Dithyrambiker des Untergangs: Gnostizismus in Ästhetik und Philosophie der Moderne
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
Berlin
Akademie-Verl.
1994
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 449 S. |
| ISBN: | 3050026596 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804124179152240640 |
|---|---|
| adam_text | Inhalt
Einleitung............................................................................................................................................................................................................................................7
Erster Teil
Die Gnosis und die Geschichte ihrer Rezeption
Vorbemerkung.......................................................................................................................................................................................................................21
Historische Skizze..............................................................................................................................................................................................................24
Apokalyptiker und Etablierte........................................................................................................................................................................46
Augustinus.......................................................................................................................................................................................................................46
Plotin....................................................................................................................................................................................................................................48
Hermetikrezeption in der Renaissance......................................................................................................................................52
Innozenz III...................................................................................................................................................................................................................57
Valla, Manetti..............................................................................................................................................................................................................58
Marsilio Ficino............................................................................................................................................................................................................59
Pico.........................................................................................................................................................................................................................................59
Bruno.................................................................................................................................................................................................._................................61
Schopenhauer und die Folgen..................................................................................................................................................................65
Frühe Schopenhauer-Rezeption.......................................................................................................................................................79
Mainländer...............................................................................................................................~..........................................-........................................79
Eduard von Hartmann.......................................................................................................................................................................................81
Die Kulturkritik des Dionysos...............................................................................................................................................................85
Bßchofen............................................................................................................................................................................................................................85
Nietzsche.............................................................................................................................................................................................................................87
Avantgarde und Okkultismus......................................................................................................................................................................95
Charles Baudelaire..................................................................................................................................................................................................95
Stéphane Mallarmé............................................................................................................................................................................................100
Die Utopie des ¡Anderem: Stefan George......................................................................................................................................106
Geistige Kunst....................................................................................................................................................................................................................118
Paul Gauguin.........................................................................................................................................................................................................118
Mondrian, Malewitsch....................................................................-...............................................................................................................120
Wühelm Worringer........................................................................................................._..................................................................................121
Wassily Kandinsky...............................................................................................................................................................................................122
Resümee............................................................................................................................................................................................................................128
Zweiter Teil
Gnostizismus in Ästhetik und Philosophie der Moderne
Ludwig Klages: Heidnische Gnosis................................................................................................................................................135
Prämissen..........................................................................................................................................................................................................................135
Geschichtsphilosophie...................................................................................................................................................................................144
Anthropologie............................................................................................................................................................................................................165
Erkenntniskritik.....................................................................................................................................................................................................169
Rezeption..........................................................................................................................................................................................................................186
Heidnische Gnosis...............................................................................................................................................................................................190
Apotheose des Subjekts: Gnostizismus in Blochs GEIST DER UTOPIE.................................199
Form.........................................................................................................................................................................................................................................201
Welt............................................................................................................................................................................................................................................204
Subjekt...................................................................................................................................................................................................................................218
Kunst.......................................................................................................................................................................................................................................228
Gestalten des Utopischen..........................................................................................................................................................................238
Kirche.....................................................................................................................................................................................................................................241
Resümee..............................................................................................................................................................................................................................253
Entzückungen am Herdfeuer des Seyns : Martin Heidegger.......................................................255
Vorbemerkung.........................................................................................................................................................................................................255
Sein und Dasein......................................................................................................................................................................................................257
Frühwerk.......................................................................................................................................................................................................................257
SEINUNDÝEIT.......................................................................................................................................................................................................263
Radikalisierung und Resignation..................................................................................................................................................298
Kunst.................................................................................................................................................................................................................................298
Beiträge zur Philosophie................................................................................................................................................................305
Gnosis...............................................................................................................................................................................................................................322
Vergleich: Das Sein und die Sozialutopien...............................................................................................................................327
Entwicklungsdynamik des Werkes.........................................................................................................................................................329
Resümee..............................................................................................................................................................................................................................335
Der Weg von Trost zu Trauer:
Versöhnungshoffnung und Negativität bei Theodor W. Adorno............................................337
Vorbemerkung.........................................................................................................................................................................................................337
Benjamin............................................................................................................................................................................................................................340
Adorno..................................................................................................................................................................................................................................352
Gnosis-Kritik im Kierkegaard............................................................................................................................................................352
Kulturkritik.................................................................................................................................................................................................................357
DIALEKTIK DER AUFKLÄRUNG: Die Psychopathologie der Ratio.........................................................................364
Ästhetik.................................................................................................................................................................................-...........................................378
Geschichtspessimismus und Erkenntniskritik...............................................................................................................................387
Resümee..............................................................................................................................................................................................................................401
Fazit........................................................................................................................................................................................................................................................405
Literatur.........................................................................................................................................................................................................................................413
Index...................................................................................................................................................................................................................................................442
Schlußbemerkung.........................................................................................................................................................................................................449
|
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| author | Pauen, Michael 1956- |
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| bvnumber | BV009824707 |
| callnumber-first | B - Philosophy, Psychology, Religion |
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| dewey-full | 190/.9/04 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 190 - Modern western philosophy |
| dewey-raw | 190/.9/04 |
| dewey-search | 190/.9/04 |
| dewey-sort | 3190 19 14 |
| dewey-tens | 190 - Modern western philosophy |
| discipline | Philosophie Literaturwissenschaft |
| era | Geistesgeschichte gnd |
| era_facet | Geistesgeschichte |
| format | Book |
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| id | DE-604.BV009824707 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T17:41:33Z |
| institution | BVB |
| isbn | 3050026596 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006504294 |
| oclc_num | 32801804 |
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| physical | 449 S. |
| publishDate | 1994 |
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| publisher | Akademie-Verl. |
| record_format | marc |
| spelling | Pauen, Michael 1956- Verfasser (DE-588)112706878 aut Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne Michael Pauen Berlin Akademie-Verl. 1994 449 S. txt rdacontent n rdamedia nc rdacarrier Geistesgeschichte gnd rswk-swf Esthetica gtt Esthétique - Histoire ram Gnosticisme - Histoire ram Gnosticisme gtt Invloed gtt Kunst gtt Philosophie - Histoire ram Ästhetik Aesthetics, Modern Gnosticism Philosophy, Modern Gnosis (DE-588)4021391-2 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Geistesgeschichte (DE-588)4071653-3 gnd rswk-swf Europe - Vie intellectuelle - Histoire ram Europa Europe Intellectual life Gnosis (DE-588)4021391-2 s Rezeption (DE-588)4049716-1 s Geistesgeschichte (DE-588)4071653-3 s DE-604 Ästhetik (DE-588)4000626-8 s Moderne (DE-588)4039827-4 s Geistesgeschichte z 1\p DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006504294&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Pauen, Michael 1956- Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne Esthetica gtt Esthétique - Histoire ram Gnosticisme - Histoire ram Gnosticisme gtt Invloed gtt Kunst gtt Philosophie - Histoire ram Ästhetik Aesthetics, Modern Gnosticism Philosophy, Modern Gnosis (DE-588)4021391-2 gnd Rezeption (DE-588)4049716-1 gnd Moderne (DE-588)4039827-4 gnd Ästhetik (DE-588)4000626-8 gnd Geistesgeschichte (DE-588)4071653-3 gnd |
| subject_GND | (DE-588)4021391-2 (DE-588)4049716-1 (DE-588)4039827-4 (DE-588)4000626-8 (DE-588)4071653-3 |
| title | Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne |
| title_auth | Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne |
| title_exact_search | Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne |
| title_full | Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne Michael Pauen |
| title_fullStr | Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne Michael Pauen |
| title_full_unstemmed | Dithyrambiker des Untergangs Gnostizismus in Ästhetik und Philosophie der Moderne Michael Pauen |
| title_short | Dithyrambiker des Untergangs |
| title_sort | dithyrambiker des untergangs gnostizismus in asthetik und philosophie der moderne |
| title_sub | Gnostizismus in Ästhetik und Philosophie der Moderne |
| topic | Esthetica gtt Esthétique - Histoire ram Gnosticisme - Histoire ram Gnosticisme gtt Invloed gtt Kunst gtt Philosophie - Histoire ram Ästhetik Aesthetics, Modern Gnosticism Philosophy, Modern Gnosis (DE-588)4021391-2 gnd Rezeption (DE-588)4049716-1 gnd Moderne (DE-588)4039827-4 gnd Ästhetik (DE-588)4000626-8 gnd Geistesgeschichte (DE-588)4071653-3 gnd |
| topic_facet | Esthetica Esthétique - Histoire Gnosticisme - Histoire Gnosticisme Invloed Kunst Philosophie - Histoire Ästhetik Aesthetics, Modern Gnosticism Philosophy, Modern Gnosis Rezeption Moderne Geistesgeschichte Europe - Vie intellectuelle - Histoire Europa Europe Intellectual life |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006504294&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT pauenmichael dithyrambikerdesuntergangsgnostizismusinasthetikundphilosophiedermoderne |