Between the sign & the gaze:
A woman turns into a piece of furniture (Theodor Fontane's Effi Briest); a writer of children's books takes photos of naked little girls (Lewis Carroll); Mont Blanc becomes the maternal breast (Shelley); Hamlet mistakes Ophelia for a phallus (Lacan's Hamlet seminar); and mom turns out...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ithaca [u.a.]
Cornell Univ. Press
1994
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Zusammenfassung: | A woman turns into a piece of furniture (Theodor Fontane's Effi Briest); a writer of children's books takes photos of naked little girls (Lewis Carroll); Mont Blanc becomes the maternal breast (Shelley); Hamlet mistakes Ophelia for a phallus (Lacan's Hamlet seminar); and mom turns out to have thermonuclear arms (Laurie Anderson's United States). Reviewing the ways in which women have been fantasized across nineteenth- and twentieth-century Western culture, Herman Rapaport offers a series of brilliant insights into the concept of the fantasm in modern art. This gathering of new and previously published essays centers on a key question in psychoanalytic theory - the primacy of visual (iconic) versus linguistic (auditory) realms in the construction of fantasy. Rapaport first provides a lucid analysis of the historical development of the French psychoanalytic concept of the fantasm - which includes such phenomena as dramas and daydreams, delusions, hallucinations, primal scenes, imaginary objects, fantasies, and complexes. In the chapters that follow, Rapaport considers both visual and linguistic aspects of the fantasm in penetrating interpretations of many well-known works, ranging from poetry to performance art. Engaging such controversies as the conflict between Lacanian and Derridean viewpoints, this book will be essential reading for anyone interested in literary theory, feminist theory, and the intersections of psychoanalysis and philosophy in literary criticism. |
| Beschreibung: | 296 S. graph. Darst. |
| ISBN: | 080142898X 0801481333 |
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| 520 | 3 | |a A woman turns into a piece of furniture (Theodor Fontane's Effi Briest); a writer of children's books takes photos of naked little girls (Lewis Carroll); Mont Blanc becomes the maternal breast (Shelley); Hamlet mistakes Ophelia for a phallus (Lacan's Hamlet seminar); and mom turns out to have thermonuclear arms (Laurie Anderson's United States). Reviewing the ways in which women have been fantasized across nineteenth- and twentieth-century Western culture, Herman Rapaport offers a series of brilliant insights into the concept of the fantasm in modern art. This gathering of new and previously published essays centers on a key question in psychoanalytic theory - the primacy of visual (iconic) versus linguistic (auditory) realms in the construction of fantasy. Rapaport first provides a lucid analysis of the historical development of the French psychoanalytic concept of the fantasm - which includes such phenomena as dramas and daydreams, delusions, hallucinations, primal scenes, imaginary objects, fantasies, and complexes. In the chapters that follow, Rapaport considers both visual and linguistic aspects of the fantasm in penetrating interpretations of many well-known works, ranging from poetry to performance art. Engaging such controversies as the conflict between Lacanian and Derridean viewpoints, this book will be essential reading for anyone interested in literary theory, feminist theory, and the intersections of psychoanalysis and philosophy in literary criticism. | |
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| callnumber-raw | PN56.P92 |
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| dewey-full | 801/.92 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 801 - Philosophy and theory |
| dewey-raw | 801/.92 |
| dewey-search | 801/.92 |
| dewey-sort | 3801 292 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV009777654 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:40:43Z |
| institution | BVB |
| isbn | 080142898X 0801481333 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006469634 |
| oclc_num | 28415859 |
| open_access_boolean | |
| owner | DE-12 DE-19 DE-BY-UBM DE-11 DE-29 |
| owner_facet | DE-12 DE-19 DE-BY-UBM DE-11 DE-29 |
| physical | 296 S. graph. Darst. |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | Cornell Univ. Press |
| record_format | marc |
| spelling | Rapaport, Herman Verfasser aut Between the sign & the gaze Herman Rapaport Between the sign and the gaze 1. publ. Ithaca [u.a.] Cornell Univ. Press 1994 296 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier A woman turns into a piece of furniture (Theodor Fontane's Effi Briest); a writer of children's books takes photos of naked little girls (Lewis Carroll); Mont Blanc becomes the maternal breast (Shelley); Hamlet mistakes Ophelia for a phallus (Lacan's Hamlet seminar); and mom turns out to have thermonuclear arms (Laurie Anderson's United States). Reviewing the ways in which women have been fantasized across nineteenth- and twentieth-century Western culture, Herman Rapaport offers a series of brilliant insights into the concept of the fantasm in modern art. This gathering of new and previously published essays centers on a key question in psychoanalytic theory - the primacy of visual (iconic) versus linguistic (auditory) realms in the construction of fantasy. Rapaport first provides a lucid analysis of the historical development of the French psychoanalytic concept of the fantasm - which includes such phenomena as dramas and daydreams, delusions, hallucinations, primal scenes, imaginary objects, fantasies, and complexes. In the chapters that follow, Rapaport considers both visual and linguistic aspects of the fantasm in penetrating interpretations of many well-known works, ranging from poetry to performance art. Engaging such controversies as the conflict between Lacanian and Derridean viewpoints, this book will be essential reading for anyone interested in literary theory, feminist theory, and the intersections of psychoanalysis and philosophy in literary criticism. Fantasmes Psychanalyse et littérature Fantasy Psychoanalysis and literature Literatursemiotik (DE-588)4167884-9 gnd rswk-swf Psychoanalyse (DE-588)4047689-3 gnd rswk-swf Literatursemiotik (DE-588)4167884-9 s DE-604 Psychoanalyse (DE-588)4047689-3 s |
| spellingShingle | Rapaport, Herman Between the sign & the gaze Fantasmes Psychanalyse et littérature Fantasy Psychoanalysis and literature Literatursemiotik (DE-588)4167884-9 gnd Psychoanalyse (DE-588)4047689-3 gnd |
| subject_GND | (DE-588)4167884-9 (DE-588)4047689-3 |
| title | Between the sign & the gaze |
| title_alt | Between the sign and the gaze |
| title_auth | Between the sign & the gaze |
| title_exact_search | Between the sign & the gaze |
| title_full | Between the sign & the gaze Herman Rapaport |
| title_fullStr | Between the sign & the gaze Herman Rapaport |
| title_full_unstemmed | Between the sign & the gaze Herman Rapaport |
| title_short | Between the sign & the gaze |
| title_sort | between the sign the gaze |
| topic | Fantasmes Psychanalyse et littérature Fantasy Psychoanalysis and literature Literatursemiotik (DE-588)4167884-9 gnd Psychoanalyse (DE-588)4047689-3 gnd |
| topic_facet | Fantasmes Psychanalyse et littérature Fantasy Psychoanalysis and literature Literatursemiotik Psychoanalyse |
| work_keys_str_mv | AT rapaportherman betweenthesignthegaze AT rapaportherman betweenthesignandthegaze |