Mikhail Larionov and the Russian Avant-Garde:
A revolutionary multi-media artist and flamboyant personality, Mikhail Larionov galvanized the art scene in the early twentieth century, striving for a truly Russian style of art to rival the avant-garde movement of Europe and setting the stage for Russian constructivism. With his life-long partner,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton Univ. Press
1993
|
| Schriftenreihe: | Princeton paperbacks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | A revolutionary multi-media artist and flamboyant personality, Mikhail Larionov galvanized the art scene in the early twentieth century, striving for a truly Russian style of art to rival the avant-garde movement of Europe and setting the stage for Russian constructivism. With his life-long partner, Nataliya Goncharova, he led his generation in exploring mysticism and shamanism and created a counterculture that flourished in the cabarets of Moscow. The development of his career, however, has long eluded the grasp of historians, partly because Larionov, ever conscious of his role in art history, backdated many of his paintings, set designs, and graphic works. In this richly illustrated book, the first in-depth treatment of the life and oeuvre of Larionov, Anthony Parton reconstructs an important episode in the story of the Russian avant-garde In vivid detail Parton traces the stylistic and chronological development of Larionov's career: from his years in Russia, where he began as an Impressionist painter and eventually organized the Moscow Futurists, to those in France, where, with Goncharova, he designed sets for the Ballets Russes and joined the School of Paris. At the same time he captures the rebellious nature of an artist devoted to demonstrating the spirit of the avant-garde - whether by hurling ice water at his lecture audiences to incite their rage, by incorporating vulgar graffiti into his paintings, or by setting a popular Muscovite trend for painting one's face Inspired early in his career by the French Fauves and primitives, Larionov, in his attempt to create an authentically Russian art, borrowed images from shamanism and archaeology and devices from folk art, particularly wood-block prints and icons. His interest in cubism, futurism, and contemporary scientific ideas led to his creation of rayism, which played on the concept of a fourth dimension. In the performing arts, he experimented with movable scenery and choreographed lighting. Examining Larionov's artistic intentions in all these areas, Parton pays close attention to contextual factors as important determinants upon the artist's work. He constructs a reliable chronology of Larionov's career, drawing on his personal writings and manifestos, on contemporary reviews, and on interviews with his friends and colleagues. Through this multi-faceted, highly nuanced investigation, Parton offers the most extensive and accurate treatment to date of an important yet long inscrutable artist |
| Beschreibung: | XXIV, 254 S. zahlr. Ill. |
| ISBN: | 0691036039 |
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| 520 | 3 | |a A revolutionary multi-media artist and flamboyant personality, Mikhail Larionov galvanized the art scene in the early twentieth century, striving for a truly Russian style of art to rival the avant-garde movement of Europe and setting the stage for Russian constructivism. With his life-long partner, Nataliya Goncharova, he led his generation in exploring mysticism and shamanism and created a counterculture that flourished in the cabarets of Moscow. The development of his career, however, has long eluded the grasp of historians, partly because Larionov, ever conscious of his role in art history, backdated many of his paintings, set designs, and graphic works. In this richly illustrated book, the first in-depth treatment of the life and oeuvre of Larionov, Anthony Parton reconstructs an important episode in the story of the Russian avant-garde | |
| 520 | |a In vivid detail Parton traces the stylistic and chronological development of Larionov's career: from his years in Russia, where he began as an Impressionist painter and eventually organized the Moscow Futurists, to those in France, where, with Goncharova, he designed sets for the Ballets Russes and joined the School of Paris. At the same time he captures the rebellious nature of an artist devoted to demonstrating the spirit of the avant-garde - whether by hurling ice water at his lecture audiences to incite their rage, by incorporating vulgar graffiti into his paintings, or by setting a popular Muscovite trend for painting one's face | ||
| 520 | |a Inspired early in his career by the French Fauves and primitives, Larionov, in his attempt to create an authentically Russian art, borrowed images from shamanism and archaeology and devices from folk art, particularly wood-block prints and icons. His interest in cubism, futurism, and contemporary scientific ideas led to his creation of rayism, which played on the concept of a fourth dimension. In the performing arts, he experimented with movable scenery and choreographed lighting. Examining Larionov's artistic intentions in all these areas, Parton pays close attention to contextual factors as important determinants upon the artist's work. He constructs a reliable chronology of Larionov's career, drawing on his personal writings and manifestos, on contemporary reviews, and on interviews with his friends and colleagues. Through this multi-faceted, highly nuanced investigation, Parton offers the most extensive and accurate treatment to date of an important yet long inscrutable artist | ||
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Datensatz im Suchindex
| _version_ | 1814344088500043776 |
|---|---|
| adam_text |
CONTENTS
List of Illustrations
ix
A Chronology
xix
Acknowledgments
xxi
Preface
xxiii
1 Tiraspol to Myasnitskaya Ulitsa 1
88
1
-
1
908 3
2
The Golden Fleece 1
908-1910 18
3
The jack of Diamonds and Donkey's Tail
1910-1912 33
4
The Futurists Take Command
1913-1914 56
5
Russian Folk Art and the Sources of Neo-Primitivism
77
6
Antiquity and the Buryat Shaman
96
7
The Cubist and Futurist Roots of Rayism
113
8
The Modern Prometheus: Ouspensky's Four-Dimensional Superman
131
9
Towards an
Avant-Garde
Theatre 1
9
1
4—1917
1
42
10
Up and Coming in Paris and London 1
917-
1
919 164
11 Montparnasse Bienvenue I9I9-I929
178
1
2
Zhizn' Prokhodit, Lyubov' Net 1
930-
1
964 206
Notes
225
Bibliography
237
Principal Exhibitions and Catalogues
243
Index
247 |
| any_adam_object | 1 |
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| building | Verbundindex |
| bvnumber | BV009250034 |
| callnumber-first | N - Fine Arts |
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| callnumber-subject | NX - Arts in General |
| classification_rvk | KI 1030 |
| ctrlnum | (OCoLC)26053380 (DE-599)BVBBV009250034 |
| dewey-full | 700/.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700/.92 |
| dewey-search | 700/.92 |
| dewey-sort | 3700 292 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Slavistik |
| era | Geschichte 1900-2000 Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| series2 | Princeton paperbacks |
| spelling | Parton, Anthony Verfasser aut Mikhail Larionov and the Russian Avant-Garde Anthony Parton Princeton, NJ Princeton Univ. Press 1993 XXIV, 254 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Princeton paperbacks A revolutionary multi-media artist and flamboyant personality, Mikhail Larionov galvanized the art scene in the early twentieth century, striving for a truly Russian style of art to rival the avant-garde movement of Europe and setting the stage for Russian constructivism. With his life-long partner, Nataliya Goncharova, he led his generation in exploring mysticism and shamanism and created a counterculture that flourished in the cabarets of Moscow. The development of his career, however, has long eluded the grasp of historians, partly because Larionov, ever conscious of his role in art history, backdated many of his paintings, set designs, and graphic works. In this richly illustrated book, the first in-depth treatment of the life and oeuvre of Larionov, Anthony Parton reconstructs an important episode in the story of the Russian avant-garde In vivid detail Parton traces the stylistic and chronological development of Larionov's career: from his years in Russia, where he began as an Impressionist painter and eventually organized the Moscow Futurists, to those in France, where, with Goncharova, he designed sets for the Ballets Russes and joined the School of Paris. At the same time he captures the rebellious nature of an artist devoted to demonstrating the spirit of the avant-garde - whether by hurling ice water at his lecture audiences to incite their rage, by incorporating vulgar graffiti into his paintings, or by setting a popular Muscovite trend for painting one's face Inspired early in his career by the French Fauves and primitives, Larionov, in his attempt to create an authentically Russian art, borrowed images from shamanism and archaeology and devices from folk art, particularly wood-block prints and icons. His interest in cubism, futurism, and contemporary scientific ideas led to his creation of rayism, which played on the concept of a fourth dimension. In the performing arts, he experimented with movable scenery and choreographed lighting. Examining Larionov's artistic intentions in all these areas, Parton pays close attention to contextual factors as important determinants upon the artist's work. He constructs a reliable chronology of Larionov's career, drawing on his personal writings and manifestos, on contemporary reviews, and on interviews with his friends and colleagues. Through this multi-faceted, highly nuanced investigation, Parton offers the most extensive and accurate treatment to date of an important yet long inscrutable artist Larionov, Mihail Fedorovič <1881-1964> Larionov, Mikhail Fedorovich <1881-1964> Criticism and interpretation Larionov, Michail Fedorovič 1881-1964 (DE-588)118726552 gnd rswk-swf Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf Artistes - URSS - Biographies Avant-garde (Esthétique) - URSS - Histoire Geschichte Avant-garde (Aesthetics) Russia (Federation) History 20th century Avantgarde (DE-588)4133965-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Larionov, Michail Fedorovič 1881-1964 (DE-588)118726552 p Sowjetunion (DE-588)4077548-3 g Avantgarde (DE-588)4133965-4 s Kunst (DE-588)4114333-4 s DE-604 Russland (DE-588)4076899-5 g Geschichte 1900-2000 z 1\p DE-604 Larionov, Michail Fedorovič 1881-1964 Sonstige (DE-588)118726552 oth Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006155691&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Parton, Anthony Mikhail Larionov and the Russian Avant-Garde Larionov, Mihail Fedorovič <1881-1964> Larionov, Mikhail Fedorovich <1881-1964> Criticism and interpretation Larionov, Michail Fedorovič 1881-1964 (DE-588)118726552 gnd Artistes - URSS - Biographies Avant-garde (Esthétique) - URSS - Histoire Geschichte Avant-garde (Aesthetics) Russia (Federation) History 20th century Avantgarde (DE-588)4133965-4 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)118726552 (DE-588)4133965-4 (DE-588)4114333-4 (DE-588)4076899-5 (DE-588)4077548-3 |
| title | Mikhail Larionov and the Russian Avant-Garde |
| title_auth | Mikhail Larionov and the Russian Avant-Garde |
| title_exact_search | Mikhail Larionov and the Russian Avant-Garde |
| title_full | Mikhail Larionov and the Russian Avant-Garde Anthony Parton |
| title_fullStr | Mikhail Larionov and the Russian Avant-Garde Anthony Parton |
| title_full_unstemmed | Mikhail Larionov and the Russian Avant-Garde Anthony Parton |
| title_short | Mikhail Larionov and the Russian Avant-Garde |
| title_sort | mikhail larionov and the russian avant garde |
| topic | Larionov, Mihail Fedorovič <1881-1964> Larionov, Mikhail Fedorovich <1881-1964> Criticism and interpretation Larionov, Michail Fedorovič 1881-1964 (DE-588)118726552 gnd Artistes - URSS - Biographies Avant-garde (Esthétique) - URSS - Histoire Geschichte Avant-garde (Aesthetics) Russia (Federation) History 20th century Avantgarde (DE-588)4133965-4 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Larionov, Mihail Fedorovič <1881-1964> Larionov, Mikhail Fedorovich <1881-1964> Criticism and interpretation Larionov, Michail Fedorovič 1881-1964 Artistes - URSS - Biographies Avant-garde (Esthétique) - URSS - Histoire Geschichte Avant-garde (Aesthetics) Russia (Federation) History 20th century Avantgarde Kunst Russland Sowjetunion |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006155691&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT partonanthony mikhaillarionovandtherussianavantgarde AT larionovmichailfedorovic mikhaillarionovandtherussianavantgarde |