The revolution in the visual arts and the poetry of William Carlos Williams:
The formation of Modernist literature took place in a cultural climate characterized by an unprecedented collaboration between painters, sculptors, writers, musicians, and critics on both sides of the Atlantic. Within this multifaceted movement, William Carlos Williams is a paradigmatic case of a wr...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
1994
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Cambridge studies in American literature and culture
76 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | The formation of Modernist literature took place in a cultural climate characterized by an unprecedented collaboration between painters, sculptors, writers, musicians, and critics on both sides of the Atlantic. Within this multifaceted movement, William Carlos Williams is a paradigmatic case of a writer whose work was the result of a successful attempt at integrating ideas and concepts from the revolutionary visual arts. This book takes up a range of questions about the deeper affinities between Williams's poetry and the visual arts (including photography) that have not yet been studied in depth. What connections, for example, inform Williams's programmatic insistence on "contact" and the "shallow" or intimate space in a Cubist painting (which, as Braque advocated, should open up toward the viewer instead of receding into the infinity of the traditional vanishing point)? Are there fruitful applications of such concepts as synesthesia and kinesthesia, much talked about in Futurism and Precisionism, to Williams's preoccupation with an "aesthetics of energy"? How does Williams successfully integrate in his poetry such fundamentally different concepts as Kandinsky's theory of expression and Duchamp's notion of the ready-made? This book is a major step toward a fuller exploration of the connection between the visual arts and Williams's concept of the Modernist poem, and of his achievement in transcending an art-for-art's-sake formalism to create poems which both reflect their own nature as a work of art and vividly evoke the world of which they are a part. As Williams repeatedly stressed, "[I]t must not be forgot that we smell, hear, and see with words and words alone, and that with a new language we smell, hear, and see afresh...." |
Beschreibung: | XII, 270 S. Ill. |
ISBN: | 0521431301 |
Internformat
MARC
LEADER | 00000nam a2200000 cb4500 | ||
---|---|---|---|
001 | BV009884607 | ||
003 | DE-604 | ||
005 | 20110606 | ||
007 | t | ||
008 | 941107s1994 a||| |||| 00||| eng d | ||
020 | |a 0521431301 |9 0-521-43130-1 | ||
035 | |a (OCoLC)28376592 | ||
035 | |a (DE-599)BVBBV009884607 | ||
040 | |a DE-604 |b ger |e rakddb | ||
041 | 0 | |a eng | |
049 | |a DE-473 |a DE-19 |a DE-703 |a DE-355 |a DE-12 |a DE-824 |a DE-29 |a DE-384 |a DE-20 |a DE-11 |a DE-188 | ||
050 | 0 | |a PS3545.I544 | |
082 | 0 | |a 811/.52 |2 20 | |
084 | |a HU 9505 |0 (DE-625)54382:11852 |2 rvk | ||
084 | |a HU 9555 |0 (DE-625)54388:11852 |2 rvk | ||
100 | 1 | |a Halter, Peter |e Verfasser |4 aut | |
245 | 1 | 0 | |a The revolution in the visual arts and the poetry of William Carlos Williams |c Peter Halter |
250 | |a 1. publ. | ||
264 | 1 | |a Cambridge [u.a.] |b Cambridge Univ. Press |c 1994 | |
300 | |a XII, 270 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Cambridge studies in American literature and culture |v 76 | |
520 | 3 | |a The formation of Modernist literature took place in a cultural climate characterized by an unprecedented collaboration between painters, sculptors, writers, musicians, and critics on both sides of the Atlantic. Within this multifaceted movement, William Carlos Williams is a paradigmatic case of a writer whose work was the result of a successful attempt at integrating ideas and concepts from the revolutionary visual arts. This book takes up a range of questions about the deeper affinities between Williams's poetry and the visual arts (including photography) that have not yet been studied in depth. What connections, for example, inform Williams's programmatic insistence on "contact" and the "shallow" or intimate space in a Cubist painting (which, as Braque advocated, should open up toward the viewer instead of receding into the infinity of the traditional vanishing point)? Are there fruitful applications of such concepts as synesthesia and kinesthesia, much talked about in Futurism and Precisionism, to Williams's preoccupation with an "aesthetics of energy"? How does Williams successfully integrate in his poetry such fundamentally different concepts as Kandinsky's theory of expression and Duchamp's notion of the ready-made? This book is a major step toward a fuller exploration of the connection between the visual arts and Williams's concept of the Modernist poem, and of his achievement in transcending an art-for-art's-sake formalism to create poems which both reflect their own nature as a work of art and vividly evoke the world of which they are a part. As Williams repeatedly stressed, "[I]t must not be forgot that we smell, hear, and see with words and words alone, and that with a new language we smell, hear, and see afresh...." | |
600 | 1 | 4 | |a Williams, William Carlos <1883-1963> |
600 | 1 | 7 | |a Williams, William Carlos <1883-1963> - Esthétique |2 ram |
600 | 1 | 7 | |a Williams, William Carlos <1883-1963> - Savoir et érudition - Art |2 ram |
600 | 1 | 4 | |a Williams, William Carlos <1883-1963> |x Knowledge |v Art |
600 | 1 | 7 | |a Williams, William Carlos |d 1883-1963 |0 (DE-588)11877199X |2 gnd |9 rswk-swf |
648 | 4 | |a Geschichte 1900-2000 | |
650 | 7 | |a Art et littérature - États-Unis - 20e siècle |2 ram | |
650 | 7 | |a Beeldende kunsten |2 gtt | |
650 | 7 | |a Letterkunde |2 gtt | |
650 | 7 | |a Modernisme (art) - États-Unis |2 ram | |
650 | 7 | |a Modernisme (cultuur) |2 gtt | |
650 | 7 | |a Modernisme (littérature) - États-Unis |2 ram | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Kunst | |
650 | 4 | |a Literatur | |
650 | 4 | |a Wissen | |
650 | 4 | |a Art and literature |z United States |x History |y 20th century | |
650 | 4 | |a Modernism (Art) |z United States | |
650 | 4 | |a Modernism (Literature) |z United States | |
650 | 4 | |a Visual perception in literature | |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Lyrik |0 (DE-588)4036774-5 |2 gnd |9 rswk-swf |
651 | 4 | |a USA | |
689 | 0 | 0 | |a Williams, William Carlos |d 1883-1963 |0 (DE-588)11877199X |D p |
689 | 0 | 1 | |a Lyrik |0 (DE-588)4036774-5 |D s |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Williams, William Carlos |d 1883-1963 |0 (DE-588)11877199X |D p |
689 | 1 | 1 | |a Lyrik |0 (DE-588)4036774-5 |D s |
689 | 1 | 2 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 1 | |5 DE-604 | |
830 | 0 | |a Cambridge studies in American literature and culture |v 76 |w (DE-604)BV004573777 |9 76 | |
856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006545405&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-006545405 |
Datensatz im Suchindex
_version_ | 1804124243149979648 |
---|---|
adam_text | The Revolution in
the Visual Arts and the Poetry
of William Carlos Williams
PETER HALTER
University of Lausanne
CAMBRIDGE
UNIVERSITY PRESS
Contents
List of Illustrations page vi
Acknowledgments vii
List of Abbreviations xi
Introduction 1
Prelude: Getting in Touch 8
1 A Poem Can Be Made of Anything 13
2 Vortex; or, A Thing Is What It Does 35
3 The Poem as a Field of Action 60
4 Soothing the Savage Beast: Cubist Realism and the Urban
Landscape 94
5 The Virgin and the Dynamo 128
6 The Search for a Synthetic Form 155
7 The Poem on the Page 182
Conclusion 211
Notes • 221
Selected Bibliography 254
Index 265
|
any_adam_object | 1 |
author | Halter, Peter |
author_facet | Halter, Peter |
author_role | aut |
author_sort | Halter, Peter |
author_variant | p h ph |
building | Verbundindex |
bvnumber | BV009884607 |
callnumber-first | P - Language and Literature |
callnumber-label | PS3545 |
callnumber-raw | PS3545.I544 |
callnumber-search | PS3545.I544 |
callnumber-sort | PS 43545 I544 |
callnumber-subject | PS - American Literature |
classification_rvk | HU 9505 HU 9555 |
ctrlnum | (OCoLC)28376592 (DE-599)BVBBV009884607 |
dewey-full | 811/.52 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 811 - American poetry in English |
dewey-raw | 811/.52 |
dewey-search | 811/.52 |
dewey-sort | 3811 252 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
edition | 1. publ. |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04679nam a2200721 cb4500</leader><controlfield tag="001">BV009884607</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20110606 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">941107s1994 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0521431301</subfield><subfield code="9">0-521-43130-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)28376592</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV009884607</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PS3545.I544</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">811/.52</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 9505</subfield><subfield code="0">(DE-625)54382:11852</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 9555</subfield><subfield code="0">(DE-625)54388:11852</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Halter, Peter</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The revolution in the visual arts and the poetry of William Carlos Williams</subfield><subfield code="c">Peter Halter</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge [u.a.]</subfield><subfield code="b">Cambridge Univ. Press</subfield><subfield code="c">1994</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XII, 270 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Cambridge studies in American literature and culture</subfield><subfield code="v">76</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The formation of Modernist literature took place in a cultural climate characterized by an unprecedented collaboration between painters, sculptors, writers, musicians, and critics on both sides of the Atlantic. Within this multifaceted movement, William Carlos Williams is a paradigmatic case of a writer whose work was the result of a successful attempt at integrating ideas and concepts from the revolutionary visual arts. This book takes up a range of questions about the deeper affinities between Williams's poetry and the visual arts (including photography) that have not yet been studied in depth. What connections, for example, inform Williams's programmatic insistence on "contact" and the "shallow" or intimate space in a Cubist painting (which, as Braque advocated, should open up toward the viewer instead of receding into the infinity of the traditional vanishing point)? Are there fruitful applications of such concepts as synesthesia and kinesthesia, much talked about in Futurism and Precisionism, to Williams's preoccupation with an "aesthetics of energy"? How does Williams successfully integrate in his poetry such fundamentally different concepts as Kandinsky's theory of expression and Duchamp's notion of the ready-made? This book is a major step toward a fuller exploration of the connection between the visual arts and Williams's concept of the Modernist poem, and of his achievement in transcending an art-for-art's-sake formalism to create poems which both reflect their own nature as a work of art and vividly evoke the world of which they are a part. As Williams repeatedly stressed, "[I]t must not be forgot that we smell, hear, and see with words and words alone, and that with a new language we smell, hear, and see afresh...."</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Williams, William Carlos <1883-1963></subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Williams, William Carlos <1883-1963> - Esthétique</subfield><subfield code="2">ram</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Williams, William Carlos <1883-1963> - Savoir et érudition - Art</subfield><subfield code="2">ram</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Williams, William Carlos <1883-1963></subfield><subfield code="x">Knowledge</subfield><subfield code="v">Art</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Williams, William Carlos</subfield><subfield code="d">1883-1963</subfield><subfield code="0">(DE-588)11877199X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art et littérature - États-Unis - 20e siècle</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Beeldende kunsten</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Letterkunde</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Modernisme (art) - États-Unis</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Modernisme (cultuur)</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Modernisme (littérature) - États-Unis</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Kunst</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literatur</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Wissen</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and literature</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Art)</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Literature)</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Visual perception in literature</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Williams, William Carlos</subfield><subfield code="d">1883-1963</subfield><subfield code="0">(DE-588)11877199X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Williams, William Carlos</subfield><subfield code="d">1883-1963</subfield><subfield code="0">(DE-588)11877199X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Cambridge studies in American literature and culture</subfield><subfield code="v">76</subfield><subfield code="w">(DE-604)BV004573777</subfield><subfield code="9">76</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006545405&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-006545405</subfield></datafield></record></collection> |
geographic | USA |
geographic_facet | USA |
id | DE-604.BV009884607 |
illustrated | Illustrated |
indexdate | 2024-07-09T17:42:34Z |
institution | BVB |
isbn | 0521431301 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006545405 |
oclc_num | 28376592 |
open_access_boolean | |
owner | DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-703 DE-355 DE-BY-UBR DE-12 DE-824 DE-29 DE-384 DE-20 DE-11 DE-188 |
owner_facet | DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-703 DE-355 DE-BY-UBR DE-12 DE-824 DE-29 DE-384 DE-20 DE-11 DE-188 |
physical | XII, 270 S. Ill. |
publishDate | 1994 |
publishDateSearch | 1994 |
publishDateSort | 1994 |
publisher | Cambridge Univ. Press |
record_format | marc |
series | Cambridge studies in American literature and culture |
series2 | Cambridge studies in American literature and culture |
spelling | Halter, Peter Verfasser aut The revolution in the visual arts and the poetry of William Carlos Williams Peter Halter 1. publ. Cambridge [u.a.] Cambridge Univ. Press 1994 XII, 270 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cambridge studies in American literature and culture 76 The formation of Modernist literature took place in a cultural climate characterized by an unprecedented collaboration between painters, sculptors, writers, musicians, and critics on both sides of the Atlantic. Within this multifaceted movement, William Carlos Williams is a paradigmatic case of a writer whose work was the result of a successful attempt at integrating ideas and concepts from the revolutionary visual arts. This book takes up a range of questions about the deeper affinities between Williams's poetry and the visual arts (including photography) that have not yet been studied in depth. What connections, for example, inform Williams's programmatic insistence on "contact" and the "shallow" or intimate space in a Cubist painting (which, as Braque advocated, should open up toward the viewer instead of receding into the infinity of the traditional vanishing point)? Are there fruitful applications of such concepts as synesthesia and kinesthesia, much talked about in Futurism and Precisionism, to Williams's preoccupation with an "aesthetics of energy"? How does Williams successfully integrate in his poetry such fundamentally different concepts as Kandinsky's theory of expression and Duchamp's notion of the ready-made? This book is a major step toward a fuller exploration of the connection between the visual arts and Williams's concept of the Modernist poem, and of his achievement in transcending an art-for-art's-sake formalism to create poems which both reflect their own nature as a work of art and vividly evoke the world of which they are a part. As Williams repeatedly stressed, "[I]t must not be forgot that we smell, hear, and see with words and words alone, and that with a new language we smell, hear, and see afresh...." Williams, William Carlos <1883-1963> Williams, William Carlos <1883-1963> - Esthétique ram Williams, William Carlos <1883-1963> - Savoir et érudition - Art ram Williams, William Carlos <1883-1963> Knowledge Art Williams, William Carlos 1883-1963 (DE-588)11877199X gnd rswk-swf Geschichte 1900-2000 Art et littérature - États-Unis - 20e siècle ram Beeldende kunsten gtt Letterkunde gtt Modernisme (art) - États-Unis ram Modernisme (cultuur) gtt Modernisme (littérature) - États-Unis ram Geschichte Kunst Literatur Wissen Art and literature United States History 20th century Modernism (Art) United States Modernism (Literature) United States Visual perception in literature Kunst (DE-588)4114333-4 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf USA Williams, William Carlos 1883-1963 (DE-588)11877199X p Lyrik (DE-588)4036774-5 s DE-604 Kunst (DE-588)4114333-4 s Cambridge studies in American literature and culture 76 (DE-604)BV004573777 76 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006545405&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Halter, Peter The revolution in the visual arts and the poetry of William Carlos Williams Cambridge studies in American literature and culture Williams, William Carlos <1883-1963> Williams, William Carlos <1883-1963> - Esthétique ram Williams, William Carlos <1883-1963> - Savoir et érudition - Art ram Williams, William Carlos <1883-1963> Knowledge Art Williams, William Carlos 1883-1963 (DE-588)11877199X gnd Art et littérature - États-Unis - 20e siècle ram Beeldende kunsten gtt Letterkunde gtt Modernisme (art) - États-Unis ram Modernisme (cultuur) gtt Modernisme (littérature) - États-Unis ram Geschichte Kunst Literatur Wissen Art and literature United States History 20th century Modernism (Art) United States Modernism (Literature) United States Visual perception in literature Kunst (DE-588)4114333-4 gnd Lyrik (DE-588)4036774-5 gnd |
subject_GND | (DE-588)11877199X (DE-588)4114333-4 (DE-588)4036774-5 |
title | The revolution in the visual arts and the poetry of William Carlos Williams |
title_auth | The revolution in the visual arts and the poetry of William Carlos Williams |
title_exact_search | The revolution in the visual arts and the poetry of William Carlos Williams |
title_full | The revolution in the visual arts and the poetry of William Carlos Williams Peter Halter |
title_fullStr | The revolution in the visual arts and the poetry of William Carlos Williams Peter Halter |
title_full_unstemmed | The revolution in the visual arts and the poetry of William Carlos Williams Peter Halter |
title_short | The revolution in the visual arts and the poetry of William Carlos Williams |
title_sort | the revolution in the visual arts and the poetry of william carlos williams |
topic | Williams, William Carlos <1883-1963> Williams, William Carlos <1883-1963> - Esthétique ram Williams, William Carlos <1883-1963> - Savoir et érudition - Art ram Williams, William Carlos <1883-1963> Knowledge Art Williams, William Carlos 1883-1963 (DE-588)11877199X gnd Art et littérature - États-Unis - 20e siècle ram Beeldende kunsten gtt Letterkunde gtt Modernisme (art) - États-Unis ram Modernisme (cultuur) gtt Modernisme (littérature) - États-Unis ram Geschichte Kunst Literatur Wissen Art and literature United States History 20th century Modernism (Art) United States Modernism (Literature) United States Visual perception in literature Kunst (DE-588)4114333-4 gnd Lyrik (DE-588)4036774-5 gnd |
topic_facet | Williams, William Carlos <1883-1963> Williams, William Carlos <1883-1963> - Esthétique Williams, William Carlos <1883-1963> - Savoir et érudition - Art Williams, William Carlos <1883-1963> Knowledge Art Williams, William Carlos 1883-1963 Art et littérature - États-Unis - 20e siècle Beeldende kunsten Letterkunde Modernisme (art) - États-Unis Modernisme (cultuur) Modernisme (littérature) - États-Unis Geschichte Kunst Literatur Wissen Art and literature United States History 20th century Modernism (Art) United States Modernism (Literature) United States Visual perception in literature Lyrik USA |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006545405&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV004573777 |
work_keys_str_mv | AT halterpeter therevolutioninthevisualartsandthepoetryofwilliamcarloswilliams |