Verfügbarkeit: The creative imagination

The creative imagination: enlightenment to romanticism

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Bibliographische Detailangaben
1. Verfasser:	Engell, James 1951- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Cambridge, Mass. u.a. Harvard Univ. Pr. 1981
Ausgabe:	2. print.
Schlagworte:	Geschichte 1793-1830 Geschichte 1793-1825 Creativiteit Création littéraire Empirisme - Histoire Imagination - Histoire Romantiek Romantisme - Allemagne Romantisme - Grande-Bretagne Siècle des lumières - Histoire Verbeelding Verbeeldingskracht Verlichting (cultuurgeschiedenis) Geschichte Creation (Literary, artistic, etc.) Empiricism > History Enlightenment Imagination > History Romanticism > Germany Romanticism > Great Britain Englisch Deutsch Imagination Romantik Literatur Theorie Deutschland Großbritannien
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XIX, 416 S.
ISBN:	0674175727

Internformat

MARC


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Datensatz im Suchindex

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adam_text	CONTENTS PART ONE. PROBING THE SOURCE I/THE ESSENTIAL IDEA 3 NATURE OF THE IDEA, A PRODUCT OF THE EIGHTEENTH CENTURY; HOW IT UNIFIES RELATED CONCERNS; THE IDEA OF THE IMAGINATION CRE- ATES THE ROMANTIC MOVEMENT AND BECOMES ITS KEY CON- CEPT. 2/EMPIRICISM IN EARNEST: HOBBES AND LOCKE 11 THE BRITISH EMPIRICAL TRADITION. HOBBES: INCLUSIVENESS AT THE BEGINNING; DECAYING SENSE, THE COMPOUNDED IMAGINATION, AND MENTAL DISCOURSE ; IMAGINATION AND WILL; IMAGINATION AS THE DISTINGUISHING MARK OF CIVILIZATION. LOCKE: THE MIND HAS A POWER ; A NEW VIEW OF REASON; THE TA- BULA RASA AN OVERSIMPLIFICATION; IMAGINATION ACTIVE AS WELL AS PASSIVE; LEE, NORRIS, LAW, HARTE. 3/CLAIMS OF THE SPIRIT: SHAFTESBURY AND LEIBNIZ 22 THE IDEAL OR SPIRITUAL PHILOSOPHERS; CAMBRIDGE PLATONISTS; SHAFTESBURY S CURIOUS PERSONAL RELATIONSHIP TO LOCKE; HARMONY IN SHAFTESBURY; THE INTUITIVE AND PRODUCTIVE POWER. LEIBNIZ AND THE WONDER OF FORCE; ADMIRATION OF SHAFTESBURY AND ANSWERS TO LOCKE IN THE NOUVEAUX ESSAIS; LA PUIS- SANCE ACTIVE OR VIS ACTIVA. LEIBNIZ AND ROMANTIC ANTICIPATIONS; AN ORGANIC VIEW OF MIND AND COSMOS. XI XII CONTENTS 4/THE CREATIVE IMPULSE: ADDISON THROUGH AKENSIDE AND THE 1740S 3 3 RELATION OF PSYCHOLOGY TO CRITICISM AND POETRY; THE PLEASURES OF IMAGINATION ; ADDISON REVITALIZES AND EXPANDS THE TERM IMAGINATION ; DRY DEN AND DENNIS. ADDISON S INFLUENTIAL TREATMENT; PRIMARY AND SECONDARY PLEA- SURES OF THE IMAGINATION FORM THE RELATIONSHIP BETWEEN NATURE, MIND, AND ART; IMITATION; NOVELTY AND THE SUBLIME; SYNAESTHESIA; MATERIAL AND SPIRITUAL WORLDS CONNECTED BY IMAGINATION. A GROUNDSWELL OF INTEREST: POPE, HUTCHESON, WELSTED, MALLET, COOPER, BROOKE, AND HARRIS. AKENSIDE: A COSMIC VISION; THE CREATING AND PLASTIC POWERS ; FRENZY AND DESIRE; THE ARTIST AS A PROMETHEAN FIGURE; THE PROBLEM OF EVIL. THE HIGHEST IDEAL OF POETRY; WARTON AND COLLINS. 5/THE INNER STRUCTURE OF LIFE: HUME AND JOHNSON 51 IMAGINATION AS THE CENTRAL FORCE AND SHAPER OF EXPERIENCE; ITS PERVASIVE ENERGY REACTS TO AND CREATES HOPES, FEARS, AND DESIRES; HUMAN RELIANCE ON ITS CAPRICIOUS POWER. HUME AND THE ACTIVE UNDERCURRENT OF THE MIND; IMAGINATION CONTROLS THE STRENGTH AND VIVACITY OF IDEAS; A COMPLETING POWER; IMAGINATION IN ART. JOHNSON S MORAL STANCE; CONCEPT OF THE IMAGINATION IMPLICIT IN HIS LITERARY CRITICISM; DIRECT DISCUSSION IN HIS OTHER WRIT- INGS; EXTRAPOLATIVE CHARACTER OF THE IMAGINATION; IT GOVERNS DAILY LIFE; PREVALENT DANGERS OF THE IMAGINATION. PART TWO. A BROADER STAGE 6/NEW AESTHETICS AND CRITICISM: THE ASSOCIATIONISTS AND THE SCOTS 65 THE ASSOCIATIONISTS, PRIMARILY 1750 THROUGH THE 1770S; ARISTO- TLE, HOBBES, BERKELEY, HARTLEY, GAY, PRIESTLY, DUFF, GERARD, TUCKER, AND BROWN. A NEW CRITICISM: BEATTIE, DODSLEY, AND TURNBULL; BURKE S SUB- LIME AND BEAUTIFUL; BARNES AND LORD KAMES; THE INTERPLAY CONTENTS OF EMOTION AND THOUGHT. EXTENSIONS AND REFINEMENTS; HARTLEY S SYSTEM ABRIDGED AND MODIFIED BY PRIESTLEY; IMAGINATION AS AN ORGANIZING POWER; RELATION TO BELIEFS AND FEELINGS. ASSOCIATIONISM AND THE CREATIVE PROCESS; GERARD AND WHITER. 7/INVESTIGATORS OF GENIUS: GERARD AND DUFF 78 IT IS IMAGINATION THAT PRODUCES GENIUS ; GERARD S EXHAUSTIVE AND INCISIVE ANALYSIS; INDIVIDUALS DIFFER IN IMAGINATION AND HENCE IN GENIUS; ORIGINALITY AND INVENTION. DUFFS PLASTIC POWER; SCOPE OF IMAGINATION IN POETRY IS ABSO- LUTE AND UNCONFINED ; IT ASSIMILATES JUDGMENT; IMAGINATION IN EARLY SOCIETIES AND PRIMITIVE ART; GERMAN REACTION TO BRITISH ASSOCIATIONISTS; HISSMANN AND MAASS. PART THREE. THE GERMAN FOUNDATION 8/SHADOWS A CENTURY LONG 91 INTELLECTUAL CLIMATE OF GERMANY; DIFFERENCES FROM BRITAIN. FIRST PRINCIPLES; THE PHILOSOPHICAL ESTABLISHMENT; LEIBNIZ AND SHAFTESBURY, THE NEXT GENERATION; WOLFF AND THE FACULTAS FINGENDI; BAUM- GARTEN; THE SWISS CRITICS BODMER AND BREITINGER, THEIR SUCCESS AND DEBT TO ADDISON; KLOPSTOCK VINDICATES THEIR POSITION. STIRRINGS OF A GRAND SYNTHESIS, THE EMPIRICAL TRADITION TRANS- FORMED. THE QUICK RESPONSE TO ASSOCIATIONISM; HISSMANN S THOROUGH KNOWLEDGE OF THE BRITISH; MAASS S HISTORY OF ASSOCIA- TIONISM. THE PSYCHOLOGY OF THE IMAGINATION ENTERS ARTISTIC THEORY: PLATNER. 9/THE NEW FOCUS OF LITERATURE AND MYTH 102 MEISTER S SUGGESTIVE WORK FROM 1770 THROUGH THE 1790S. SULZER S ESSENTIAL ANALYSIS; ITS CLARITY AND IMPORTANCE FOR ART THEORY AND LITERATURE. IN THE CRITICAL WHIRLWIND; BLANKENBERG S RESEARCH AND COMPILA- TIONS REVEAL EXTENSIVE AND LEARNED INTEREST; HIS WORK A SOURCE BOOK. XIV CONTENTS THE REGROUNDING OF PHILOSOPHY; THE HISTORY OF THOUGHT IN A NEW LIGHT; LOWTH AND MICHAELIS ON HEBREW POETRY AND THE BIBLE; MEINERS AND BRUCKER. ESCAPING REASON AND ALLUSION: VICO, HEYNE, AND MORITZ; RE- NEWED INTEREST IN HELLENISM; WINCKELMANN AND LESSING; GERMAN AND NORTHERN MYTH; HERDER. THE RENOVATION OF SPINOZA ENCOURAGED BY THE IDEA OF IMAGINA- TION; ROMANTIC SPINOZISM. 10/THE GREAT METAMORPHOSIS: TETENS AND KANT 118 TETENS; CENTRAL IMPORTANCE AND INDEBTEDNESS TO GERARD; A DI- RECT LINK TO KANT AND COLERIDGE; TETENS DIVIDES THE IMAGI- NATIVE POWER INTO DIFFERENT LEVELS AND CITES GERARD AS A SOURCE; GERARD IN GERMANY. IMAGINATION AND WILL; ORIGINALITY AND ART. KANT: A NEW SYNTHESIS AND A GREAT REPOSITORY; GENERAL CHARACTER OF THE IMAGINATION IN HIS WORK; PROBLEMS; ACTUALLY SEVERAL CONCEPTS OF THE IMAGINATION; THE EMPIRICAL AND TRANSCEN- DENTAL IMAGINATIONS; ANOTHER LEVEL SYNTHESIZES THESE TWO. UNANSWERED QUESTIONS: GENIUS, GEIST, ART, AND AESTHETICS; KANT S INTEREST IN GERARD; HIS CREDITING GERARD WITH EX- PLAINING LINK BEWEEN PRODUCTIVE IMAGINATION AND GENIUS; SPONTANEOUS VERSUS WILLED IMAGINATION; FREE PLAY ; SUG- GESTIVE REMARKS IN KANT S LAST DECADE. PART FOUR. FAITH IN THE IMAGINATION 1 I/THE PSYCHE REACHES OUT: SYMPATHY 143 SYMPATHY AND IMAGINATION INTIMATELY CONNECTED; THEIR TANDEM IMPORTANCE THROUGHOUT THE EIGHTEENTH CENTURY. SYMPATHY IN ITS FUNDAMENTAL FORM; FIRST DISCUSSIONS THROUGH THE 1730S, MORAL AND LITERARY: HUTCHESON, ARBUCKLE, COOPER, AND CAMPBELL; DEBATE CONCERNING THE MORAL NA- TURE OF MANKIND; ARBUCKLE AND THE MORAL IMAGINATION RE- LATED UNEQUIVOCALLY TO SYMPATHY; CASTLE BUILDING ; SYM- PATHY AND ARTISTIC IMITATION. HUME AND BURKE, RISING INTEREST IN THE 1750S; HUME S PENE- TRATING COMMENTS; BURKE ON SYMPATHY AND THE AFFECTING ARTS ; BALFOUR, FORDYCE, BURGH, AND NETTLETON. CONTENTS SMITH S FORMULA: SYMPATHY IS THE WHOLE OF THE MORAL SENSE AND DEPENDS ENTIRELY ON IMAGINATION; HIS LARGE INFLUENCE. SYMPATHY IN MIMESIS; THE CHARACTER OF THE POET; EFFECT ON IMI- TATION AND POETIC LANGUAGE. THE EXAMPLE OF SHAKESPEARE: GERARD, KAMES, HUGH BLAIR, BEATTIE, ELIZABETH MONTAGU, MORGANN, AND WILLIAM RICH- ARDSON; THE 1760S THROUGH THE 1780S. SENSIBILITY EXPLAINED BY SYMPATHY AND IMAGINATION; CLASSICAL TERMS IN A NEW LIGHT. EMPATHY; EINFUEHLUNG IN GERMANY, HERDER; SYMPATHY WITH ANIMALS AND INANIMATE OBJECTS; DIFFERENCES BETWEEN EM- PATHY AND SYMPATHY*A SIMILAR ACT OF IMAGINATION GOVERNS THEM; POSSIBLE UNITY OF SUBJECTIVE AND OBJECTIVE; BEATTIE, KAMES, ALISON, AND WEBB; IDEAL PRESENCE CREATED BY IMAGINATION. 12/THE PSYCHE REACHES OUT: COALESCENCE AND THE CHEMISTRY OF THE MIND 161 TUCKER S TRAINS AND COMPOUNDS OF IDEAS; THE ASSOCIATION OF IDEAS AND FEELINGS BECOMES FLUID AND INTUITIVE; HIS EXCEL- LENT EXAMPLES; IMAGINATION CREATES A STORE OF HABITUATED EXPERIENCE CAPABLE OF SURPRISING CONNECTIONS. ALISON AND AESTHETIC VALUES; THESE A PRODUCT MORE OF ASSOCIA- TIONS AND IMAGINATION THAN OF INTRINSIC QUALITIES IN NATURE; PERSONAL DIFFERENCES IN TASTE COMPARED TO A GENERAL STAN- DARD. KNIGHT, BROWN, AND THE CHEMISTRY OF MIND ; SUGGESTION AND COALESCING ; RELIGIOUS AND COSMIC IMPLICATIONS. BELSHAM, DARWIN, AND SCOTT; THE TENOR OF ASSOCIATIONIST THOUGHT IMMEDIATELY PRECEDING HAZLITT. 13/DISTINCTIONS BETWEEN FANCY AND IMAGINATION 172 ENGLISH DISTINCTIONS IN THE LATE EIGHTEENTH CENTURY: PIOZZI, BEATTIE, REYNOLDS, AND MOIR. THE EARLY REVERSAL OF TERMS; LEIBNIZ, HOBBES, AND LOCKE; AD- DISON, HARTE, AND BAXTER. MID-CENTURY DISTINCTIONS: BURKE, WARTON, AND JOHNSON; DUFFS IMPORTANT COMMENTS; TUCKER; REID SURVEYS THE HISTORY OF THE TERMS. A NORM: STEWART S 1792 DISTINCTION; FANCY AN ASSOCIATIVE POWER; DISTINCTIONS OF MINOR FIGURES; SCOTT, COGAN, AND BROWN. XVI CONTENTS GERMAN DISTINCTIONS MORE COMPLEX YET EXACT; DISTINCTIONS BE- TWEEN VARIOUS LEVELS OF IMAGINATION ITSELF; PROBLEMS OF VO- CABULARY; WOLFF; SULZER S TWO-LEVEL DISTINCTION; THE DICHT- TERMS; TETENS FANCY VERSUS TWO KINDS OF IMAGINATION. PLATNER S 1772 DISTINCTION CRUCIAL; COLERIDGE AWARE OF IT. MAASS, KANT, AND SCHELLING DISTINGUISH THE TERMS CAREFULLY BUT NOT CONGRUENTLY; OVERVIEW OF THE MATTER. 14/A PLATEAU IN BRITAIN AND DEVELOPMENTS IN AMERICA 184 ENGLAND: REYNOLDS AND HIS DISCOURSES; ART NOT MERELY IMITA- TION, BUT UNDER THE DIRECTION OF THE IMAGINATION ; REASON REDEFINED; IMAGINATION IS THE RESIDENCE OF TRUTH. SCOTLAND: STEWART MAINTAINS A COMPLEX POWER ; HIS OVERVIEW REFLECTS DECADES OF THOUGHT. DEVELOPMENTS IN AMERICA; INTEREST IN THE IDEA AND EFFECT OF THE INTELLECTUAL CLIMATE BEFORE THE 1820S. THE AMERICAN MAINSTREAM; INFLUENCE OF ASSOCIATIONISM AND THE SCOTS; WITHERSPOON AND BRYANT; DENNIE. FRENEAU AND THE POWER OF FANCY. 15/ORGANIC SENSIBILITY: HAZLITT 197 HAZLITT CULMINATES A CENTURY OF THOUGHT, ESPECIALLY IN THE ASSO- CIATIONIST TRADITION. IMAGINATION AS A GENERAL POWER; MORAL SPECULATION AND PSY- CHOLOGY LEAD TO AESTHETICS, ART, AND POETRY; EARLY MORAL THOUGHT: GETTING OUT OF OURSELVES. A PERVADING AND ELASTIC ENERGY ; HAZLITT BRINGS ASSOCIATIONIST THEORIES TO A NEW VIEW OF EXPERIENCE. INTENSITY OF FEELING; PROCESS AND ORGANICISM. GUSTO DEPENDS ON IMAGINATION; ROLE OF THE SENSES; THEY MIX THROUGH A COMMON CENTER. POETRY AS THE HIGHEST IMAGINATIVE LIFE; THE DRAMA OF MIND AND NATURE; POETRY SUPERIOR TO OTHER ARTS DUE TO A GREATER PRES- ENCE OF IMAGINATION. MODERN PROBLEMS; TASTE; THE SUBJECT MATTER OF POETRY; THE POET S CHARACTER; CLASSICAL TENDENCIES. FANCY AND IMAGINATION. DRAMA, TRAGEDY, AND MYTH; INDIVIDUALITY AND THE CONCRETE NA- TURE OF ART; DRAMA AS THE HIGHEST POETRY; SHAKESPEARE; THE PROPHETIC. CONTENTS XVII PART FIVE. LITERARY EXPLORATIONS 16/THE NEW PHILOSOPHERS STONE AND THE NEW PIERIAN SPRING 217 HERDER S INTUITIVE APPROACH; BILDUNGSTRIEB; THE MIDDLE POINT OF IMAGINATION; CONNECTIONS WITH LATER THINKERS; RELIGIOUS OVERTONES AND THE IDEAL OF UNITY. FICHTE AND SUBJECTIVE IDEALISM BUILT ON THE IMAGINATION. ICH UND NICHT-ICH ZU VEREINIGEN. IMAGINATION AS MAN S HIGHEST SPIRIT. ARTIST S FANCY AND PHILOSOPHER S IMAGINATION; FICHTE S AESTHET- ICS OVERSHADOWED BY PHILOSOPHICAL DISCOURSE. SCHILLER: SPIELTRIEB AS AESTHETIC IMAGINATION; THE FINAL ELEMENT IN A GRAND SYNTHESIS; PLAY OF IMAGINATION IN EARLIER FIG- URES. OTHER TERMS; SCHOENER SCHEIN AND THE WILL. TRANSCENDENTAL POETICS; ITS RELIGIOUS BASIS; THE SCHLEGELS AND OTHERS. IMAGINATIVE SYMPATHY AS A TRANSCENDENTAL ACT; NOVALIS. L7/THE PROPHETIC AND VISIONARY: BLAKE AND SHELLEY 244 BLAKE S MILITANT BELIEF IN IMAGINATION; TRADITIONS BEHIND HIM. THE IMAGINATION AS REALITY; UNEXPECTED AFFINITIES WITH OTHER WRITERS. SUBJECTIVE AND OBJECTIVE. THE MEANING OF NATURE; BLAKE S VIEW COINCIDENT WITH SCHEL- LING S. A VISION OF UNITY: LOVE AND CHRIST AS THE IMAGINATION; PARALLELS TO BLAKE. AN ENDEAVOUR TO RESTORE. AN ANACALYPTIC POET. SHELLEY; THE DEFENCE A PERORATION ON THE IMAGINATION; POWER AND UNIVERSAL MIND ; IDEALISM AND PLATONIC ELEMENTS. A CALLING TO THE UNAPPREHENDED. PARADOXES OF THE IMAGINATION. 18/WORDSWORTH 265 GROWTH OF THE IMAGINATION IN THE POET S MIND. PERCEIVING NATURE. XVIII CONTENTS NATURE AND SELF ENTWINED; PARALLELS WITH AND DIFFERENCES FROM COLERIDGE; EIGHTEENTH-CENTURY PREDECESSORS. VISIONARY POWER. FANCY AND MEDITATIVE AND DRAMATIC IMAGINATION. THE SPIRITUALLY SYMBOLIC: LOVE. 19/GOETHE AND KEATS 277 AFFINITIES BETWEEN THEIR VIEWS OF IMAGINATION; ROLE OF EXPERI- ENCE; POETRY AND PHILOSOPHY. GOETHE: HIS BALANCED APPROACH IS MANY-SIDED, LITERARY AND PSY- CHOLOGICAL; IMAGINATIVE POWER TO BE CONTROLLED. KEATS AND THE AUTHENTICITY OF THE IMAGINATION. SYMPATHY AND INTENSITY. NEGATIVE CAPABILITY AND THE QUESTION OF IDENTITY. THE TREASON OF THE IMAGINATION. TENTATIVE ANSWERS. PART SIX. HARMONY OF BEING 20/SCHELLING 301 AN OVERVIEW. THE KEYSTONE OF THE IMAGINATION, DIVINE AND HUMAN MANIFESTA- TIONS. LEVELS OF THE IMAGINATION. A HIGHER UNITY AND PANENTHEISM. THE FIRST STEP: THE NATURE PHILOSOPHY. THE SECOND STEP: THE PHILOSOPHY OF MIND. IMAGINATION AND ART. THE THIRD AND FINAL STEP: ART RESCUES PHILOSOPHY; SUPREME IM- PORTANCE OF AESTHETICS. DIALECTIC OF ART AND PHILOSOPHY. BEAUTY, SALVATION, AND THE FUTURE. 21/COLERIDGE 328 HIS CENTRAL IMPORTANCE. PHILOSOPHICAL TERRAIN. THE DYNAMIC OF IMAGINATION. A UNIFIED PSYCHE; THE MEANING OF REASON REVIVED. THE ALL-CONNECTING NERVE OF IMAGINATION. NATURE AND CONNATURAL MIND. CONTENTS XIX LEVELS OF THE IMAGINATION; COLERIDGE DRAWS ON MANY THINKERS AND POETS. IMAGINATION S IMAGE OF IMAGINATION. ART AND SYMBOL. CRITICISM; PRINCIPLES AND PRACTICE. THE CRITICAL IDEAL OF UNITY. BEAUTY AND THE IDEAL. THE MORAL IMPERATIVE AND FRIENDLY HEART. RELIGION, THE ALPHA AND OMEGA OF IMAGINATION; COLERIDGE CULMI- NATES THE STUDY; THE IDEA REMAINS OPEN. SELECT BIBLIOGRAPHY 369 NOTES 381 INDEX 407 PPN: 008673004 TITEL: THE CREATIVE IMAGINATION : ENLIGHTENMENT TO ROMANTICISM / JAMES ENGELL. - . - CAMBRIDGE, MASS. [U.A.] : HARVARD UNIV. PR., 1981 ISBN: 0-674-17572-7 BIBLIOGRAPHISCHER DATENSATZ IM SWB-VERBUND
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dewey-hundreds	100 - Philosophy & psychology
dewey-ones	128 - Humankind
dewey-raw	128/.3
dewey-search	128/.3
dewey-sort	3128 13
dewey-tens	120 - Epistemology, causation, humankind
discipline	Anglistik / Amerikanistik Philosophie Literaturwissenschaft
edition	2. print.
era	Geschichte 1793-1830 gnd Geschichte 1793-1825 gnd
era_facet	Geschichte 1793-1830 Geschichte 1793-1825
format	Book
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geographic_facet	Deutschland Großbritannien
id	DE-604.BV008966812
illustrated	Not Illustrated
indexdate	2024-07-09T17:27:37Z
institution	BVB
isbn	0674175727
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physical	XIX, 416 S.
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publisher	Harvard Univ. Pr.
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spelling	Engell, James 1951- Verfasser (DE-588)132359383 aut The creative imagination enlightenment to romanticism 2. print. Cambridge, Mass. u.a. Harvard Univ. Pr. 1981 XIX, 416 S. txt rdacontent n rdamedia nc rdacarrier Geschichte 1793-1830 gnd rswk-swf Geschichte 1793-1825 gnd rswk-swf Creativiteit gtt Création littéraire Empirisme - Histoire Imagination - Histoire Romantiek gtt Romantisme - Allemagne Romantisme - Grande-Bretagne Siècle des lumières - Histoire Verbeelding gtt Verbeeldingskracht gtt Verlichting (cultuurgeschiedenis) gtt Geschichte Creation (Literary, artistic, etc.) Empiricism History Enlightenment Imagination History Romanticism Germany Romanticism Great Britain Englisch (DE-588)4014777-0 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Imagination (DE-588)4072730-0 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Theorie (DE-588)4059787-8 gnd rswk-swf Deutschland Großbritannien Deutschland (DE-588)4011882-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Deutsch (DE-588)4113292-0 s Literatur (DE-588)4035964-5 s Imagination (DE-588)4072730-0 s Geschichte 1793-1830 z DE-604 Englisch (DE-588)4014777-0 s Geschichte 1793-1825 z Romantik (DE-588)4050491-8 s Deutschland (DE-588)4011882-4 g Theorie (DE-588)4059787-8 s Großbritannien (DE-588)4022153-2 g SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=005919452&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Engell, James 1951- The creative imagination enlightenment to romanticism Creativiteit gtt Création littéraire Empirisme - Histoire Imagination - Histoire Romantiek gtt Romantisme - Allemagne Romantisme - Grande-Bretagne Siècle des lumières - Histoire Verbeelding gtt Verbeeldingskracht gtt Verlichting (cultuurgeschiedenis) gtt Geschichte Creation (Literary, artistic, etc.) Empiricism History Enlightenment Imagination History Romanticism Germany Romanticism Great Britain Englisch (DE-588)4014777-0 gnd Deutsch (DE-588)4113292-0 gnd Imagination (DE-588)4072730-0 gnd Romantik (DE-588)4050491-8 gnd Literatur (DE-588)4035964-5 gnd Theorie (DE-588)4059787-8 gnd
subject_GND	(DE-588)4014777-0 (DE-588)4113292-0 (DE-588)4072730-0 (DE-588)4050491-8 (DE-588)4035964-5 (DE-588)4059787-8 (DE-588)4011882-4 (DE-588)4022153-2
title	The creative imagination enlightenment to romanticism
title_auth	The creative imagination enlightenment to romanticism
title_exact_search	The creative imagination enlightenment to romanticism
title_full	The creative imagination enlightenment to romanticism
title_fullStr	The creative imagination enlightenment to romanticism
title_full_unstemmed	The creative imagination enlightenment to romanticism
title_short	The creative imagination
title_sort	the creative imagination enlightenment to romanticism
title_sub	enlightenment to romanticism
topic	Creativiteit gtt Création littéraire Empirisme - Histoire Imagination - Histoire Romantiek gtt Romantisme - Allemagne Romantisme - Grande-Bretagne Siècle des lumières - Histoire Verbeelding gtt Verbeeldingskracht gtt Verlichting (cultuurgeschiedenis) gtt Geschichte Creation (Literary, artistic, etc.) Empiricism History Enlightenment Imagination History Romanticism Germany Romanticism Great Britain Englisch (DE-588)4014777-0 gnd Deutsch (DE-588)4113292-0 gnd Imagination (DE-588)4072730-0 gnd Romantik (DE-588)4050491-8 gnd Literatur (DE-588)4035964-5 gnd Theorie (DE-588)4059787-8 gnd
topic_facet	Creativiteit Création littéraire Empirisme - Histoire Imagination - Histoire Romantiek Romantisme - Allemagne Romantisme - Grande-Bretagne Siècle des lumières - Histoire Verbeelding Verbeeldingskracht Verlichting (cultuurgeschiedenis) Geschichte Creation (Literary, artistic, etc.) Empiricism History Enlightenment Imagination History Romanticism Germany Romanticism Great Britain Englisch Deutsch Imagination Romantik Literatur Theorie Deutschland Großbritannien
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=005919452&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT engelljames thecreativeimaginationenlightenmenttoromanticism

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