The cloisters cross: its art and meaning
The walrus-ivory Cloisters Cross, a masterpiece of English Romanesque art, has long been a centerpiece of the Metropolitan Museum of Art's Cloisters collection, a separate museum in Fort Tryon Park (New York City) devoted exclusively to the art of the Middle Ages. In fact, ever since its acquis...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Metropolitan Museum of Art
1994
London Miller |
| Schlagworte: | |
| Zusammenfassung: | The walrus-ivory Cloisters Cross, a masterpiece of English Romanesque art, has long been a centerpiece of the Metropolitan Museum of Art's Cloisters collection, a separate museum in Fort Tryon Park (New York City) devoted exclusively to the art of the Middle Ages. In fact, ever since its acquisition in 1963, the cross has been the subject of speculation and mystery The dearth of solid information about its provenance prior to its ownership by a Yugoslav art dealer and restorer has generated a number of tantalizing theories as to its origin, function, and early history, although no one has denied the exceptional quality of its workmanship or the unparalleled complexity of its design The story of the cross's creation, survival, and meaning is explored in this fascinating book. Of special interest is the sheer number of figures that populate the compact scenes on both sides of the cross, and of biblical passages diligently inscribed on individual scrolls held by Old Testament prophets across its surface. The cross is a tour de force of sculptural artistry, which holds within its small physical scope an iconographic encyclopedia of learning almost unmatched in Medieval Art |
| Beschreibung: | 316 S. zahlr. Ill. |
| ISBN: | 0870996827 1872501907 |
Internformat
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| 520 | 3 | |a The walrus-ivory Cloisters Cross, a masterpiece of English Romanesque art, has long been a centerpiece of the Metropolitan Museum of Art's Cloisters collection, a separate museum in Fort Tryon Park (New York City) devoted exclusively to the art of the Middle Ages. In fact, ever since its acquisition in 1963, the cross has been the subject of speculation and mystery | |
| 520 | |a The dearth of solid information about its provenance prior to its ownership by a Yugoslav art dealer and restorer has generated a number of tantalizing theories as to its origin, function, and early history, although no one has denied the exceptional quality of its workmanship or the unparalleled complexity of its design | ||
| 520 | |a The story of the cross's creation, survival, and meaning is explored in this fascinating book. Of special interest is the sheer number of figures that populate the compact scenes on both sides of the cross, and of biblical passages diligently inscribed on individual scrolls held by Old Testament prophets across its surface. The cross is a tour de force of sculptural artistry, which holds within its small physical scope an iconographic encyclopedia of learning almost unmatched in Medieval Art | ||
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Datensatz im Suchindex
| _version_ | 1804124158112563200 |
|---|---|
| any_adam_object | |
| author | Parker, Elizabeth C. Little, Charles T. |
| author_GND | (DE-588)1037014731 |
| author_facet | Parker, Elizabeth C. Little, Charles T. |
| author_role | aut aut |
| author_sort | Parker, Elizabeth C. |
| author_variant | e c p ec ecp c t l ct ctl |
| building | Verbundindex |
| bvnumber | BV009806835 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NK5943 |
| callnumber-raw | NK5943 |
| callnumber-search | NK5943 |
| callnumber-sort | NK 45943 |
| callnumber-subject | NK - Decorative Arts |
| classification_rvk | LH 83400 |
| ctrlnum | (OCoLC)28215488 (DE-599)BVBBV009806835 |
| dewey-full | 730/.942 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 730 - Sculpture and related arts |
| dewey-raw | 730/.942 |
| dewey-search | 730/.942 |
| dewey-sort | 3730 3942 |
| dewey-tens | 730 - Sculpture and related arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1000-1200 gnd Geschichte 950-1250 gnd |
| era_facet | Geschichte 1000-1200 Geschichte 950-1250 |
| format | Book |
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| geographic | Bury Saint Edmunds (DE-588)4080596-7 gnd England (DE-588)4014770-8 gnd Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Bury Saint Edmunds England Großbritannien |
| id | DE-604.BV009806835 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:41:13Z |
| institution | BVB |
| isbn | 0870996827 1872501907 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006490013 |
| oclc_num | 28215488 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-29 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-M17 |
| owner_facet | DE-355 DE-BY-UBR DE-29 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-M17 |
| physical | 316 S. zahlr. Ill. |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | Metropolitan Museum of Art Miller |
| record_format | marc |
| spelling | Parker, Elizabeth C. Verfasser aut The cloisters cross its art and meaning Elizabeth C. Parker & Charles T. Little New York Metropolitan Museum of Art 1994 London Miller 316 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier The walrus-ivory Cloisters Cross, a masterpiece of English Romanesque art, has long been a centerpiece of the Metropolitan Museum of Art's Cloisters collection, a separate museum in Fort Tryon Park (New York City) devoted exclusively to the art of the Middle Ages. In fact, ever since its acquisition in 1963, the cross has been the subject of speculation and mystery The dearth of solid information about its provenance prior to its ownership by a Yugoslav art dealer and restorer has generated a number of tantalizing theories as to its origin, function, and early history, although no one has denied the exceptional quality of its workmanship or the unparalleled complexity of its design The story of the cross's creation, survival, and meaning is explored in this fascinating book. Of special interest is the sheer number of figures that populate the compact scenes on both sides of the cross, and of biblical passages diligently inscribed on individual scrolls held by Old Testament prophets across its surface. The cross is a tour de force of sculptural artistry, which holds within its small physical scope an iconographic encyclopedia of learning almost unmatched in Medieval Art Cloisters (Museum) The Cloisters (DE-588)5075778-7 gnd rswk-swf Bury Saint Edmunds Cross (DE-588)4376669-9 gnd rswk-swf Geschichte 1000-1200 gnd rswk-swf Geschichte 950-1250 gnd rswk-swf Bury Saint Edmunds Cross Christian art and symbolism England Medieval, 500-1500 Ivories, Romanesque England Kreuz (DE-588)4033065-5 gnd rswk-swf Liturgie (DE-588)4036050-7 gnd rswk-swf Ikonographie (DE-588)4026535-3 gnd rswk-swf Bildprogramm (DE-588)4006632-0 gnd rswk-swf Romanik (DE-588)4050482-7 gnd rswk-swf Elfenbein (DE-588)4014424-0 gnd rswk-swf Kunsthandwerk (DE-588)4073883-8 gnd rswk-swf Elfenbeinschnitzerei (DE-588)4152009-9 gnd rswk-swf Bury Saint Edmunds (DE-588)4080596-7 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf England (DE-588)4014770-8 g Kreuz (DE-588)4033065-5 s Geschichte 950-1250 z DE-604 The Cloisters (DE-588)5075778-7 b Elfenbeinschnitzerei (DE-588)4152009-9 s Bury Saint Edmunds (DE-588)4080596-7 g Romanik (DE-588)4050482-7 s Großbritannien (DE-588)4022153-2 g Ikonographie (DE-588)4026535-3 s Bildprogramm (DE-588)4006632-0 s Kunsthandwerk (DE-588)4073883-8 s Elfenbein (DE-588)4014424-0 s Geschichte 1000-1200 z 1\p DE-604 Bury Saint Edmunds Cross (DE-588)4376669-9 u 2\p DE-604 Liturgie (DE-588)4036050-7 s 3\p DE-604 Little, Charles T. Verfasser (DE-588)1037014731 aut 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Parker, Elizabeth C. Little, Charles T. The cloisters cross its art and meaning Cloisters (Museum) The Cloisters (DE-588)5075778-7 gnd Bury Saint Edmunds Cross (DE-588)4376669-9 gnd Bury Saint Edmunds Cross Christian art and symbolism England Medieval, 500-1500 Ivories, Romanesque England Kreuz (DE-588)4033065-5 gnd Liturgie (DE-588)4036050-7 gnd Ikonographie (DE-588)4026535-3 gnd Bildprogramm (DE-588)4006632-0 gnd Romanik (DE-588)4050482-7 gnd Elfenbein (DE-588)4014424-0 gnd Kunsthandwerk (DE-588)4073883-8 gnd Elfenbeinschnitzerei (DE-588)4152009-9 gnd |
| subject_GND | (DE-588)5075778-7 (DE-588)4376669-9 (DE-588)4033065-5 (DE-588)4036050-7 (DE-588)4026535-3 (DE-588)4006632-0 (DE-588)4050482-7 (DE-588)4014424-0 (DE-588)4073883-8 (DE-588)4152009-9 (DE-588)4080596-7 (DE-588)4014770-8 (DE-588)4022153-2 |
| title | The cloisters cross its art and meaning |
| title_auth | The cloisters cross its art and meaning |
| title_exact_search | The cloisters cross its art and meaning |
| title_full | The cloisters cross its art and meaning Elizabeth C. Parker & Charles T. Little |
| title_fullStr | The cloisters cross its art and meaning Elizabeth C. Parker & Charles T. Little |
| title_full_unstemmed | The cloisters cross its art and meaning Elizabeth C. Parker & Charles T. Little |
| title_short | The cloisters cross |
| title_sort | the cloisters cross its art and meaning |
| title_sub | its art and meaning |
| topic | Cloisters (Museum) The Cloisters (DE-588)5075778-7 gnd Bury Saint Edmunds Cross (DE-588)4376669-9 gnd Bury Saint Edmunds Cross Christian art and symbolism England Medieval, 500-1500 Ivories, Romanesque England Kreuz (DE-588)4033065-5 gnd Liturgie (DE-588)4036050-7 gnd Ikonographie (DE-588)4026535-3 gnd Bildprogramm (DE-588)4006632-0 gnd Romanik (DE-588)4050482-7 gnd Elfenbein (DE-588)4014424-0 gnd Kunsthandwerk (DE-588)4073883-8 gnd Elfenbeinschnitzerei (DE-588)4152009-9 gnd |
| topic_facet | Cloisters (Museum) The Cloisters Bury Saint Edmunds Cross Christian art and symbolism England Medieval, 500-1500 Ivories, Romanesque England Kreuz Liturgie Ikonographie Bildprogramm Romanik Elfenbein Kunsthandwerk Elfenbeinschnitzerei Bury Saint Edmunds England Großbritannien |
| work_keys_str_mv | AT parkerelizabethc thecloisterscrossitsartandmeaning AT littlecharlest thecloisterscrossitsartandmeaning |