Eighteenth century aesthetics and the reconstruction of art:
Eighteenth-Century Aesthetics and the Reconstruction of Art is a collection of essays exploring the rise of aesthetics as a response to, and as a part of, the reshaping of the arts in modern society. The theories of art that were developed under the name of "aesthetics" in the later eighte...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
1993
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Eighteenth-Century Aesthetics and the Reconstruction of Art is a collection of essays exploring the rise of aesthetics as a response to, and as a part of, the reshaping of the arts in modern society. The theories of art that were developed under the name of "aesthetics" in the later eighteenth century have traditionally been understood as contributions to a field of study in existence at least since the time of Plato. If art is a practice to be found in all human societies, then the philosophy of art is the search for universal features of that practice, statable in definitions of art and beauty. Despite appearances to the contrary, however, art as we know it - the system of "fine arts" - is largely peculiar to modern society. Aesthetics, far from being a perennial discipline, emerged when it did in an effort both to understand and to shape this new social practice. The essays included in this volume share the conviction that aesthetic ideas can be fully understood when seen not only in relation to intellectual and social contexts but as themselves constructed in history. This is relevant to the concept of art itself, which acquired its current meaning in relation to actual changes in the social uses made of painting, writing, and the other media. Ranging widely in method, with allegiance to no particular theoretical outlook, these studies are both grounded in the history of philosophy and drawn from recent developments in literary theory, art history, and social history, and seek to clarify philosophical issues by taking their historical content into account. |
| Beschreibung: | VII, 256 S. |
| ISBN: | 0521431069 |
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| 520 | 3 | |a Eighteenth-Century Aesthetics and the Reconstruction of Art is a collection of essays exploring the rise of aesthetics as a response to, and as a part of, the reshaping of the arts in modern society. The theories of art that were developed under the name of "aesthetics" in the later eighteenth century have traditionally been understood as contributions to a field of study in existence at least since the time of Plato. If art is a practice to be found in all human societies, then the philosophy of art is the search for universal features of that practice, statable in definitions of art and beauty. Despite appearances to the contrary, however, art as we know it - the system of "fine arts" - is largely peculiar to modern society. Aesthetics, far from being a perennial discipline, emerged when it did in an effort both to understand and to shape this new social practice. The essays included in this volume share the conviction that aesthetic ideas can be fully understood when seen not only in relation to intellectual and social contexts but as themselves constructed in history. This is relevant to the concept of art itself, which acquired its current meaning in relation to actual changes in the social uses made of painting, writing, and the other media. Ranging widely in method, with allegiance to no particular theoretical outlook, these studies are both grounded in the history of philosophy and drawn from recent developments in literary theory, art history, and social history, and seek to clarify philosophical issues by taking their historical content into account. | |
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INHALTSVERZEICHNIS
BOHLS, ELIZABETH A.
DISINTERESTEDNESS AND DENIAL OF THE PARTICULAR: LOCKE, ADAM SMITH, AND
THE SUBJECT OF AESTHETICS
S. 16-
BARNOUW, JEFFREY
THE BEGINNINGS OF AESTHETICS AND THE LEIBNIZIAN CONCEPTION OF
SENSATION
S. 52-
SHUSTERMAN, RICHARD
OF THE SCANDAL OF TASTE: SOCIAL PRIVILEGE AS NATURE IN THE AESTHETIC
THEORIES OF HUME AND KANT
S. 96-
SUMMERS, DAVID
WHY DID KANT CALL TASTE A COMMON SENSE ?
S. 120-
MATTICK, PAUL
ART AND MONEY
S. 152-
WOODMANSEE, MARTHA
ART AS A WEAPON IN CULTURAL POLITICS: REREADING SCHILLER S AESTHETIC
LETTERS
S. 178-
MASON, JOHN HOPE
THINKING ABOUT GENIUS IN THE EIGHTEENTH CENTURY
S. 210-
BECQ, ANNIE
CREATION, AESTHETICS, MARKET: ORIGINS OF THE MODERN CONCEPT OF ART
S. 240-
INHALTSVERZEICHNIS ALS PDF
2000- OESTERR. BIBLIOTHEKENVERBUND & SERVICE GMBH [GENERATED:
2006.12.14]
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| discipline | Kunstgeschichte Literaturwissenschaft |
| edition | 1. publ. |
| era | Geschichte 1700-1800 Geschichte 1700-1800 gnd |
| era_facet | Geschichte 1700-1800 |
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| spelling | Eighteenth century aesthetics and the reconstruction of art ed. by Paul Mattick Eighteenth-century aesthetics and the reconstruction of art 1. publ. Cambridge [u.a.] Cambridge Univ. Press 1993 VII, 256 S. txt rdacontent n rdamedia nc rdacarrier Eighteenth-Century Aesthetics and the Reconstruction of Art is a collection of essays exploring the rise of aesthetics as a response to, and as a part of, the reshaping of the arts in modern society. The theories of art that were developed under the name of "aesthetics" in the later eighteenth century have traditionally been understood as contributions to a field of study in existence at least since the time of Plato. If art is a practice to be found in all human societies, then the philosophy of art is the search for universal features of that practice, statable in definitions of art and beauty. Despite appearances to the contrary, however, art as we know it - the system of "fine arts" - is largely peculiar to modern society. Aesthetics, far from being a perennial discipline, emerged when it did in an effort both to understand and to shape this new social practice. The essays included in this volume share the conviction that aesthetic ideas can be fully understood when seen not only in relation to intellectual and social contexts but as themselves constructed in history. This is relevant to the concept of art itself, which acquired its current meaning in relation to actual changes in the social uses made of painting, writing, and the other media. Ranging widely in method, with allegiance to no particular theoretical outlook, these studies are both grounded in the history of philosophy and drawn from recent developments in literary theory, art history, and social history, and seek to clarify philosophical issues by taking their historical content into account. Hume, David Kant, Immanuel Leibniz, Gottfried Wilhelm Schiller, Friedrich Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Art - Philosophie Esthetica gtt Esthétique - 18e siècle Kunst gtt Kunst Philosophie Ästhetik Aesthetics, Modern 18th century Art Philosophy Ästhetik (DE-588)4000626-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Ästhetik (DE-588)4000626-8 s Geschichte 1700-1800 z DE-604 Mattick, Paul 1904-1981 Sonstige (DE-588)116841850 oth OEBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=005501127&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Eighteenth century aesthetics and the reconstruction of art Hume, David Kant, Immanuel Leibniz, Gottfried Wilhelm Schiller, Friedrich Art - Philosophie Esthetica gtt Esthétique - 18e siècle Kunst gtt Kunst Philosophie Ästhetik Aesthetics, Modern 18th century Art Philosophy Ästhetik (DE-588)4000626-8 gnd |
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| title | Eighteenth century aesthetics and the reconstruction of art |
| title_alt | Eighteenth-century aesthetics and the reconstruction of art |
| title_auth | Eighteenth century aesthetics and the reconstruction of art |
| title_exact_search | Eighteenth century aesthetics and the reconstruction of art |
| title_full | Eighteenth century aesthetics and the reconstruction of art ed. by Paul Mattick |
| title_fullStr | Eighteenth century aesthetics and the reconstruction of art ed. by Paul Mattick |
| title_full_unstemmed | Eighteenth century aesthetics and the reconstruction of art ed. by Paul Mattick |
| title_short | Eighteenth century aesthetics and the reconstruction of art |
| title_sort | eighteenth century aesthetics and the reconstruction of art |
| topic | Hume, David Kant, Immanuel Leibniz, Gottfried Wilhelm Schiller, Friedrich Art - Philosophie Esthetica gtt Esthétique - 18e siècle Kunst gtt Kunst Philosophie Ästhetik Aesthetics, Modern 18th century Art Philosophy Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Hume, David Kant, Immanuel Leibniz, Gottfried Wilhelm Schiller, Friedrich Art - Philosophie Esthetica Esthétique - 18e siècle Kunst Philosophie Ästhetik Aesthetics, Modern 18th century Art Philosophy Aufsatzsammlung |
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