Holdings: Dithyrambiker des Untergangs

Dithyrambiker des Untergangs: Gnostizismus in Ästhetik und Philosophie der Moderne

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Bibliographic Details
Main Author:	Pauen, Michael 1956- (Author)
Format:	Book
Language:	German
Published:	Berlin Akademie-Verl. 1994
Subjects:	Geistesgeschichte Esthetica Esthétique - Histoire Gnosticisme - Histoire Gnosticisme Invloed Kunst Philosophie - Histoire Ästhetik Aesthetics, Modern Gnosticism Philosophy, Modern Gnosis Rezeption Moderne Europe - Vie intellectuelle - Histoire Europa Europe > Intellectual life
Online Access:	Inhaltsverzeichnis
Physical Description:	449 S.
ISBN:	3050026596

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MARC


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Record in the Search Index

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adam_text	Inhalt Einleitung............................................................................................................................................................................................................................................7 Erster Teil Die Gnosis und die Geschichte ihrer Rezeption Vorbemerkung.......................................................................................................................................................................................................................21 Historische Skizze..............................................................................................................................................................................................................24 Apokalyptiker und Etablierte........................................................................................................................................................................46 Augustinus.......................................................................................................................................................................................................................46 Plotin....................................................................................................................................................................................................................................48 Hermetikrezeption in der Renaissance......................................................................................................................................52 Innozenz III...................................................................................................................................................................................................................57 Valla, Manetti..............................................................................................................................................................................................................58 Marsilio Ficino............................................................................................................................................................................................................59 Pico.........................................................................................................................................................................................................................................59 Bruno.................................................................................................................................................................................................._................................61 Schopenhauer und die Folgen..................................................................................................................................................................65 Frühe Schopenhauer-Rezeption.......................................................................................................................................................79 Mainländer...............................................................................................................................~..........................................-........................................79 Eduard von Hartmann.......................................................................................................................................................................................81 Die Kulturkritik des Dionysos...............................................................................................................................................................85 Bßchofen............................................................................................................................................................................................................................85 Nietzsche.............................................................................................................................................................................................................................87 Avantgarde und Okkultismus......................................................................................................................................................................95 Charles Baudelaire..................................................................................................................................................................................................95 Stéphane Mallarmé............................................................................................................................................................................................100 Die Utopie des ¡Anderem: Stefan George......................................................................................................................................106 Geistige Kunst....................................................................................................................................................................................................................118 Paul Gauguin.........................................................................................................................................................................................................118 Mondrian, Malewitsch....................................................................-...............................................................................................................120 Wühelm Worringer........................................................................................................._..................................................................................121 Wassily Kandinsky...............................................................................................................................................................................................122 Resümee............................................................................................................................................................................................................................128 Zweiter Teil Gnostizismus in Ästhetik und Philosophie der Moderne Ludwig Klages: Heidnische Gnosis................................................................................................................................................135 Prämissen..........................................................................................................................................................................................................................135 Geschichtsphilosophie...................................................................................................................................................................................144 Anthropologie............................................................................................................................................................................................................165 Erkenntniskritik.....................................................................................................................................................................................................169 Rezeption..........................................................................................................................................................................................................................186 Heidnische Gnosis...............................................................................................................................................................................................190 Apotheose des Subjekts: Gnostizismus in Blochs GEIST DER UTOPIE.................................199 Form.........................................................................................................................................................................................................................................201 Welt............................................................................................................................................................................................................................................204 Subjekt...................................................................................................................................................................................................................................218 Kunst.......................................................................................................................................................................................................................................228 Gestalten des Utopischen..........................................................................................................................................................................238 Kirche.....................................................................................................................................................................................................................................241 Resümee..............................................................................................................................................................................................................................253 Entzückungen am Herdfeuer des Seyns : Martin Heidegger.......................................................255 Vorbemerkung.........................................................................................................................................................................................................255 Sein und Dasein......................................................................................................................................................................................................257 Frühwerk.......................................................................................................................................................................................................................257 SEINUNDÝEIT.......................................................................................................................................................................................................263 Radikalisierung und Resignation..................................................................................................................................................298 Kunst.................................................................................................................................................................................................................................298 Beiträge zur Philosophie................................................................................................................................................................305 Gnosis...............................................................................................................................................................................................................................322 Vergleich: Das Sein und die Sozialutopien...............................................................................................................................327 Entwicklungsdynamik des Werkes.........................................................................................................................................................329 Resümee..............................................................................................................................................................................................................................335 Der Weg von Trost zu Trauer: Versöhnungshoffnung und Negativität bei Theodor W. Adorno............................................337 Vorbemerkung.........................................................................................................................................................................................................337 Benjamin............................................................................................................................................................................................................................340 Adorno..................................................................................................................................................................................................................................352 Gnosis-Kritik im Kierkegaard............................................................................................................................................................352 Kulturkritik.................................................................................................................................................................................................................357 DIALEKTIK DER AUFKLÄRUNG: Die Psychopathologie der Ratio.........................................................................364 Ästhetik.................................................................................................................................................................................-...........................................378 Geschichtspessimismus und Erkenntniskritik...............................................................................................................................387 Resümee..............................................................................................................................................................................................................................401 Fazit........................................................................................................................................................................................................................................................405 Literatur.........................................................................................................................................................................................................................................413 Index...................................................................................................................................................................................................................................................442 Schlußbemerkung.........................................................................................................................................................................................................449
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title	Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne
title_auth	Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne
title_exact_search	Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne
title_full	Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne Michael Pauen
title_fullStr	Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne Michael Pauen
title_full_unstemmed	Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne Michael Pauen
title_short	Dithyrambiker des Untergangs
title_sort	dithyrambiker des untergangs gnostizismus in asthetik und philosophie der moderne
title_sub	Gnostizismus in Ästhetik und Philosophie der Moderne
topic	Esthetica gtt Esthétique - Histoire ram Gnosticisme - Histoire ram Gnosticisme gtt Invloed gtt Kunst gtt Philosophie - Histoire ram Ästhetik Aesthetics, Modern Gnosticism Philosophy, Modern Gnosis (DE-588)4021391-2 gnd Rezeption (DE-588)4049716-1 gnd Moderne (DE-588)4039827-4 gnd Ästhetik (DE-588)4000626-8 gnd Geistesgeschichte (DE-588)4071653-3 gnd
topic_facet	Esthetica Esthétique - Histoire Gnosticisme - Histoire Gnosticisme Invloed Kunst Philosophie - Histoire Ästhetik Aesthetics, Modern Gnosticism Philosophy, Modern Gnosis Rezeption Moderne Geistesgeschichte Europe - Vie intellectuelle - Histoire Europa Europe Intellectual life
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006504294&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT pauenmichael dithyrambikerdesuntergangsgnostizismusinasthetikundphilosophiedermoderne

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