"The spirit of genius": art at the Wadsworth Atheneum
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York
Hudson Hills Press
1992
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| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 260 S. zahlr. Ill. |
| ISBN: | 1555950698 |
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Datensatz im Suchindex
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Titel: "The spirit of genius"
Autor: Ayres, Linda
Jahr: 1992
Acknowledgments. Page 9 “Foremost Upon This Continent”: A History of the Wadsworth Atheneum Eugene R. Gaddis, William G. DeLana Archivist. n The Character of the Wadsworth Atheneum Patrick McCaughey , Director. 25 Commentaries and Color Plates European Paintings Plate (1) Piero di Cosimo, The Finding of Vulcan, c. 1490. 38 (2) Sebastiano del Piombo, Portrait of a Man in Armor, c. 1512. 40 (3) Domenico di Bartolomeo Ubaldini, called Domenico Puligo, The Virgin and Child with the Young Saint John the Baptist and Two Angels, c. 1525. 42 (4) Michelangelo Merisi da Caravaggio, Saint Francis, c. 1595. 44 (5) Francisco de Zurbaran, Saint Serapion, 1628. 46 (6) Jusepe de Ribera, The Sense of Taste, c. 1614—1616. 48 (7) Bernardo Strozzi, Saint Catherine of Alexandria, c. 1610—1615. 50 (8) Orazio Gentileschi, Judith and Her Maidservant ivith the Head of Holofernes, c. 1621—1624. 52 (9) Salvator Rosa, Lucrezia (?) as the Personification of Poetry, c. 1640. 54 (10) Claude Gellee, called Claude Lorrain, Saint George and the Dragon, c. 1641. 56 (11) Frans Hals, Portrait of Joseph Coymans,
1644. 58 (12) Michael Sweerts, Burying the Dead, c. 1650. 60 (13) Nicolaes Berchem, A Moor Presenting a Parrot to a Lady, c. 1660—1670. 62 (14) Giovanni Paolo Panini, The Picture Gallery of Cardinal Silvio Valenti Gonzaga, 1749 - 64 (15) Jean-Baptiste Greuze, Indolence, 1756—1757. 66 (16) Joseph Wright of Derby, The Old Man and Death, 1773. 68 (17) Eugene Delacroix, Turkish Women Bathing, 1854. 70 (18) William Holman Hunt, The Lady ofShalott, 1886—1905. 72 (19) Claude Monet, Beach at Trouville, 1870. 74 (20) Pierre-Auguste Renoir, Monet Painting in His Garden at Argenteuil, 1873. 76 (21) Camille Pissarro, Landscape with Flooded Fields, 1873. 78 (22) Paul Gauguin, Nirvana: Portrait of Meyer de Haan, 1889 -1890 . 80 (23) Pierre Bonnard, Woman Undressing, 1905. 82 (24) Henri Matisse, The Ostrich-Feather Hat, 1918. 84 (25) Pablo Picasso, The Painter, 1934. 86 (26) Piet Mondrian, Composition in Blue and White, 1935. 88 (27) Joan Miro,
Painting, 1933. 9 ° (28) Salvador Dali, Apparition of Face and Fruit Dish on a Beach, 1938. 92 (29) Balthus (Balthasar Klossowski de Rola), The Bernese Hat, 1938-1939. 94 (30) Max Ernst, Europe after the Rain, 1940—1942. 96 5 Wadsworth Atheneum
European Decorative Arts (31) Apothecary jar, probably workshop of Giunta di Tugio, 1431 Vase, Fontana Workshop, Urbino, c. 1560-1580. 98 (32) Cabinet, followers of Christoph Jamnitzer, c. 1620. 100 (33) Nautilus snail, Jeremias Ritter, c. 1630. 102 (34) The Fall of Man, circle or workshop of the “Master of the Saint Sebastian’s Martyrdoms,” c. 1630-1650. 104 (35) Jug in the form of a lion, Heinrich Dumeisen, 1688. 106 (36) Large plate from the Swan Service, Johann Joachim Kaendler with Johann Friedrich Eberlein, c. 1737. 108 (37) The Judgment of Paris, attributed to Johann Joachim Kaendler, c. 1762. no (38) Basket of flowers, Meissen and Vincennes porcelain, c. 1750. 112 (39) Pair of potpourri vases, Vincennes porcelain, c. 1751—1753. 114 (40) Bust of Louis XV, Mennecy (?) porcelain, c. 1752-1755. 116 Costume and Textiles (41) Psyche’s Toilette, Gobelin workshop, c. 1660. 118 (42) Cope with embroidered orphrey bands and hood, Spanish, early 16th century. 120 (43) Starburst quilt, American, mid-i9th century. 122 (44) Costume for the astrologer from Le Bal, Giorgio de Chirico, 1929. 124 (45) “Swan dress” (ball gown), Charles James,
1955. 126 American Decorative Arts (46) Cupboard, Massachusetts, c. 1670. 128 (47) Chest with drawers, Massachusetts, c. 1695. 130 (48) Chest-on-chest, Samuel Loomis, c. 1775. 132 (49) Chair, Eliphalet Chapin, c. 1780. 134 (50) A Selection of Household Wares, Wallace Nutting Collection, 18th and early 19th century. 136 (51) Ceramics used in early America, 1720-1850. 138 (52) Silver from the collections of Philip H. Hammerslough and Elizabeth B. Miles, 17th and 18th century. 140 (53) Objects from the Colt Collection, mid-i9th century. 142 (54) The Wetmore Parlor, 1746-1765. 144 (55) The Goodwin Reception Room, 1874. 146 American Paintings and Sculpture (56) John Singleton Copley, Jeremiah Lee, 1769 Mrs. Jeremiah Lee (Martha Swett), 1769. 148 (57) Ralph Earl, Oliver Ellsworth and Abigail Wolcott Ellsworth,
1792. 150 (58) John Vanderlyn, The Murder of Jane McCrea, 1804. 152 (59) Thomas Cole, Scene from “The Last of the Mohicans”: Cora Kneeling at the Feet of Tamenund, 1827. 154 (60) Thomas Cole, Mount Etna from Taormina, 1843. 156 C .oiitents 6
American Paintings (61) Frederic Edwin Church, Coast Scene, Mount Desert and Sculpture {continued) (Sunrise off the Maine Coast), 1863. 158 (62) Frederic Edwin Church, Vale of St. Thomas, Jamaica, 1867. 160 (63) Sanford Robinson Gifford, A Passing Storm in the Adirondacks, 1866. 162 (64) John E Kensett, Coast Scene with Figures (Beverly Shore), 1869. 164 (65) George Inness, Etretat, 1875. 166 (66) James McNeill Whistler, Coast of Brittany (Alone with the Tide), 1861. 168 (67) Winslow Homer, The Nooning, c. 1872. 170 (68) Thomas Wilmer Dewing, The Days, 1886. 172 (69) Julius L. Stewart, On the Yacht “ Namouna,” Venice, 1890. 174 (70) Thomas Eakins, Portrait of John McLure Hamilton, 1895. 176 (71) William Michael Harnett, The Faithful Colt, 1890 John E Peto, Reminiscences of 1865, 1897. 178 (72) William Merritt Chase, Shinnecock Hills (A View of Shinnecock), 1891. 180 (73) John Henry Twachtman, Emerald Pool, Yellowstone, c. 1895. 182 (74) John Sloan, Hairdresser’s Window, 1907. 184 (75) Marsden Hartley, Military,
1913. 186 (76) Elie Nadelman, Dancer, 1918. 188 (77) Georgia O’Keeffe, The Lawrence Tree, 1929. 190 (78) Alexander Calder, The Praying Mantis, 1936. 192 (79) Stuart Davis, Midi, 1954. 194 (80) Andrew Wyeth, Chambered Nautilus, 1956. 196 African-American Art and (81) Henry Ossawa Tanner, Virgin and Child, c. 1922. 198 The Amistad Foundation Collection (82) Jacob Lawrence, Rain, 1937. 200 (83) Mike Shea, Wheat Farmer, c. 1940. 202 (84) Richmond Barthe, The Negro Looks Ahead, c. 1944. 204 (85) Romare Bearden, She-Ba, 1970. 206 Modern American Art (86) Willem de Kooning, Standing Man, c. 1942. 208 (87) Barnett Newman, Onement II, 1948. 210 (88) Jackson Pollock, Number 9, IP49,
1949. 212 (89) Helen Frankenthaler, Sea Picture with Black, 1959. 214 (90) Bob Thompson, Garden of Music, i960. 216 (91) Jules Olitski, First Pull, 1963 . 218 (92) Andy Warhol, Triple Silver Disaster, 1963 . 220 (93) Robert Rauschenberg, Retroactive L, 1964. 222 (94) Frank Stella, Sinjerli Variation IV, 1968. 224 (95) Duane Hanson, Sunbather, 1971 . 226 (96) Sylvia Plimack Mangold, Big Green, 1977. 228 7 'Wadsworth Atheneum
Modern American Art (»»,/) (97) Howardena Pindell, Autobiography: Water/Ancestors Middle Passage/Family Ghosts, 1988. 230 (98) Doug and Mike Starn, Yellow Seascape with Film and Woodblocks, 1988—1989. 232 (99) Sol LeWitt, Forms Derived from a Cubic Rectangle with Color Ink Washes Superimposed. Each Is Bordered with a 10" (.2 5 cm) Color Ink Wash Band (Wall Drawing #612; detail), 1989. 234 (100) Peter Waite, The Lessons of the Fourth Estate, 1990. 236 Austin House (101) Leigh H. French, Jr., architect, Austin House, 1930.238 Notes. 240 A Selected Chronology—Eugene R. Gaddis with the assistance of John Teahan and Ann Brandwein. 250 Bibliography—John Teahan, Librarian. 254 Index. 255 Photograph credits Color plates are by Joseph Szaszfai except 31, 49, 50, 51, 52, 53, 85 (David Stansbury); 46, 48, 68, 81, 95 (Gordon H. Roberton); 45 (Lynton Gardiner); 18 (E. Irving Blomstrann); and 99 (Stux Gallery, New York). Black-and-white figure illustrations come from Wadsworth Atheneum, Joseph Szaszfai (12, 24, 25, 26, 30, 31, 32, 33, 34, 39, 43, 44, 45, 46, 48, 49); Wadsworth Atheneum Archives (5, 6, 8, 9, 10, 11, 13, 14, 15, 16, 18, 19, 20, 21, 22, 47); Wadsworth Atheneum, E.
Irving Blomstrann (1, 2, 3, 4, 23, 27, 28, 29, 35, 36, 37, 38, 40, 41, 42); Pierpont Morgan Library, New York (7); and Beinecke Rare Book and Manuscript Library, Yale University (17). |
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