oclc_num | 26810350 |
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| physical | X, 462 S. zahlr. Ill. |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | Pennsylvania State Univ. Press |
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| spelling | Henisch, Heinz K. 1922-2006 Verfasser (DE-588)119489821 aut The photographic experience 1839 - 1914 ; images and attitudes Heinz K. Henisch and Bridget A. Henisch University Park, Pa. Pennsylvania State Univ. Press 1994 X, 462 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Eighteen thirty-nine was the miraculous year in which the two principal inventors of photography - Daguerre in France and Fox Talbot in Great Britain - made their discoveries known to an eager and receptive public. News of the process flashed around the globe, and in no time, enthusiastic pioneers from Auckland to Zanzibar were trying the new invention. Photography took root and flourished. It has since been used in a thousand ways and has changed our modes of perception in many more. The Photographic Experience deals with episodes and issues relating to the spread and practice of photography from its beginnings to World War I. Bridget and Heinz Henisch concern themselves with the reception accorded to the new art by professionals, amateurs, and the general public. They examine reactions to the new invention in the press, literature, poetry, music, and fashion; the response of intellectuals and painters; and the beliefs held by prominent photographers concerning the nature of the medium and its mission. With a wide array of images - many never before published - they illustrate the photograph's use as a record of public and private moments in life. Photography became quickly and thoroughly interwoven with the fabric of society and human experience, and its history comprises much more than the story of photographic art and its creators. The authors examine photographic ephemera and humor, photography and the law, the photographic studio experience, photography and travel, photography and journalism with special attention to advertising and war, the role of photography in politics, photographically illustrated books, the practice of overpainting, photography in the hands of the scholar, and the presentation and use of photographs in their social milieu. Geschichte 1839-1914 gnd rswk-swf Fotografie gtt Photographie - Histoire Portraits (Photographie) - Histoire Geschichte Photography History Fotografie (DE-588)4045895-7 gnd rswk-swf Fotografie (DE-588)4045895-7 s Geschichte 1839-1914 z DE-604 Henisch, Bridget Ann Verfasser aut |
| spellingShingle | Henisch, Heinz K. 1922-2006 Henisch, Bridget Ann The photographic experience 1839 - 1914 ; images and attitudes Fotografie gtt Photographie - Histoire Portraits (Photographie) - Histoire Geschichte Photography History Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)4045895-7 |
| title | The photographic experience 1839 - 1914 ; images and attitudes |
| title_auth | The photographic experience 1839 - 1914 ; images and attitudes |
| title_exact_search | The photographic experience 1839 - 1914 ; images and attitudes |
| title_full | The photographic experience 1839 - 1914 ; images and attitudes Heinz K. Henisch and Bridget A. Henisch |
| title_fullStr | The photographic experience 1839 - 1914 ; images and attitudes Heinz K. Henisch and Bridget A. Henisch |
| title_full_unstemmed | The photographic experience 1839 - 1914 ; images and attitudes Heinz K. Henisch and Bridget A. Henisch |
| title_short | The photographic experience |
| title_sort | the photographic experience 1839 1914 images and attitudes |
| title_sub | 1839 - 1914 ; images and attitudes |
| topic | Fotografie gtt Photographie - Histoire Portraits (Photographie) - Histoire Geschichte Photography History Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Fotografie Photographie - Histoire Portraits (Photographie) - Histoire Geschichte Photography History |
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