The films of John Cassavetes: pragmatism, modernism, and the movies
The Films of John Cassavetes tells the inside story of the making of six of Cassavetes' most important works: Shadows, Faces, Minnie and Moskowitz, A Woman Under the Influence, The Killing of a Chinese Bookie, and Love Streams
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge u.a.
Cambridge Univ. Press
1994
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge film classics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The Films of John Cassavetes tells the inside story of the making of six of Cassavetes' most important works: Shadows, Faces, Minnie and Moskowitz, A Woman Under the Influence, The Killing of a Chinese Bookie, and Love Streams With the help of almost fifty previously unpublished photographs from the private collections of Sam Shaw and Larry Shaw, and excerpts from interviews with the filmmaker and many of his closest friends, the reader is taken behind the scenes to watch the maverick independent at work: writing his scripts, rehearsing his actors, blocking their movements, shooting his scenes, and editing them Through words and pictures, Cassavetes is shown to have been a deeply thoughtful and self-aware artist and a profound commentator on the American experience |
| Beschreibung: | Bibliogr. S. 308 - 311. - Filmogr. S. 313 - 316 |
| Beschreibung: | X, 322 S. Ill. |
| ISBN: | 0521381193 |
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| 520 | |a With the help of almost fifty previously unpublished photographs from the private collections of Sam Shaw and Larry Shaw, and excerpts from interviews with the filmmaker and many of his closest friends, the reader is taken behind the scenes to watch the maverick independent at work: writing his scripts, rehearsing his actors, blocking their movements, shooting his scenes, and editing them | ||
| 520 | |a Through words and pictures, Cassavetes is shown to have been a deeply thoughtful and self-aware artist and a profound commentator on the American experience | ||
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Datensatz im Suchindex
| _version_ | 1804124220720939008 |
|---|---|
| adam_text | The Films of
John Cassavetes
Pragmatism, Modernism, and the Movies
RAY CARNEY
Boston University
Photographs by
Sam Shaw and Larry Shaw
CAMBRIDGE
UNIVERSITY PRESS
Contents
Acknowledgments page ix
Introduction: Thinking in Space, Time, and the Body i
1 Selves in the Making (Shadows) 27
2 Noncontemplative Art (Faces) 74
3 Beating the System (Minnie and Moskowitz) 114
4 An Artist of the Ordinary (A Woman Under the Influence) 143
5 The Path of Greatest Resistance (The Killing of a Chinese
Bookie) 184
6 Compositions and Decompositions (Love Streams) 235
Epilogue: The Religion of Doing 271
Notes 283
Bibliography 308
Filmography 313
Index 3*7
vii
|
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| indexdate | 2024-07-09T17:42:12Z |
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| language | English |
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| spelling | Carney, Raymond 1947- Verfasser (DE-588)128615087 aut The films of John Cassavetes pragmatism, modernism, and the movies Ray Carney 1. publ. Cambridge u.a. Cambridge Univ. Press 1994 X, 322 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cambridge film classics Bibliogr. S. 308 - 311. - Filmogr. S. 313 - 316 The Films of John Cassavetes tells the inside story of the making of six of Cassavetes' most important works: Shadows, Faces, Minnie and Moskowitz, A Woman Under the Influence, The Killing of a Chinese Bookie, and Love Streams With the help of almost fifty previously unpublished photographs from the private collections of Sam Shaw and Larry Shaw, and excerpts from interviews with the filmmaker and many of his closest friends, the reader is taken behind the scenes to watch the maverick independent at work: writing his scripts, rehearsing his actors, blocking their movements, shooting his scenes, and editing them Through words and pictures, Cassavetes is shown to have been a deeply thoughtful and self-aware artist and a profound commentator on the American experience Cassavetes, John <1929-1989> - Critique et interprétation Cassavetes, John <1929-1989> Criticism and interpretation Cassavetes, John 1929-1989 (DE-588)118519484 gnd rswk-swf Sociaal realisme gtt Film (DE-588)4017102-4 gnd rswk-swf Cassavetes, John 1929-1989 (DE-588)118519484 p Film (DE-588)4017102-4 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006531200&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Carney, Raymond 1947- The films of John Cassavetes pragmatism, modernism, and the movies Cassavetes, John <1929-1989> - Critique et interprétation Cassavetes, John <1929-1989> Criticism and interpretation Cassavetes, John 1929-1989 (DE-588)118519484 gnd Sociaal realisme gtt Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)118519484 (DE-588)4017102-4 |
| title | The films of John Cassavetes pragmatism, modernism, and the movies |
| title_auth | The films of John Cassavetes pragmatism, modernism, and the movies |
| title_exact_search | The films of John Cassavetes pragmatism, modernism, and the movies |
| title_full | The films of John Cassavetes pragmatism, modernism, and the movies Ray Carney |
| title_fullStr | The films of John Cassavetes pragmatism, modernism, and the movies Ray Carney |
| title_full_unstemmed | The films of John Cassavetes pragmatism, modernism, and the movies Ray Carney |
| title_short | The films of John Cassavetes |
| title_sort | the films of john cassavetes pragmatism modernism and the movies |
| title_sub | pragmatism, modernism, and the movies |
| topic | Cassavetes, John <1929-1989> - Critique et interprétation Cassavetes, John <1929-1989> Criticism and interpretation Cassavetes, John 1929-1989 (DE-588)118519484 gnd Sociaal realisme gtt Film (DE-588)4017102-4 gnd |
| topic_facet | Cassavetes, John <1929-1989> - Critique et interprétation Cassavetes, John <1929-1989> Criticism and interpretation Cassavetes, John 1929-1989 Sociaal realisme Film |
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