Irishness and (post)modernism:
"From Yeats's "indomitable Irishry" to Joyce's "old sow that eats her farrow" to Eavan Boland's "Mise Eire," modern Irish writers have constructed notions of Ireland and Irishness that conflict not only with each other but often also with the culture...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Lewisburg
Bucknell Univ. Press u.a.
1994
|
| Schriftenreihe: | Bucknell review
38,1 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "From Yeats's "indomitable Irishry" to Joyce's "old sow that eats her farrow" to Eavan Boland's "Mise Eire," modern Irish writers have constructed notions of Ireland and Irishness that conflict not only with each other but often also with the culture and politics of modern Ireland. At the same time, many of these same authors have been appropriated by an international criticism that prefers to see them not primarily as Irish writers working within a colonial or postcolonial framework but as literary modernists or postmodernists participating in the transnational avant-garde of twentieth-century letters. The nine essays collected in this issue of Bucknell Review approach this critical intersection between the national and transnational categories of Irishness and (post)modernism from different theoretical perspectives. In its own way, each essay seeks to investigate the consequences of abstract categories such as Irishness, modernism, and postmodernism when they are applied to a variety of modern Irish writers." "The question of what nationality means - how it is constituted, how it operates, what value it has - is clearly once again becoming a central topic in contemporary world events. Nationalism calls into question concepts such as modernism and postmodernism, with their assumption of a transnational culture that brings artists in different countries into an aesthetic community in which issues of nationality are more often effaced in favor of more general aesthetic and philosophical issues. Clearly, many writers labeled as "modernist" or "postmodernist" do not fall easily into either side of this dichotomy. Similarly, few if any of the writers discussed here fit simply into any available construction of Irishness." "The essays in this volume extend this inquiry into Irish culture and writing from the 1890s to the present. Textual tensions mirror larger conflicts between English and Irish and modernist and postmodernist in essays on Bram Stoker's Draccula and Oscar Wilde's The Picture of Dorian Gray. Another explores the importance of a "collaborative modernity" in shaping W. B. Yeats's adaptation to the role of modern Irish poet, while two essays on James Joyce reconsider him as modernist. Samuel Beckett is read as modernist and postmodernist, and we see the poetry of Eavan Boland at the intersection of Irishness, modernism, and women's writing. Seamus Heaney and Ciaran Carson provide the poetic material for a reading of the tropic discourse used to handle images of the body amid the violence and dismemberment of Northern Irish writing, and the final essay questions a "state of chassis" in Ireland. These nine essays by leading scholars in Irish studies make a new and important contribution to questions of nationality and cosmopolitanism in Irish letters."--BOOK JACKET |
| Beschreibung: | 229 S. Ill. |
| ISBN: | 0838752713 |
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| 520 | 1 | |a "From Yeats's "indomitable Irishry" to Joyce's "old sow that eats her farrow" to Eavan Boland's "Mise Eire," modern Irish writers have constructed notions of Ireland and Irishness that conflict not only with each other but often also with the culture and politics of modern Ireland. At the same time, many of these same authors have been appropriated by an international criticism that prefers to see them not primarily as Irish writers working within a colonial or postcolonial framework but as literary modernists or postmodernists participating in the transnational avant-garde of twentieth-century letters. The nine essays collected in this issue of Bucknell Review approach this critical intersection between the national and transnational categories of Irishness and (post)modernism from different theoretical perspectives. In its own way, each essay seeks to investigate the consequences of abstract categories such as Irishness, modernism, and postmodernism when they are applied to a variety of modern Irish writers." "The question of what nationality means - how it is constituted, how it operates, what value it has - is clearly once again becoming a central topic in contemporary world events. Nationalism calls into question concepts such as modernism and postmodernism, with their assumption of a transnational culture that brings artists in different countries into an aesthetic community in which issues of nationality are more often effaced in favor of more general aesthetic and philosophical issues. Clearly, many writers labeled as "modernist" or "postmodernist" do not fall easily into either side of this dichotomy. Similarly, few if any of the writers discussed here fit simply into any available construction of Irishness." | |
| 520 | |a "The essays in this volume extend this inquiry into Irish culture and writing from the 1890s to the present. Textual tensions mirror larger conflicts between English and Irish and modernist and postmodernist in essays on Bram Stoker's Draccula and Oscar Wilde's The Picture of Dorian Gray. Another explores the importance of a "collaborative modernity" in shaping W. B. Yeats's adaptation to the role of modern Irish poet, while two essays on James Joyce reconsider him as modernist. Samuel Beckett is read as modernist and postmodernist, and we see the poetry of Eavan Boland at the intersection of Irishness, modernism, and women's writing. Seamus Heaney and Ciaran Carson provide the poetic material for a reading of the tropic discourse used to handle images of the body amid the violence and dismemberment of Northern Irish writing, and the final essay questions a "state of chassis" in Ireland. These nine essays by leading scholars in Irish studies make a new and important contribution to questions of nationality and cosmopolitanism in Irish letters."--BOOK JACKET | ||
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| adam_text | BUCKNELL REVIEW
Irishness
and
(Post) Modernism
Edited by
JOHN S RICKARD
Lewisburg
Bucknell University Press
London and Toronto: Associated University Presses
Contents
Acknowledgments
Notes on Contributors
Introduction
Mother Dracula: Orientalism,
Degeneration, and Anglo-
Irish National Subjectivity
at the Fin de Siecle
JOHN S RICKARD
CANNON SCHMITT
What s in a Name?:
Representing The Picture of
Dorian Gray MICHAEL PATRICK GILLESPIE 44
Twilight to Vision: Yeats s
Collaborative Modernity MARGARET MILLS HARPER 61
Authorial Omniscience and
Cultural Psyche: The
Antimodernism of Joyce s
Ulysses WELDON THORNTON 84
Joyce/Irishness/Modernism KEVIN J H DETTMAR 103
Undecidable Imperatives:
Notes on Beckett in the
Modern and Postmodern DAVID WHEATLEY 127
An Origin like Water: The
Poetry of Eavan Boland and
Modernist Critiques of Irish
Literature ANN OWENS WEEKES 159
The Dismembering Muse:
Seamus Heaney, Ciaran
Carson, and Kenneth
Burke s Four Master
Tropes RAND BRANDES 177
A State o Chassis: Mobile
• Capital, Ireland, and the
Question of Postmodernity CHERYL HERR 195
|
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| callnumber-subject | PR - English Literature |
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| dewey-ones | 820 - English & Old English literatures |
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| dewey-search | 820.900914 |
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 Geschichte 1890-1990 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1890-1990 |
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| series2 | Bucknell review |
| spelling | Irishness and (post)modernism ed. by John S. Rickard Lewisburg Bucknell Univ. Press u.a. 1994 229 S. Ill. txt rdacontent n rdamedia nc rdacarrier Bucknell review 38,1 "From Yeats's "indomitable Irishry" to Joyce's "old sow that eats her farrow" to Eavan Boland's "Mise Eire," modern Irish writers have constructed notions of Ireland and Irishness that conflict not only with each other but often also with the culture and politics of modern Ireland. At the same time, many of these same authors have been appropriated by an international criticism that prefers to see them not primarily as Irish writers working within a colonial or postcolonial framework but as literary modernists or postmodernists participating in the transnational avant-garde of twentieth-century letters. The nine essays collected in this issue of Bucknell Review approach this critical intersection between the national and transnational categories of Irishness and (post)modernism from different theoretical perspectives. In its own way, each essay seeks to investigate the consequences of abstract categories such as Irishness, modernism, and postmodernism when they are applied to a variety of modern Irish writers." "The question of what nationality means - how it is constituted, how it operates, what value it has - is clearly once again becoming a central topic in contemporary world events. Nationalism calls into question concepts such as modernism and postmodernism, with their assumption of a transnational culture that brings artists in different countries into an aesthetic community in which issues of nationality are more often effaced in favor of more general aesthetic and philosophical issues. Clearly, many writers labeled as "modernist" or "postmodernist" do not fall easily into either side of this dichotomy. Similarly, few if any of the writers discussed here fit simply into any available construction of Irishness." "The essays in this volume extend this inquiry into Irish culture and writing from the 1890s to the present. Textual tensions mirror larger conflicts between English and Irish and modernist and postmodernist in essays on Bram Stoker's Draccula and Oscar Wilde's The Picture of Dorian Gray. Another explores the importance of a "collaborative modernity" in shaping W. B. Yeats's adaptation to the role of modern Irish poet, while two essays on James Joyce reconsider him as modernist. Samuel Beckett is read as modernist and postmodernist, and we see the poetry of Eavan Boland at the intersection of Irishness, modernism, and women's writing. Seamus Heaney and Ciaran Carson provide the poetic material for a reading of the tropic discourse used to handle images of the body amid the violence and dismemberment of Northern Irish writing, and the final essay questions a "state of chassis" in Ireland. These nine essays by leading scholars in Irish studies make a new and important contribution to questions of nationality and cosmopolitanism in Irish letters."--BOOK JACKET Geschichte 1900-2000 Geschichte 1890-1990 gnd rswk-swf Engels gtt Letterkunde gtt Modernisme (cultuur) gtt Postmodernisme gtt Englisch Literatur Postmoderne English literature Irish authors History and criticism English literature 20th century History and criticism Modernism (Literature) Ireland National characteristics, Irish Nationalism and literature Ireland Nationalism in literature Postmodernism (Literature) Ireland Literatur (DE-588)4035964-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Irlandbild (DE-588)4311215-8 gnd rswk-swf Irland Irland (DE-588)4027667-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Irland (DE-588)4027667-3 g Literatur (DE-588)4035964-5 s Irlandbild (DE-588)4311215-8 s Englisch (DE-588)4014777-0 s Geschichte 1890-1990 z DE-604 Rickard, John S. Sonstige oth Bucknell review 38,1 (DE-604)BV002674743 38,1 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006510542&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Irishness and (post)modernism Bucknell review Engels gtt Letterkunde gtt Modernisme (cultuur) gtt Postmodernisme gtt Englisch Literatur Postmoderne English literature Irish authors History and criticism English literature 20th century History and criticism Modernism (Literature) Ireland National characteristics, Irish Nationalism and literature Ireland Nationalism in literature Postmodernism (Literature) Ireland Literatur (DE-588)4035964-5 gnd Englisch (DE-588)4014777-0 gnd Irlandbild (DE-588)4311215-8 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4014777-0 (DE-588)4311215-8 (DE-588)4027667-3 (DE-588)4143413-4 |
| title | Irishness and (post)modernism |
| title_auth | Irishness and (post)modernism |
| title_exact_search | Irishness and (post)modernism |
| title_full | Irishness and (post)modernism ed. by John S. Rickard |
| title_fullStr | Irishness and (post)modernism ed. by John S. Rickard |
| title_full_unstemmed | Irishness and (post)modernism ed. by John S. Rickard |
| title_short | Irishness and (post)modernism |
| title_sort | irishness and post modernism |
| topic | Engels gtt Letterkunde gtt Modernisme (cultuur) gtt Postmodernisme gtt Englisch Literatur Postmoderne English literature Irish authors History and criticism English literature 20th century History and criticism Modernism (Literature) Ireland National characteristics, Irish Nationalism and literature Ireland Nationalism in literature Postmodernism (Literature) Ireland Literatur (DE-588)4035964-5 gnd Englisch (DE-588)4014777-0 gnd Irlandbild (DE-588)4311215-8 gnd |
| topic_facet | Engels Letterkunde Modernisme (cultuur) Postmodernisme Englisch Literatur Postmoderne English literature Irish authors History and criticism English literature 20th century History and criticism Modernism (Literature) Ireland National characteristics, Irish Nationalism and literature Ireland Nationalism in literature Postmodernism (Literature) Ireland Irlandbild Irland Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006510542&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV002674743 |
| work_keys_str_mv | AT rickardjohns irishnessandpostmodernism |